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The aim of this article is to probe the ontological nature of the framing question of this volume, ‘What is media?’, and consider the frameworks and concepts through we can think most productively about the being of media. Its opening proposition is that we approach media first and foremost as a series of living, dynamic and entangled processes which only temporarily stabilize into (media) objects. To capture this processual dynamics of media, the author will offer the concept of ‘biomediations’, a concept that will allow her to place media activity amidst this over-encompassing yet still somewhat nebulous entity called life. More broadly, the aim of this article is to outline the author’s philosophy of media as developed in her scholarly writings across two decades, from Bioethics in the Age of New Media (2009) through to Life after New Media (2012, with Sarah Kember) and Nonhuman Photography (2017), but also as arising out of her engagements with media: photomedia practice, curatorial work as well as publishing collaborations - all of which will be discussed in the article.
Keywords: bacteria ; Barad ; Bergson ; bioart ; biomedia ; biotechnology ; cut ; life ; mediation ; phone
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