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Rewriting the American West: Black Feminist (Re)Vision in

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Rewriting the American West: Black Feminist (Re)Vision in Bella: An American Tall Tale
Intellect , 53 (2023); https://doi.org/10.1386/9781789386196_4
/content/books/9781789386196.c04
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References

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  4. Batiste, Stephanie. ( 2011), Darkening Mirrors: Imperial Representation in Depression-Era African American Performance, Durham:: Duke University Press;.
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  5. Bhana Young, Hershini. ( 2019), Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora, Durham:: Duke University Press;.
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  6. Brantley, Ben. ( 2017), ‘Review: In Bella, an indomitable hero goes west’, New York Times, 12 June, https://www.nytimes.com/2017/06/12/theater/bella-an-american-tall-tale-review.html. Accessed 20 July 2020.
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  7. Brooks, Daphne. ( 2006), Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910, Durham:: Duke University Press;.
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  8. Catanese, Brandi Wilkins. ( 2011), The Problem of the [Color]blind: Racial Transgression and Politics of Black Performance, Ann Arbor:: University of Michigan Press;.
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  9. Childs, Kirsten. ( 2019a;), ‘ Track-by-track breakdown: Kirsten Childs on the wild ride of Bella: An American Tale. ’, Playbill, 15 February, https://www.playbill.com/article/track-by-track-breakdown-kirsten-childs-on-the-wild-ride-of-bella-an-american-tale. Accessed 8 August 2021.
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  10. Childs, Kirsten. ( 2019b), Bella: An American Tall Tale, New York:: Concord Theatricals;.
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  11. Collins, Patricia Hill. ( 2000), Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, New York:: Routledge & CRC Press;.
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  12. Cook, Susan C.. ( 2009;), ‘ Pretty like the girl: Gender, race, and Oklahoma!. ’, Contemporary Theatre Review, 19:1, pp. 35–47.
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  13. Crenshaw, Kimberlé. ( 1989;), ‘ Demarginalizing the intersection of race and sex: A black feminist critique of antidiscrimination doctrine, feminist theory, and antiracist politics. ’, University of Chicago Legal Forum, 1:0, pp. 139–67.
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  14. Effinger-Crichlow, Marta. ( 2014), Staging Migrations Toward An American West: From Ida B. Wells to Rhodessa Jones, Boulder:: University Press of Colorado;.
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  15. Fleetwood, Nicole. ( 2011), Troubling Vision: Performance, Visuality, and Blackness, Chicago:: University of Chicago Press;.
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  16. Foster, Susan. ( 1998;), ‘ Choreographies of gender. ’, Signs 24:1, pp. 1–33.
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  17. Gallella, Donatella. ( 2015;), ‘ Redefining America, arena stage, and territory folks in a multiracial Oklahoma!. ’, Theatre Journal, 67:2, pp. 213–33.
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  18. Greenberg, Shoshana. ( 2017;), ‘ Kirsten Childs thinks big. ’, 15 May, American Theatre, https://www.americantheatre.org/2017/05/15/kirsten-childs-thinks-big/. Accessed 25 July 2020.71
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  19. Hartman, Saidiya V.. ( 2008;), ‘ Venus in two acts. ’, Small Axe, 12:2, pp. 1–14.
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  20. Hetrick, Adam. ( 2007;), ‘ Kirsten Childs’ Funked Up Fairytales extends at Barrington stage. ’, Playbill, 8 August, https://www.playbill.com/article/kirsten-childs-funked-up-fairy-tales-extends-at-barrington-stage-com-142867. Accessed 23 July 2020.
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  21. Hobson, Janell. ( 2018;), ‘ Remnants of Venus: Signifying black beauty and sexuality. ’, WSQ: Women's Studies Quarterly, 46:1, pp. 105–20.
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  22. Hoffman, Warren. ( 2014), The Great White. Way: Race and the Broadway Musical, New Brunswick:: Rutgers University Press;.
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  23. Knapp, Raymond. ( 2005), The American Musical and the Formation of National Identity, Princeton:: Princeton University Press;.
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  24. McKittrick, Katherine. ( 2006), Demonic Grounds: Black Women and the Cartographies of Struggle, Ann Arbor:: University of Michigan Press;.
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  25. Pao, Angela. ( 2010), No Safe Spaces: Re-Casting Race, Ethnicity, and Nationality in American Theater, Ann Arbor:: University of Michigan Press;.
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  26. Parks, Suzan-Lori. ( 1995), ‘ Possession. ’, in S. Parks. (ed.), The America Play and Other Works, New York:: Theatre Communications Group;.
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  27. White, Hayden. ( 1980;), ‘ The value of narrativity in the representation of reality. ’, Critical Inquiry 7:1, pp. 5–27.
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References

  1. Anon.. ( 2017;), ‘ Bella: An American tall tale. ’, Playwrights Horizons, https://www.playwrightshorizons.org/shows/plays/bella/. Accessed 1 March 2019.
     [Google Scholar]
  2. Asare, Masi. ( 2017;), ‘ 10 reasons you should go see Kirsten Childs. 's Bella: An American Tall Tale’, https://masiasare.com/blogs/blog/posts/10-reasons-you-should-go-see-kirsten-childs-s-bella-an-american-tall-tale. Accessed 8 August 2021.
     [Google Scholar]
  3. Barnes, Grace. ( 2015), Her Turn on the Stage: The Role of Women in Musical Theatre, Jefferson:: McFarland & Company Publishers;.
     [Google Scholar]
  4. Batiste, Stephanie. ( 2011), Darkening Mirrors: Imperial Representation in Depression-Era African American Performance, Durham:: Duke University Press;.
     [Google Scholar]
  5. Bhana Young, Hershini. ( 2019), Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora, Durham:: Duke University Press;.
     [Google Scholar]
  6. Brantley, Ben. ( 2017), ‘Review: In Bella, an indomitable hero goes west’, New York Times, 12 June, https://www.nytimes.com/2017/06/12/theater/bella-an-american-tall-tale-review.html. Accessed 20 July 2020.
     [Google Scholar]
  7. Brooks, Daphne. ( 2006), Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910, Durham:: Duke University Press;.
     [Google Scholar]
  8. Catanese, Brandi Wilkins. ( 2011), The Problem of the [Color]blind: Racial Transgression and Politics of Black Performance, Ann Arbor:: University of Michigan Press;.
     [Google Scholar]
  9. Childs, Kirsten. ( 2019a;), ‘ Track-by-track breakdown: Kirsten Childs on the wild ride of Bella: An American Tale. ’, Playbill, 15 February, https://www.playbill.com/article/track-by-track-breakdown-kirsten-childs-on-the-wild-ride-of-bella-an-american-tale. Accessed 8 August 2021.
     [Google Scholar]
  10. Childs, Kirsten. ( 2019b), Bella: An American Tall Tale, New York:: Concord Theatricals;.
     [Google Scholar]
  11. Collins, Patricia Hill. ( 2000), Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, New York:: Routledge & CRC Press;.
     [Google Scholar]
  12. Cook, Susan C.. ( 2009;), ‘ Pretty like the girl: Gender, race, and Oklahoma!. ’, Contemporary Theatre Review, 19:1, pp. 35–47.
     [Google Scholar]
  13. Crenshaw, Kimberlé. ( 1989;), ‘ Demarginalizing the intersection of race and sex: A black feminist critique of antidiscrimination doctrine, feminist theory, and antiracist politics. ’, University of Chicago Legal Forum, 1:0, pp. 139–67.
     [Google Scholar]
  14. Effinger-Crichlow, Marta. ( 2014), Staging Migrations Toward An American West: From Ida B. Wells to Rhodessa Jones, Boulder:: University Press of Colorado;.
     [Google Scholar]
  15. Fleetwood, Nicole. ( 2011), Troubling Vision: Performance, Visuality, and Blackness, Chicago:: University of Chicago Press;.
     [Google Scholar]
  16. Foster, Susan. ( 1998;), ‘ Choreographies of gender. ’, Signs 24:1, pp. 1–33.
     [Google Scholar]
  17. Gallella, Donatella. ( 2015;), ‘ Redefining America, arena stage, and territory folks in a multiracial Oklahoma!. ’, Theatre Journal, 67:2, pp. 213–33.
     [Google Scholar]
  18. Greenberg, Shoshana. ( 2017;), ‘ Kirsten Childs thinks big. ’, 15 May, American Theatre, https://www.americantheatre.org/2017/05/15/kirsten-childs-thinks-big/. Accessed 25 July 2020.71
     [Google Scholar]
  19. Hartman, Saidiya V.. ( 2008;), ‘ Venus in two acts. ’, Small Axe, 12:2, pp. 1–14.
     [Google Scholar]
  20. Hetrick, Adam. ( 2007;), ‘ Kirsten Childs’ Funked Up Fairytales extends at Barrington stage. ’, Playbill, 8 August, https://www.playbill.com/article/kirsten-childs-funked-up-fairy-tales-extends-at-barrington-stage-com-142867. Accessed 23 July 2020.
     [Google Scholar]
  21. Hobson, Janell. ( 2018;), ‘ Remnants of Venus: Signifying black beauty and sexuality. ’, WSQ: Women's Studies Quarterly, 46:1, pp. 105–20.
     [Google Scholar]
  22. Hoffman, Warren. ( 2014), The Great White. Way: Race and the Broadway Musical, New Brunswick:: Rutgers University Press;.
     [Google Scholar]
  23. Knapp, Raymond. ( 2005), The American Musical and the Formation of National Identity, Princeton:: Princeton University Press;.
     [Google Scholar]
  24. McKittrick, Katherine. ( 2006), Demonic Grounds: Black Women and the Cartographies of Struggle, Ann Arbor:: University of Michigan Press;.
     [Google Scholar]
  25. Pao, Angela. ( 2010), No Safe Spaces: Re-Casting Race, Ethnicity, and Nationality in American Theater, Ann Arbor:: University of Michigan Press;.
     [Google Scholar]
  26. Parks, Suzan-Lori. ( 1995), ‘ Possession. ’, in S. Parks. (ed.), The America Play and Other Works, New York:: Theatre Communications Group;.
     [Google Scholar]
  27. White, Hayden. ( 1980;), ‘ The value of narrativity in the representation of reality. ’, Critical Inquiry 7:1, pp. 5–27.
     [Google Scholar]

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