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Stepping Out of Line: (Re)Claiming the Diva for the Dancers of Broadway

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References

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  2. Adamy, H. P.. ( 2014;), ‘ Always and already excessive: Theorize diva performativity in a TAMU studio soprano. ’, Studies in Musical Theatre, 8:3, pp. 271–80.
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  13. Hanna, J. L.. ( 1988), Dance, Sex and Gender: Signs of Identity, Dominance, Defiance, and Desire, Chicago:: The University of Chicago Press;.
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  14. Koestenbaum, W.. ( 1993), The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire, New York:: Poseidon Press;.
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  16. Leonardi, S. J., and Pope, R. A.. ( 1996), The Diva's Mouth: Body, Voice, Prima Donna Politics, New Brunswick:: Rutgers University Press;.
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  19. McFee, G.. ( 2011), The Philosophical Aesthetics of Dance: Identity, Performance and Understanding, Basingstoke:: Dance Books Ltd;.
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  20. Mordden, E.. ( 1983), Broadway Babies: The People Who Made the American Musical, New York:: Oxford University Press;.
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  23. Prideux, T.. ( 1959;), ‘ Gwen knocks ‘em in the aisles. ’, Life, 23 February, pp. 81–84.
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  24. Rich, F.. ( 1993;), ‘ For the musical, a love affair beyond the liaison in a Latin jail. ’, New York Times, 4 May, http://www.nytimes.com/1993/05/04/thea ter/review-theater-for-the-musical-a-love-affair-beyond-the-liaison-in-a latin-jail.html?pagewanted=all. Accessed 15 May 2017.
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  26. Wahls, R.. ( 1977;), ‘ The old razzle dazzle. ’, Sunday News, 6 February, p. 4.
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  27. Wasson, S.. ( 2013), Fosse, New York:: Houghton Mifflin Harcourt;.
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  28. Weigman, M.. ( 2004;), ‘ Re-visioning the spider woman archetype in Kiss of the Spider Woman. ’, Journal of Analytical Psychology, 49:3, pp. 397–412.
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References

  1. Adair, C.. ( 1992), Women and Dance: Sylphs and Sirens, New York:: New York University Press;.
     [Google Scholar]
  2. Adamy, H. P.. ( 2014;), ‘ Always and already excessive: Theorize diva performativity in a TAMU studio soprano. ’, Studies in Musical Theatre, 8:3, pp. 271–80.
     [Google Scholar]
  3. Austin, J.. ( 1997), ‘ Mentors of American Jazz dance. ’, in S. E. Friedler, and S. B. Glazer. (eds), Dancing Female: Lives and Issues of Women in Contemporary Dance, Amsterdam:: Harwood Academic Publishers;, pp. 67–81.
     [Google Scholar]
  4. Banes, S.. ( 1998), Dancing Women: Female Bodies on Stage, London:: Routledge;.
     [Google Scholar]
  5. Berkvist, R.. ( 2000;), ‘ Gwen Verdon, redhead who high-kicked her way to stardom, dies at 75. ’, New York Times, 19 October, http://www.nytimes.com/2000/10/19/theater/gwen-verdon-redhead-who-high-kicked-her-way-to-stardomdies-at-75.html. Accessed 15 May 2017.203
     [Google Scholar]
  6. Clum, J. M.. ( 1999), Something for the Boys: Musical Theatre and Gay Culture, New York:: Palgrave;.
     [Google Scholar]
  7. Collins, G.. ( 1993;), ‘ To the spider woman, Broadway is home. ’, New York Times, 1 June, http://www.nytimes.com/1993/06/01/theater/to-the-spiderwoman-broadway-is-home.html. Accessed 28 September 2017.
     [Google Scholar]
  8. Dvoskin, M.. ( 2016;), ‘ Embracing excess: The queer feminist power of musical theatre diva roles. ’, Studies in Musical Theatre, 10:1, pp. 93–103.
     [Google Scholar]
  9. Foster, S. L.. ( 1995), ‘ Choreographing history. ’, in S. L. Foster. (ed.), Choreographing History, Bloomington:: Indiana University Press;, pp. 3–21.
     [Google Scholar]
  10. Foster, S. L.. ( 2003), ‘ Dancing bodies. ’, in J. Desmond. (ed.), Meaning in Motion: New Cultural Studies of Dance, Durham:: Duke University Press;, pp. 235–57.
     [Google Scholar]
  11. Fraleigh, S.. ( 1987), Dance and the Lived Body: A Descriptive Aesthetics, Pittsburgh:: University of Pittsburgh Press;.
     [Google Scholar]
  12. Hamera, J.. ( 2000;), ‘ The romance of monsters: Theorizing the virtuoso body. ’, Theatre Topics, 10:2, pp. 144–53.
     [Google Scholar]
  13. Hanna, J. L.. ( 1988), Dance, Sex and Gender: Signs of Identity, Dominance, Defiance, and Desire, Chicago:: The University of Chicago Press;.
     [Google Scholar]
  14. Koestenbaum, W.. ( 1993), The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire, New York:: Poseidon Press;.
     [Google Scholar]
  15. Leonardi, S. J., and Pope, R. A.. ( 1994;), ‘ Screaming divas: Collaboration as feminist practice. ’, Tulsa Studies in Women's Literature, 13:2, pp. 259–70.
     [Google Scholar]
  16. Leonardi, S. J., and Pope, R. A.. ( 1996), The Diva's Mouth: Body, Voice, Prima Donna Politics, New Brunswick:: Rutgers University Press;.
     [Google Scholar]
  17. Leve, J.. ( 2009), Kander and Ebb, New Haven:: Yale University Press;.
     [Google Scholar]
  18. McClean, A. L.. ( 2008), Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema, London:: Rutgers University Press;.
     [Google Scholar]
  19. McFee, G.. ( 2011), The Philosophical Aesthetics of Dance: Identity, Performance and Understanding, Basingstoke:: Dance Books Ltd;.
     [Google Scholar]
  20. Mordden, E.. ( 1983), Broadway Babies: The People Who Made the American Musical, New York:: Oxford University Press;.
     [Google Scholar]
  21. Mulvey, L.. ( 1999), ‘ Visual pleasure and narrative cinema. ’, in L. Braudy, and M. Cohen. (eds), Film Theory and Criticism: Introductory Readings, New York:: Oxford University Press;, pp. 833–44.
     [Google Scholar]
  22. Peyser, M.. ( 1993;), ‘ The dancing diva of Broadway. ’, Newsweek, 23 May, http://www.newsweek.com/dancing-diva-broadway-193474. Accessed 15 May 2017.
     [Google Scholar]
  23. Prideux, T.. ( 1959;), ‘ Gwen knocks ‘em in the aisles. ’, Life, 23 February, pp. 81–84.
     [Google Scholar]
  24. Rich, F.. ( 1993;), ‘ For the musical, a love affair beyond the liaison in a Latin jail. ’, New York Times, 4 May, http://www.nytimes.com/1993/05/04/thea ter/review-theater-for-the-musical-a-love-affair-beyond-the-liaison-in-a latin-jail.html?pagewanted=all. Accessed 15 May 2017.
     [Google Scholar]
  25. Thomas, H.. ( 2003), The Body, Dance and Cultural Theory, New York:: Palgrave Macmillan;.204
     [Google Scholar]
  26. Wahls, R.. ( 1977;), ‘ The old razzle dazzle. ’, Sunday News, 6 February, p. 4.
     [Google Scholar]
  27. Wasson, S.. ( 2013), Fosse, New York:: Houghton Mifflin Harcourt;.
     [Google Scholar]
  28. Weigman, M.. ( 2004;), ‘ Re-visioning the spider woman archetype in Kiss of the Spider Woman. ’, Journal of Analytical Psychology, 49:3, pp. 397–412.
     [Google Scholar]
  29. Wolf, S.. ( 2011), Changed for the Good: A Feminist History of the Broadway Musical, Oxford:: Oxford University Press;.
     [Google Scholar]

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