Skip to content
1981

Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices

image of Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices
Loading full text...

Full text loading...

Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices
Intellect , 268 (2023); https://doi.org/10.1386/9781789386196_15
/content/books/9781789386196.c15
/content/books/9781789386196.c15
Loading

Data & Media loading...

References

  1. Ahmed, S.. ( 2016;), ‘ An affinity of hammers. ’, TSQ: Transgender Studies Quarterly, 3:1&2, pp. 22–34.
     [Google Scholar]
  2. Armstrong, A., and Juhl, K.. ( 2007), Radical Acts, San Francisco:: Aunt Lute Books;.
     [Google Scholar]
  3. Barnett, D.. ( 2015), Brecht in Practice, London:: Bloomsbury Methuen Drama;.
     [Google Scholar]
  4. Berlant, L., and Warner, M.. ( 1998;), ‘ Sex in public. ’, Critical Inquiry, 24:2, pp. 547–66.
     [Google Scholar]
  5. Cranny-Francis, A.. ( 2003), Gender Studies, Basingstoke:: Palgrave Macmillan;.
     [Google Scholar]
  6. Deer, J., and Dal Vera, R.. ( 2008), Acting in Musical Theatre: A Comprehensive Course, London and New York:: Routledge;.
     [Google Scholar]
  7. Diamond, E.. ( 1988;), ‘ Brechtian theory/feminist theory: Toward a gestic feminist criticism. ’, TDR, 32:1, p. 82.
     [Google Scholar]
  8. Diamond, E.. ( 1997), Unmaking Mimesis, London:: Routledge;.
     [Google Scholar]
  9. Freeman, E.. ( 2010), Time Binds: Queer Temporalities, Queer Histories, Durham:: Duke University Press;.
     [Google Scholar]
  10. Graham, S., and Hoggett, S.. ( 2009), The Frantic Assembly Book of Devising Theatre, London:: Routledge;.
     [Google Scholar]
  11. Halberstam, J.. ( 2018), Trans*: A Quick and Quirky Account of Gender Variability, Oakland:: University of California Press;.
     [Google Scholar]
  12. Kirle, B.. ( 2005), Unfinished Show Business: Broadway Musicals as Works-in-Process, Carbondale:: Southern Illinois University Press;.
     [Google Scholar]
  13. Knapp, R.. ( 2005), The American Musical and the Performance of Personal Identity, Princeton:: Princeton University Press;.
     [Google Scholar]
  14. Knapp, R.,, Morris, M., and Wolf, S.. ( 2011), The Oxford Handbook of the American Musical, Oxford:: Oxford University Press;.
     [Google Scholar]
  15. Lim, S.. ( 2017), ‘At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre's and East West Players’ adaptations of Pippin’, Studies in Musical Theatre, 11:1, pp. 23–37.
  16. Margolis, E., and Renaud, L.. ( 2010), The Politics of American Actor Training, New York:: Routledge;.
     [Google Scholar]
  17. Masso, G.. ( 2018), ‘Casting tool to create gender parity in theatre launches in UK’, The Stage, https://www.thestage.co.uk/news/2018/casting-toolcreate-gender-parity-theatre-launches-uk. Accessed 13 September 2018.
  18. McMillin, S.. ( 2006), The Musical as Drama, Princeton:: Princeton University Press;.
     [Google Scholar]
  19. Miller, S.. ( 1996), From Assassins to West Side Story, Portsmouth:: Heinemann;.282
     [Google Scholar]
  20. Mitchell, K.. ( 2009), The Director's Craft, Abingdon:: Routledge;.
     [Google Scholar]
  21. Mountview ( 2017), ‘“Student feedback” following public production of Pippin’, Mountview, London, July.
  22. Solga, K.. ( 2016), Theatre & Feminism, London and New York:: Palgrave MacMillan;.
     [Google Scholar]
  23. Stryker, S., and Bettcher, T.. ( 2016;), ‘ Introduction. ’, TSQ: Transgender Studies Quarterly, 3:1&2, pp. 5–14.
     [Google Scholar]
  24. Taylor, M.. ( 2012), Musical Theatre, Realism and Entertainment, , 1st ed.., Farnham:: Ashgate;.
     [Google Scholar]
  25. USA TODAY ( 2018), ‘Pippin: Season's best musical, jazz hands down’, https://www.usatoday.com/story/life/2013/04/25/broadway-review-pippin/2106973. Accessed 28 January 2018.
  26. Wolf, S.. ( 2010), Changed for Good: A Feminist History of the Broadway Musical, New York:: Oxford University Press;.
     [Google Scholar]
  27. YouTube ( 2018), ‘Jill Soloway on The Female Gaze | MASTER CLASS | TIFF 2016’, YouTube, https://www.youtube.com/watch?v=pnBvppooD9I. Accessed 28 January 2018.

References

  1. Ahmed, S.. ( 2016;), ‘ An affinity of hammers. ’, TSQ: Transgender Studies Quarterly, 3:1&2, pp. 22–34.
     [Google Scholar]
  2. Armstrong, A., and Juhl, K.. ( 2007), Radical Acts, San Francisco:: Aunt Lute Books;.
     [Google Scholar]
  3. Barnett, D.. ( 2015), Brecht in Practice, London:: Bloomsbury Methuen Drama;.
     [Google Scholar]
  4. Berlant, L., and Warner, M.. ( 1998;), ‘ Sex in public. ’, Critical Inquiry, 24:2, pp. 547–66.
     [Google Scholar]
  5. Cranny-Francis, A.. ( 2003), Gender Studies, Basingstoke:: Palgrave Macmillan;.
     [Google Scholar]
  6. Deer, J., and Dal Vera, R.. ( 2008), Acting in Musical Theatre: A Comprehensive Course, London and New York:: Routledge;.
     [Google Scholar]
  7. Diamond, E.. ( 1988;), ‘ Brechtian theory/feminist theory: Toward a gestic feminist criticism. ’, TDR, 32:1, p. 82.
     [Google Scholar]
  8. Diamond, E.. ( 1997), Unmaking Mimesis, London:: Routledge;.
     [Google Scholar]
  9. Freeman, E.. ( 2010), Time Binds: Queer Temporalities, Queer Histories, Durham:: Duke University Press;.
     [Google Scholar]
  10. Graham, S., and Hoggett, S.. ( 2009), The Frantic Assembly Book of Devising Theatre, London:: Routledge;.
     [Google Scholar]
  11. Halberstam, J.. ( 2018), Trans*: A Quick and Quirky Account of Gender Variability, Oakland:: University of California Press;.
     [Google Scholar]
  12. Kirle, B.. ( 2005), Unfinished Show Business: Broadway Musicals as Works-in-Process, Carbondale:: Southern Illinois University Press;.
     [Google Scholar]
  13. Knapp, R.. ( 2005), The American Musical and the Performance of Personal Identity, Princeton:: Princeton University Press;.
     [Google Scholar]
  14. Knapp, R.,, Morris, M., and Wolf, S.. ( 2011), The Oxford Handbook of the American Musical, Oxford:: Oxford University Press;.
     [Google Scholar]
  15. Lim, S.. ( 2017), ‘At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre's and East West Players’ adaptations of Pippin’, Studies in Musical Theatre, 11:1, pp. 23–37.
  16. Margolis, E., and Renaud, L.. ( 2010), The Politics of American Actor Training, New York:: Routledge;.
     [Google Scholar]
  17. Masso, G.. ( 2018), ‘Casting tool to create gender parity in theatre launches in UK’, The Stage, https://www.thestage.co.uk/news/2018/casting-toolcreate-gender-parity-theatre-launches-uk. Accessed 13 September 2018.
  18. McMillin, S.. ( 2006), The Musical as Drama, Princeton:: Princeton University Press;.
     [Google Scholar]
  19. Miller, S.. ( 1996), From Assassins to West Side Story, Portsmouth:: Heinemann;.282
     [Google Scholar]
  20. Mitchell, K.. ( 2009), The Director's Craft, Abingdon:: Routledge;.
     [Google Scholar]
  21. Mountview ( 2017), ‘“Student feedback” following public production of Pippin’, Mountview, London, July.
  22. Solga, K.. ( 2016), Theatre & Feminism, London and New York:: Palgrave MacMillan;.
     [Google Scholar]
  23. Stryker, S., and Bettcher, T.. ( 2016;), ‘ Introduction. ’, TSQ: Transgender Studies Quarterly, 3:1&2, pp. 5–14.
     [Google Scholar]
  24. Taylor, M.. ( 2012), Musical Theatre, Realism and Entertainment, , 1st ed.., Farnham:: Ashgate;.
     [Google Scholar]
  25. USA TODAY ( 2018), ‘Pippin: Season's best musical, jazz hands down’, https://www.usatoday.com/story/life/2013/04/25/broadway-review-pippin/2106973. Accessed 28 January 2018.
  26. Wolf, S.. ( 2010), Changed for Good: A Feminist History of the Broadway Musical, New York:: Oxford University Press;.
     [Google Scholar]
  27. YouTube ( 2018), ‘Jill Soloway on The Female Gaze | MASTER CLASS | TIFF 2016’, YouTube, https://www.youtube.com/watch?v=pnBvppooD9I. Accessed 28 January 2018.

  • From This Site

    /content/books/9781789386196.c15
    dcterms_title,dcterms_subject,pub_keyword
    -contentType:Contributor -contentType:Concept -contentType:Institution
    10
    5
/content/books/9781789386196.c15
dcterms_title,dcterms_subject,pub_keyword
-contentType:Contributor -contentType:Concept -contentType:Institution
10
5
Chapter
content/books/9781789386196
Book
false
en
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test