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The Space in Between Us: Photographic Portraiture, Social Distancing and Touch

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References

  1. Azoulay, Ariella (2008), The Civil Contract of Photography, New York: Zone Books.
    [Google Scholar]
  2. Barthes, Roland (1981), Camera Lucida: Reflections on Photography, London: Fontana.
    [Google Scholar]
  3. Fahd, Cherine (2019), ‘Breath work: Visualizing the invisible and relational breath’, Journal of Visual Art Practice, 18:2, pp. 17798, https://doi.org/10.1080/14702029.2019.1592900.
    [Google Scholar]
  4. Irigaray, Luce (2013), ‘To begin with breathing anew’, in L. Skof and E. A. Holmes (eds), Breathing with Luce Irigaray, London: Bloomsbury, pp. 21726.
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  5. Jurgenson, Nathan (2019), The Social Photo, London: Verso Books.
    [Google Scholar]
  6. Montagu, Ashley (1986), Touching: The Human Significance of the Skin, New York: HarperCollins Publishers.
    [Google Scholar]
  7. Nancy, Jean Luc (2008), Corpus, New York: Fordham University Press.
    [Google Scholar]
  8. Palmer, Daniel (2017), Photography and Collaboration: From Conceptual Art to Crowdsourcing, London: Bloomsbury Academic.
    [Google Scholar]
  9. Sedgwick, Eve Kosofsky (2003), Touching Feeling: Affect, Pedagogy, Performativity, Durham; London: Duke University Press.
    [Google Scholar]
  10. Sontag, Susan (1977), On Photography, London: Penguin Books.
    [Google Scholar]
  11. Sullivan, Shannon (2001), Living Across and Through Skins: Transactional Bodies, Pragmatism, and Feminism, Bloomington: Indiana University Press.
    [Google Scholar]
  12. Zilio, Marion (2020), Faceworld, New Jersey: Wiley.
    [Google Scholar]

References

  1. Azoulay, Ariella (2008), The Civil Contract of Photography, New York: Zone Books.
    [Google Scholar]
  2. Barthes, Roland (1981), Camera Lucida: Reflections on Photography, London: Fontana.
    [Google Scholar]
  3. Fahd, Cherine (2019), ‘Breath work: Visualizing the invisible and relational breath’, Journal of Visual Art Practice, 18:2, pp. 17798, https://doi.org/10.1080/14702029.2019.1592900.
    [Google Scholar]
  4. Irigaray, Luce (2013), ‘To begin with breathing anew’, in L. Skof and E. A. Holmes (eds), Breathing with Luce Irigaray, London: Bloomsbury, pp. 21726.
    [Google Scholar]
  5. Jurgenson, Nathan (2019), The Social Photo, London: Verso Books.
    [Google Scholar]
  6. Montagu, Ashley (1986), Touching: The Human Significance of the Skin, New York: HarperCollins Publishers.
    [Google Scholar]
  7. Nancy, Jean Luc (2008), Corpus, New York: Fordham University Press.
    [Google Scholar]
  8. Palmer, Daniel (2017), Photography and Collaboration: From Conceptual Art to Crowdsourcing, London: Bloomsbury Academic.
    [Google Scholar]
  9. Sedgwick, Eve Kosofsky (2003), Touching Feeling: Affect, Pedagogy, Performativity, Durham; London: Duke University Press.
    [Google Scholar]
  10. Sontag, Susan (1977), On Photography, London: Penguin Books.
    [Google Scholar]
  11. Sullivan, Shannon (2001), Living Across and Through Skins: Transactional Bodies, Pragmatism, and Feminism, Bloomington: Indiana University Press.
    [Google Scholar]
  12. Zilio, Marion (2020), Faceworld, New Jersey: Wiley.
    [Google Scholar]
/content/books/9781789386523.c03
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