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Survivalist Samplers: Restoring Sampling Traditions and Utopian Perspectives

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Survivalist Samplers: Restoring Sampling Traditions and Utopian Perspectives
Intellect , 88 (2023); https://doi.org/10.1386/9781789386523_7
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References

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References

  1. Banivanua Mar, Tracy and Edmonds, Penelope (eds) (2010), Making Settler Colonial Space: Perspectives on Race, Place and Identity, New York: Palgrave Macmillan.
     [Google Scholar]
  2. Barber, Elizabeth Wayland (1994), Women's Work: The First 20,000 Years, New York: W. W. Norton & Company.
     [Google Scholar]
  3. Bendell, Jem ([2018] 2020), ‘Deep adaptation: A map for navigating climate tragedy’, Professor Jem Bendell, https://jembendell.com/2019/05/15/deep-adaptation-versions/. Accessed 1 October 2020.
  4. Bourriaud, Nicolas (2002), Postproduction, New York: Lukas & Sternberg.
     [Google Scholar]
  5. Browne, Clare (2003), ‘Samplers in the museum's collection’, in C. Browne and J. Wearden (eds), Samplers from the Victoria and Albert Museum, London: V&A Publications, pp. 7–11.
     [Google Scholar]
  6. Connerton, Paul (2009), How Modernity Forgets, Cambridge: Cambridge University Press.
     [Google Scholar]
  7. Corso Esquivel, John (2019), Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect, New York: Routledge.
     [Google Scholar]
  8. Daniel (2016), ‘Tilleke Schwarz: From Conception to Creation’, Textile.Artist.org, https://www.textileartist.org/tilleke-schwarz-from-conception-to-creation. Accessed 1 November 2020.
  9. Feiler, Bruce (2013), ‘The stories that Bind us’, New York Times, 15 March, https://www.nytimes.com/2013/03/17/fashion/the-family-stories-that-bind-us-this-life.html. Accessed 15 October 2020.
     [Google Scholar]
  10. Gell, Alfred (1998), Art and Agency: An Anthropological Theory, Oxford: Clarendon Press.
     [Google Scholar]
  11. Harris, Jennifer (1988), ‘Embroidery in Women's Lives: 1300 to 1900’, The Subversive Stitch, exhibition catalogue, Whitworth Art Gallery and Cornerhouse, Manchester, 27 May–29 August, pp. 8–33.
     [Google Scholar]
  12. Highmore, Ben (2011), Ordinary Lives: Studies in the Everyday, Oxon: Routledge.
     [Google Scholar]
  13. Hunter, Clare (2019), Threads of Life: A History of the World Through the Eye of a Needle, London: Sceptre.
     [Google Scholar]
  14. Katz, Anna (2019), ‘Lessons in Promiscuity: Patterning and the New Decorativeness in Art of the 1970s and 1980s’, in With Pleasure: Patterns and Decoration in American Art 1972–1985, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, 27 October 2019–11 May 2020, pp. 17–51.
     [Google Scholar]
  15. Kenneally, Christine (2014), The Invisible History of the Human Race, New York: Penguin Books.
     [Google Scholar]
  16. Klein, Naomi (2014), This Changes Everything, London: Penguin Books.110
     [Google Scholar]
  17. Levey, Santina M. (2004), ‘Embroidery’, in J. Harris (ed.), 5000 Years of Textiles, London: The British Museum Press, pp. 200–16.
     [Google Scholar]
  18. Maroske, Sara and Dowe, John (2015), ‘German farm gardens in colonial South Australia’, Australian Garden History, 26:4, pp. 13–16.
     [Google Scholar]
  19. Meller, Susan and Elfers, Joost (1991), Textile Designs: Two Hundred Years of European and American Patterns Organized by Motif, Style, Color, Layout and Period, New York: Abrams.
     [Google Scholar]
  20. Parker, Rozsika (1986), The Subversive Stitch: Embroidery and the Making of the Feminine, London: The Women's Press.
     [Google Scholar]
  21. Robinson, Fiona (2011), The Ethics of Care: A Feminist Approach to Human Security, Philadelphia: Temple University Press.
     [Google Scholar]
  22. Schwarz, Tilleke and Hanne Hagenaars (2012), Tilleke Schwarz: New Potatoes, The Hague: De Swart.
     [Google Scholar]
  23. Verwoert, Jan (2007), ‘Living with ghosts: From appropriation to invocation in contemporary art’, Art & Research: A Journal of Ideas, Contexts and Methods, 1:2, pp. 1–7.
     [Google Scholar]
  24. Victoria and Albert Museum Website (2020), ‘Embroidery: A history of needlework samplers’, https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers#vam_nav. Accessed 15 October 2020.
  25. Waters, Sera (2018), ‘Genealogical ghostscapes: Unsettling settler colonial home-making legacies in South Australia’, Ph.D. thesis, Adelaide: University of South Australia.
     [Google Scholar]
  26. Waters, Sera (2020), ‘Crafty prepping’, Artlink Australia, 40:1, pp. 20–27, https://www.artlink.com.au/articles/4817/crafty-prepping/. Accessed 20 March 2020.
     [Google Scholar]
  27. Waters, Sera (2020), ‘Calling all stitchers …’, @serawaters, Instagram, 19 March, https://www.instagram.com/p/B95WZ-lDMwU/.
  28. Waters, Sera (2021), ‘A care-full re-membering of Australian settler colonial homemaking traditions’, in B. Sliwinska (ed.), Feminist Visual Activism and the Body, London: Routledge, pp. 104–20.
     [Google Scholar]
  29. Wilding, Faith ([1995] 2000), ‘Monstrous domesticity,’ in S. Bee and M. Schor (eds), M/E/a/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism, Durham: Duke University Press, pp. 87–104.
     [Google Scholar]
  30. Yunkaporta, Tyson (2019), Sand Talk: How Indigenous Thinking Can Save the World, Melbourne: The Text Publishing Company.
     [Google Scholar]

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