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oa Rooms for Resistance: Migration and Social Markers of Difference in Berlin's Queer Underground Electronic Music Scene

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References

  1. Appadurai, Arjun (1996), ‘The production of locality’, in Modernity at Large: Cultural Dimensions of Globalization, Minneapolis: University of Minnesota Press, pp. 17899.
    [Google Scholar]
  2. Bennet, Andy and Peterson, A. Richard (eds) (2004), Music Scenes: Local, Trans-Local and Virtual, Nashville: University of Vanderbilt Press.
    [Google Scholar]
  3. Braga, Gibran Teixeira (2018), ‘“O fervo e a luta”: políticas do corpo e do prazer em festas em São Paulo e Berlim’, doctoral thesis, São Paulo: Universidade de São Paulo.
    [Google Scholar]
  4. Deleuze, Gilles and Guattari, Felix (1987), A Thousand Plateaus. Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press.
    [Google Scholar]
  5. Dunk, Felix and Von Thülen, Sven (2014), Der Klang der Familie: Berlin, Techno and the Fall of the Wall, Norderstedt: BoD.
    [Google Scholar]
  6. Ferreira, Pedro Peixoto (2006), ‘Música eletrônica e xamanismo: técnicas contemporâneas do êxtase’, doctoral thesis, Campinas: Unicamp.
    [Google Scholar]
  7. Ferreira, Pedro Peixoto (2008), ‘Transe maquínico: quando som e movimento se encontram na música eletrônica de pista’, Horizontes Antropológicos, 14:29, pp. 189215.
    [Google Scholar]
  8. Garcia, Luís-Manuel (2005), ‘On and on: Repetition as process and pleasure in electronic dance music’, Music Theory Online, 11:4, pp. 114.
    [Google Scholar]
  9. Garcia, Luís-Manuel (2011), ‘“Can you feel it, too?”: intimacy and affect at electronic dance music events in Paris, Chicago and Berlin’, Ph.D. thesis, Chicago: University of Chicago.
    [Google Scholar]
  10. Jackson, Phil (2004), Inside Clubbing: Sensual Experiments in the Art of Being Human, Oxford, New York: Berg.
    [Google Scholar]
  11. Rodgers, Naomi Alice (2015), ‘“House and techno broke them barriers down”: Exploring exclusion through diversity in Berlin's electronic dance music nightclubs’, MA dissertation, Linköping: Linköping University.
    [Google Scholar]
  12. Room for Resistance (R4R) (n.d.), home page, https://room4resistance.net/. Accessed 4 April 2021 .

References

  1. Appadurai, Arjun (1996), ‘The production of locality’, in Modernity at Large: Cultural Dimensions of Globalization, Minneapolis: University of Minnesota Press, pp. 17899.
    [Google Scholar]
  2. Bennet, Andy and Peterson, A. Richard (eds) (2004), Music Scenes: Local, Trans-Local and Virtual, Nashville: University of Vanderbilt Press.
    [Google Scholar]
  3. Braga, Gibran Teixeira (2018), ‘“O fervo e a luta”: políticas do corpo e do prazer em festas em São Paulo e Berlim’, doctoral thesis, São Paulo: Universidade de São Paulo.
    [Google Scholar]
  4. Deleuze, Gilles and Guattari, Felix (1987), A Thousand Plateaus. Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press.
    [Google Scholar]
  5. Dunk, Felix and Von Thülen, Sven (2014), Der Klang der Familie: Berlin, Techno and the Fall of the Wall, Norderstedt: BoD.
    [Google Scholar]
  6. Ferreira, Pedro Peixoto (2006), ‘Música eletrônica e xamanismo: técnicas contemporâneas do êxtase’, doctoral thesis, Campinas: Unicamp.
    [Google Scholar]
  7. Ferreira, Pedro Peixoto (2008), ‘Transe maquínico: quando som e movimento se encontram na música eletrônica de pista’, Horizontes Antropológicos, 14:29, pp. 189215.
    [Google Scholar]
  8. Garcia, Luís-Manuel (2005), ‘On and on: Repetition as process and pleasure in electronic dance music’, Music Theory Online, 11:4, pp. 114.
    [Google Scholar]
  9. Garcia, Luís-Manuel (2011), ‘“Can you feel it, too?”: intimacy and affect at electronic dance music events in Paris, Chicago and Berlin’, Ph.D. thesis, Chicago: University of Chicago.
    [Google Scholar]
  10. Jackson, Phil (2004), Inside Clubbing: Sensual Experiments in the Art of Being Human, Oxford, New York: Berg.
    [Google Scholar]
  11. Rodgers, Naomi Alice (2015), ‘“House and techno broke them barriers down”: Exploring exclusion through diversity in Berlin's electronic dance music nightclubs’, MA dissertation, Linköping: Linköping University.
    [Google Scholar]
  12. Room for Resistance (R4R) (n.d.), home page, https://room4resistance.net/. Accessed 4 April 2021 .
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