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‘How “Free” is the Free Africa Festival?’
Intellect , 54 (2023); https://doi.org/10.1386/9781789386967_4
/content/books/9781789386967.interlude1
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References

  1. Arenas, Fernando (2019), África Lusófona: Além da Independência (trans. C. Mazzei), São Paulo: University of São Paulo Press.
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  2. Brandellero, Sara , Pardue, Derek and Wink, Georg (eds) (2020), Living (Il)legalities in Brazil: Practices, Narratives and Institutions in a Country on the Edge, London: Routledge.
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  4. Diaz, Juan Diego (2021), Africanness in Action: Essentialism and Musical Imaginations of Africa in Brazil, Oxford: Oxford University Press.
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  5. Fernandes, Florestan (2008), A Integração do Negro na Sociedade de Classes, vol. 1, Rio: Globo2.
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  7. Hasenbalg, Carlos (1996), ‘Entre o Mito e os Fatos: Racismo e relações raciais no Brasil’, in M. C. Maio and R. V. Santos (eds), Raça, ciência e sociedade, Rio de Janeiro: Fiocruz-CCBB, pp. 235–49.
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  8. Morais, Bruno Vinicius Leite de (2020), ‘Os primórdios da black music brasileira e da linguagem política do orgulho negro nos anos 1960’, Mosaico, 12:1, pp. 79–101.
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  9. Porta Curtas (n.d.), Liberdade, https://portacurtas.org.br/filme/?name=liberdade. Accessed 5 May 2020 .
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  11. Western, Tom (2020), ‘Listening with displacement: Sound, citizenship, and disruptive representations of migration’, Migration and Society, 3:1, pp. 194–309.
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References

  1. Arenas, Fernando (2019), África Lusófona: Além da Independência (trans. C. Mazzei), São Paulo: University of São Paulo Press.
     [Google Scholar]
  2. Brandellero, Sara , Pardue, Derek and Wink, Georg (eds) (2020), Living (Il)legalities in Brazil: Practices, Narratives and Institutions in a Country on the Edge, London: Routledge.
     [Google Scholar]
  3. Centro de Estudos de Cultura da Guiné (n.d.), ‘Centro de Estudos de Cultura da Guiné – About’, https://www.facebook.com/pg/centrodeestudosdeculturaguine/about/. Accessed 3 August 2022 .
  4. Diaz, Juan Diego (2021), Africanness in Action: Essentialism and Musical Imaginations of Africa in Brazil, Oxford: Oxford University Press.
     [Google Scholar]
  5. Fernandes, Florestan (2008), A Integração do Negro na Sociedade de Classes, vol. 1, Rio: Globo2.
     [Google Scholar]
  6. Fontié Ki Kwaze – Fronteiras Cruzadas (n.d.), Conheça o Fórum Fontié ki Kwaze – Fronteiras Cruzadas, https://www.fontieforum.org/sobre/. Accessed 10 May 2020 .
  7. Hasenbalg, Carlos (1996), ‘Entre o Mito e os Fatos: Racismo e relações raciais no Brasil’, in M. C. Maio and R. V. Santos (eds), Raça, ciência e sociedade, Rio de Janeiro: Fiocruz-CCBB, pp. 235–49.
     [Google Scholar]
  8. Morais, Bruno Vinicius Leite de (2020), ‘Os primórdios da black music brasileira e da linguagem política do orgulho negro nos anos 1960’, Mosaico, 12:1, pp. 79–101.
     [Google Scholar]
  9. Porta Curtas (n.d.), Liberdade, https://portacurtas.org.br/filme/?name=liberdade. Accessed 5 May 2020 .
  10. Sansone, Lívio (1996), ‘Nem Somente Preto ou Negro: o sistema de classificação racial no Brasil que muda’, Afro-Ásia, 18, pp. 165–87.
     [Google Scholar]
  11. Western, Tom (2020), ‘Listening with displacement: Sound, citizenship, and disruptive representations of migration’, Migration and Society, 3:1, pp. 194–309.
     [Google Scholar]

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