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oa Liminal Mies

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  • By Beatriz Colomina
  • Source: Architecture, Film, and the In-between , pp 76-91
  • Publication Date: November 2023
  • DOI: https://doi.org/10.1386/9781789387377_7
  • Language: English
  • Accessibility Summary:  EPUB 3 and pdf file included; compatible with devices and software which can read these formats. Adjustable font size, spacing, contrast, text justification, number of columns (ePUB only). Alternative text for images. Tagged with a logical reading order to assist screen readers. Navigation between in-text citations and reference list, and endnotes and endnote markers.
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Liminal Mies
Intellect , 76 (2023); https://doi.org/10.1386/9781789387377_7
/content/books/9781789387377.c05
/content/books/9781789387377.c05
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References

  1. “A Glass Shell that ‘Floats’ in the Air,” in House & Garden, February 1952.
  2. Barnett, Vivian Endicott. “The Architect as Collector.” In Mies in America, edited by Phyllis Lambert. New York, NY: Harry N. Abrams, 2001.
     [Google Scholar]
  3. Bier, Justus. “Kann man im Haus Tugendhat wohnen?” Die Form, October 15, 1931.
     [Google Scholar]
  4. Bonta, Juan Pablo. Architecture and Its Interpretation: A Study of Expressive Systems in Architecture. New York, NY: Rizzoli International, 1979.
     [Google Scholar]
  5. Hitchcock, Henry-Russell. “The Current Work of Philip Johnson,” Zodiac 8 (1961): 64–81.
     [Google Scholar]
  6. Joachim Jäger. Neue Nationalgalerie Berlin. Ostfildern: Hatje Cantz, 2011.
  7. Johnson, Philip. Mies van der Rohe. New York, NY: MoMA, 1947.
     [Google Scholar]
  8. Lambert, Phyllis. “Space and Structure.” In Mies in America, edited by Phyllis Lambert. New York, NY: Abrams 2001.
  9. Lohan, Dirk. “Skizzen der Erinnerung.” In Neue Nationalgalerie Berlin: Dreißig Jahre, edited by Paul Kahlfeldt and Andres Lepik. Berlin: Paul Kahlfeldt, 1998.
     [Google Scholar]
  10. McAtee, Cammie. “Alien #5044325: Mies’ First Trip to America.” In Mies in America, edited by Phyllis Lambert. New York, NY: Abrams 2001, 132–91.
     [Google Scholar]
  11. McQuaid, Matilda. Lilly Reich: Designer and Architect. New York, NY: The Museum of Modern Art, 1996.
     [Google Scholar]
  12. Mies van der Rohe, Ludwig. “Two Glass Skyscrapers.” Frulicht, no. 4 (1922): 122–24.
     [Google Scholar]
  13. Mies van der Rohe, Ludwig. “Museum for a Small City.” Architectural Forum 78, no. 5 (1943): 84.
     [Google Scholar]
  14. Neumeyer, Fritz. The Artless Word: Mies van der Rohe and the Building Art. Cambridge, MA: MIT Press, 1991.
     [Google Scholar]
  15. Norberg-Schulz, Christian. “A Talk with Mies van der Rohe.” Baukunst und Werkform 11, no. 11 (1958): 615–18.
     [Google Scholar]
  16. Posener, Julius. “Los primeros años: de Schinkel a De Stijl.” In A&V: Monografías de Arquitectura y Vivienda 6, special issue on Mies van der Rohe, 1986.
     [Google Scholar]
  17. Quetglas, Josep. Der gläserne Schrecken: Imágenes del Pabellón de Alemania. Montreal: Editions b, 1991.
     [Google Scholar]
  18. Quetglas, Josep. “Fear of Glass: The Barcelona Pavilion.” In Revisions 2, edited by Beatriz Colomina. New York, NY: Princeton Architectural Press, 1988.
     [Google Scholar]
  19. Schulze, Franz. Mies van der Rohe: A Critical Biography. Chicago, IL, London: University of Chicago Press, 1985.
     [Google Scholar]
  20. Tugendhat, Fritz. “Die Bewohner des Hauses Tugendhat äussern sich.” Die Form VI, no. 11 (1931): 437–38.
     [Google Scholar]

References

  1. “A Glass Shell that ‘Floats’ in the Air,” in House & Garden, February 1952.
  2. Barnett, Vivian Endicott. “The Architect as Collector.” In Mies in America, edited by Phyllis Lambert. New York, NY: Harry N. Abrams, 2001.
     [Google Scholar]
  3. Bier, Justus. “Kann man im Haus Tugendhat wohnen?” Die Form, October 15, 1931.
     [Google Scholar]
  4. Bonta, Juan Pablo. Architecture and Its Interpretation: A Study of Expressive Systems in Architecture. New York, NY: Rizzoli International, 1979.
     [Google Scholar]
  5. Hitchcock, Henry-Russell. “The Current Work of Philip Johnson,” Zodiac 8 (1961): 64–81.
     [Google Scholar]
  6. Joachim Jäger. Neue Nationalgalerie Berlin. Ostfildern: Hatje Cantz, 2011.
  7. Johnson, Philip. Mies van der Rohe. New York, NY: MoMA, 1947.
     [Google Scholar]
  8. Lambert, Phyllis. “Space and Structure.” In Mies in America, edited by Phyllis Lambert. New York, NY: Abrams 2001.
  9. Lohan, Dirk. “Skizzen der Erinnerung.” In Neue Nationalgalerie Berlin: Dreißig Jahre, edited by Paul Kahlfeldt and Andres Lepik. Berlin: Paul Kahlfeldt, 1998.
     [Google Scholar]
  10. McAtee, Cammie. “Alien #5044325: Mies’ First Trip to America.” In Mies in America, edited by Phyllis Lambert. New York, NY: Abrams 2001, 132–91.
     [Google Scholar]
  11. McQuaid, Matilda. Lilly Reich: Designer and Architect. New York, NY: The Museum of Modern Art, 1996.
     [Google Scholar]
  12. Mies van der Rohe, Ludwig. “Two Glass Skyscrapers.” Frulicht, no. 4 (1922): 122–24.
     [Google Scholar]
  13. Mies van der Rohe, Ludwig. “Museum for a Small City.” Architectural Forum 78, no. 5 (1943): 84.
     [Google Scholar]
  14. Neumeyer, Fritz. The Artless Word: Mies van der Rohe and the Building Art. Cambridge, MA: MIT Press, 1991.
     [Google Scholar]
  15. Norberg-Schulz, Christian. “A Talk with Mies van der Rohe.” Baukunst und Werkform 11, no. 11 (1958): 615–18.
     [Google Scholar]
  16. Posener, Julius. “Los primeros años: de Schinkel a De Stijl.” In A&V: Monografías de Arquitectura y Vivienda 6, special issue on Mies van der Rohe, 1986.
     [Google Scholar]
  17. Quetglas, Josep. Der gläserne Schrecken: Imágenes del Pabellón de Alemania. Montreal: Editions b, 1991.
     [Google Scholar]
  18. Quetglas, Josep. “Fear of Glass: The Barcelona Pavilion.” In Revisions 2, edited by Beatriz Colomina. New York, NY: Princeton Architectural Press, 1988.
     [Google Scholar]
  19. Schulze, Franz. Mies van der Rohe: A Critical Biography. Chicago, IL, London: University of Chicago Press, 1985.
     [Google Scholar]
  20. Tugendhat, Fritz. “Die Bewohner des Hauses Tugendhat äussern sich.” Die Form VI, no. 11 (1931): 437–38.
     [Google Scholar]

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