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  • By Giuliana Bruno
  • Source: Architecture, Film, and the In-between , pp 182-199
  • Publication Date: November 2023
  • DOI: https://doi.org/10.1386/9781789387377_14
  • Language: English
  • Accessibility Summary:  EPUB 3 and pdf file included; compatible with devices and software which can read these formats. Adjustable font size, spacing, contrast, text justification, number of columns (ePUB only). Alternative text for images. Tagged with a logical reading order to assist screen readers. Navigation between in-text citations and reference list, and endnotes and endnote markers.
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Projective Environments, Atmospheric Architectures
Intellect , 182 (2023); https://doi.org/10.1386/9781789387377_14
/content/books/9781789387377.c12
/content/books/9781789387377.c12
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References

  1. Alfaro, Kristen. “Access and the Experimental Film: New Technologies and Anthology Film Archives’ Institutionalization of the Avant-Garde.” Moving Image 12, no. 1 (Spring 2012): 44–64.
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  2. Béret, Chantal, ed. Frederick Kiesler, Artiste-Architecte. Paris: Centre Georges Pompidou, 1996. Exhibition catalogue.
     [Google Scholar]
  3. Bruno, Giuliana. Atmospheres of Projection: Environmentality in Art and Screen Media. Chicago, IL: University of Chicago Press, 2022.
     [Google Scholar]
  4. Bruno, Giuliana. Public Intimacy: Architecture and the Visual Arts. Cambridge, MA: MIT Press, 2007.
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  5. Bruno, Giuliana. Surface: Matters of Aesthetics, Materiality, and Media. Chicago, IL: University of Chicago Press, 2014.
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  6. Bruno, Giuliana. “The Screen as Object: Art and the Atmospheres of Projection.” In Dreamlands: Immersive Cinema and Art, 1905–2016, edited by Chrissie Iles, 156–67. New York, NY: Whitney Museum of American Art, 2016. Exhibition catalogue.
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  7. Buckley, Craig, Rüdiger Campe, and Francesco Casetti, eds. Screen Geneaologies: From Optical Device to Environmental Medium. Amsterdam: Amsterdam University Press, 2019.
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  8. Casetti, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come. New York, NY: Columbia University Press, 2015.
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  9. Collins, Thom, and Stuart Krimko, eds. Tobias Putrih 99–07. Zurich: JRP/Ringier, 2008. Exhibition catalogue.
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  10. Dominique, Chateau, and José Moure, eds. Screens: From Materiality to Spectatorship. Amsterdam: Amsterdam University Press, 2016.
     [Google Scholar]
  11. Eberson, John. “A Description of the Capitol Theater, Chicago (1925).” In Moviegoing in America: A Sourcebook in the History of Film Exhibition, edited by Gregory A. Waller. Oxford: Blackwell, 2002.199
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  12. Eco, Umberto. “A Convinced Bewilderment.” In Fabio Mauri: Ideology and Memory, edited by Studio Fabio Mauri. Turin: Bollati Boringhieri, 2012.
     [Google Scholar]
  13. Flusser, Vilém. Into the Universe of Technical Images. Translated by Nancy Ann Roth. Minneapolis, MN: University of Minnesota Press, 2011.
     [Google Scholar]
  14. Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge, MA: MIT Press, 2006.
     [Google Scholar]
  15. Huhtamo, Erkki. “Elements of Screenology: Toward an Archaeology of the Screen.” ICONICS: International Studies of the Modern Image 7 (2004): 31–82.
     [Google Scholar]
  16. Kiesler, Frederick. “Building a Cinema Theater.” New York Evening Post, February 2, 1929.
     [Google Scholar]
  17. Kubelka, Peter. “The Invisible Cinema.” Design Quarterly 93 (1974): 32–36.
     [Google Scholar]
  18. Levinas, Emmanuel. Totality and Infinity: An Essay on Exteriority. Translated by Alphonso Lingis. The Hague: Martinus Nijhoff, 1979.
     [Google Scholar]
  19. McGuire, Laura M. “A Movie House in Space and Time: Frederick Kiesler's Film Arts Guild Cinema, New York, 1929.” Studies in the Decorative Arts 14, no. 2 (Spring–Summer 2007): 45–78.
     [Google Scholar]
  20. Michelson Annette. “Gnosis and Iconoclasm: A Case Study of Cinephilia.” October 83 (Winter 1998): 3–18.
  21. Mitchell, William John Thomas. “Screening Nature (and the Nature of the Screen).” New Review of Film and Television Studies 13, no. 3 (2015): 231–46.
     [Google Scholar]
  22. Phillips, Stephen. Elastic Architecture: Frederick Kiesler and Design Research in the First Age of Robotic Culture. Cambridge, MA: MIT Press, 2017.
     [Google Scholar]
  23. Shand, P. Morton. Modern Picture-Houses and Theaters. Philadelphia, PA: J. B. Lippincott, 1930.
     [Google Scholar]
  24. Siegert, Bernhard. Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real. Translated by Geoffrey Winthrop-Young. New York, NY: Fordham University Press, 2015.
     [Google Scholar]
  25. Sitney, P. Adams. “Introduction.” In The Essential Cinema: Essays on the Films in the Collection of Anthology Film Archives, edited by P. Adams Sitney with Caroline Sergeant Angell. New York, NY: Anthology Film Archives, 1975.
     [Google Scholar]
  26. Sitney, Sky. “The Search for the Invisible Cinema.” Grey Room 19 (Spring 2005): 102–13.
     [Google Scholar]
  27. Stapleford, Richard. Temples of Illusion: The Atmospheric Theaters of John Eberson. New York, NY: Bertha and Karl Leubsdorf Art Gallery of Hunter College, 1988. Exhibition catalogue.
     [Google Scholar]
  28. Valentine, Maggie. The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee. New Haven, CT: Yale University Press, 1994.
     [Google Scholar]
  29. Whitney, William Dwight, and Benjamin E. Smith. The Century Dictionary and Cyclopedia. New York, NY: Century, 1889–91.
     [Google Scholar]

References

  1. Alfaro, Kristen. “Access and the Experimental Film: New Technologies and Anthology Film Archives’ Institutionalization of the Avant-Garde.” Moving Image 12, no. 1 (Spring 2012): 44–64.
     [Google Scholar]
  2. Béret, Chantal, ed. Frederick Kiesler, Artiste-Architecte. Paris: Centre Georges Pompidou, 1996. Exhibition catalogue.
     [Google Scholar]
  3. Bruno, Giuliana. Atmospheres of Projection: Environmentality in Art and Screen Media. Chicago, IL: University of Chicago Press, 2022.
     [Google Scholar]
  4. Bruno, Giuliana. Public Intimacy: Architecture and the Visual Arts. Cambridge, MA: MIT Press, 2007.
     [Google Scholar]
  5. Bruno, Giuliana. Surface: Matters of Aesthetics, Materiality, and Media. Chicago, IL: University of Chicago Press, 2014.
     [Google Scholar]
  6. Bruno, Giuliana. “The Screen as Object: Art and the Atmospheres of Projection.” In Dreamlands: Immersive Cinema and Art, 1905–2016, edited by Chrissie Iles, 156–67. New York, NY: Whitney Museum of American Art, 2016. Exhibition catalogue.
     [Google Scholar]
  7. Buckley, Craig, Rüdiger Campe, and Francesco Casetti, eds. Screen Geneaologies: From Optical Device to Environmental Medium. Amsterdam: Amsterdam University Press, 2019.
     [Google Scholar]
  8. Casetti, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come. New York, NY: Columbia University Press, 2015.
     [Google Scholar]
  9. Collins, Thom, and Stuart Krimko, eds. Tobias Putrih 99–07. Zurich: JRP/Ringier, 2008. Exhibition catalogue.
     [Google Scholar]
  10. Dominique, Chateau, and José Moure, eds. Screens: From Materiality to Spectatorship. Amsterdam: Amsterdam University Press, 2016.
     [Google Scholar]
  11. Eberson, John. “A Description of the Capitol Theater, Chicago (1925).” In Moviegoing in America: A Sourcebook in the History of Film Exhibition, edited by Gregory A. Waller. Oxford: Blackwell, 2002.199
     [Google Scholar]
  12. Eco, Umberto. “A Convinced Bewilderment.” In Fabio Mauri: Ideology and Memory, edited by Studio Fabio Mauri. Turin: Bollati Boringhieri, 2012.
     [Google Scholar]
  13. Flusser, Vilém. Into the Universe of Technical Images. Translated by Nancy Ann Roth. Minneapolis, MN: University of Minnesota Press, 2011.
     [Google Scholar]
  14. Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge, MA: MIT Press, 2006.
     [Google Scholar]
  15. Huhtamo, Erkki. “Elements of Screenology: Toward an Archaeology of the Screen.” ICONICS: International Studies of the Modern Image 7 (2004): 31–82.
     [Google Scholar]
  16. Kiesler, Frederick. “Building a Cinema Theater.” New York Evening Post, February 2, 1929.
     [Google Scholar]
  17. Kubelka, Peter. “The Invisible Cinema.” Design Quarterly 93 (1974): 32–36.
     [Google Scholar]
  18. Levinas, Emmanuel. Totality and Infinity: An Essay on Exteriority. Translated by Alphonso Lingis. The Hague: Martinus Nijhoff, 1979.
     [Google Scholar]
  19. McGuire, Laura M. “A Movie House in Space and Time: Frederick Kiesler's Film Arts Guild Cinema, New York, 1929.” Studies in the Decorative Arts 14, no. 2 (Spring–Summer 2007): 45–78.
     [Google Scholar]
  20. Michelson Annette. “Gnosis and Iconoclasm: A Case Study of Cinephilia.” October 83 (Winter 1998): 3–18.
  21. Mitchell, William John Thomas. “Screening Nature (and the Nature of the Screen).” New Review of Film and Television Studies 13, no. 3 (2015): 231–46.
     [Google Scholar]
  22. Phillips, Stephen. Elastic Architecture: Frederick Kiesler and Design Research in the First Age of Robotic Culture. Cambridge, MA: MIT Press, 2017.
     [Google Scholar]
  23. Shand, P. Morton. Modern Picture-Houses and Theaters. Philadelphia, PA: J. B. Lippincott, 1930.
     [Google Scholar]
  24. Siegert, Bernhard. Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real. Translated by Geoffrey Winthrop-Young. New York, NY: Fordham University Press, 2015.
     [Google Scholar]
  25. Sitney, P. Adams. “Introduction.” In The Essential Cinema: Essays on the Films in the Collection of Anthology Film Archives, edited by P. Adams Sitney with Caroline Sergeant Angell. New York, NY: Anthology Film Archives, 1975.
     [Google Scholar]
  26. Sitney, Sky. “The Search for the Invisible Cinema.” Grey Room 19 (Spring 2005): 102–13.
     [Google Scholar]
  27. Stapleford, Richard. Temples of Illusion: The Atmospheric Theaters of John Eberson. New York, NY: Bertha and Karl Leubsdorf Art Gallery of Hunter College, 1988. Exhibition catalogue.
     [Google Scholar]
  28. Valentine, Maggie. The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee. New Haven, CT: Yale University Press, 1994.
     [Google Scholar]
  29. Whitney, William Dwight, and Benjamin E. Smith. The Century Dictionary and Cyclopedia. New York, NY: Century, 1889–91.
     [Google Scholar]

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