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Phantom Limbs and Failed Messages: A Phenomenological Provocation of First Person Film

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References

  1. Butler, J. . ( 2005). Giving account of oneself. Fordham University Press;.
    [Google Scholar]
  2. Citron, M. . ( 1978). Daughter rite [Film]. Iris Films;.65
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  3. Derrida, J. . ( 1978). Writing and difference. Routledge;.
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  4. Derrida, J. . ( 1987). The post card, from Socrates to Freud and beyond. University of Chicago Press;.
    [Google Scholar]
  5. Fleming, V. . (Director). ( 1939). Gone with the wind [Film]. Selznick International Pictures.
  6. Friedrich, S. . (Director). ( 1985). Ties that bind [Film]. Outcast Films.
  7. Haber, H. . ( 1994). Lyotard, Rorty, Foucault. Routledge;.
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  8. Heidegger, M. . ( 1962). Being and time (Trans. J. Macquarrie and E. Robinson). Harper & Row;.
    [Google Scholar]
  9. Hughes, R. . ( 1986). The Fatal Shore. Alfred A. Knopf, Inc;.
    [Google Scholar]
  10. Jong . (Eds.), Rethinking documentary: New perspectives, new practices. Open University Press/McGraw Hill:.
    [Google Scholar]
  11. Lewis, M., , & Staehler, T. . ( 2010). Phenomenology: An introduction. Continuum;.
    [Google Scholar]
  12. Mallet, M. . (Director). ( 1986). Unfinished diary [Film]. National Film Boad of Canada.
    [Google Scholar]
  13. Merleau-Ponty, M. . ( 1962). The phenomenology of perception. Routledge;.
    [Google Scholar]
  14. Polley, S. . (Director). ( 2012). Stories we tell [Film]. National Film Boad of Canada.
    [Google Scholar]
  15. Portillo, L. . (Director). ( 1996). El diablo nunca durerme [Film]. ITVS International.
    [Google Scholar]
  16. Suri, S. . ( 2005). I for India [Film]. Fandango.
  17. Varda, A. . (Director). ( 2008). The beaches of Agnes [Film]. Ciné-tamaris and Arte-France Cinéma.
    [Google Scholar]

References

  1. Butler, J. . ( 2005). Giving account of oneself. Fordham University Press;.
    [Google Scholar]
  2. Citron, M. . ( 1978). Daughter rite [Film]. Iris Films;.65
    [Google Scholar]
  3. Derrida, J. . ( 1978). Writing and difference. Routledge;.
    [Google Scholar]
  4. Derrida, J. . ( 1987). The post card, from Socrates to Freud and beyond. University of Chicago Press;.
    [Google Scholar]
  5. Fleming, V. . (Director). ( 1939). Gone with the wind [Film]. Selznick International Pictures.
  6. Friedrich, S. . (Director). ( 1985). Ties that bind [Film]. Outcast Films.
  7. Haber, H. . ( 1994). Lyotard, Rorty, Foucault. Routledge;.
    [Google Scholar]
  8. Heidegger, M. . ( 1962). Being and time (Trans. J. Macquarrie and E. Robinson). Harper & Row;.
    [Google Scholar]
  9. Hughes, R. . ( 1986). The Fatal Shore. Alfred A. Knopf, Inc;.
    [Google Scholar]
  10. Jong . (Eds.), Rethinking documentary: New perspectives, new practices. Open University Press/McGraw Hill:.
    [Google Scholar]
  11. Lewis, M., , & Staehler, T. . ( 2010). Phenomenology: An introduction. Continuum;.
    [Google Scholar]
  12. Mallet, M. . (Director). ( 1986). Unfinished diary [Film]. National Film Boad of Canada.
    [Google Scholar]
  13. Merleau-Ponty, M. . ( 1962). The phenomenology of perception. Routledge;.
    [Google Scholar]
  14. Polley, S. . (Director). ( 2012). Stories we tell [Film]. National Film Boad of Canada.
    [Google Scholar]
  15. Portillo, L. . (Director). ( 1996). El diablo nunca durerme [Film]. ITVS International.
    [Google Scholar]
  16. Suri, S. . ( 2005). I for India [Film]. Fandango.
  17. Varda, A. . (Director). ( 2008). The beaches of Agnes [Film]. Ciné-tamaris and Arte-France Cinéma.
    [Google Scholar]
/content/books/9781789387438.c05
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