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The Expanded Essay Film: The Researcher-Filmmaker as a Topographical Thinker

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Traversing the intersection of architecture and film, this essay explores the relational and internal workings of the filmmakerresearcher as a spatial thinker. Drawing on the making of the experimental short 3xShapes of Home (2020), as well as a multidisciplinary rage of thinkers such as Jean-Luc Nancy, Jeff Malpas, Michael Tawa, Laura Rascaroli and Caroline Levine, the text calls for more knowledge on the spatial and embodied thinking procedures of the filmmaker-researcher. In particular, it discusses the importance of the idea of “going before oneself,” for the thinker and maker of spatial forms.

Keywords: architecture ; artistic research ; film as configuration ; Form ; Jean-Luc Nancy ; Jeff Malpas ; knowledge ; moving image ; Pattern ; philosophy ; place ; research-based practice, practice-based research ; space ; Topography

Hardback ISBN: 9781789387438
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The Expanded Essay Film: The Researcher-Filmmaker as a Topographical Thinker
Intellect , 199 (2023); https://doi.org/10.1386/9781789387438_21
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References

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References

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     [Google Scholar]
  2. Andersen, A. U. . ( 2020 [2016]). The Norwegian Institute in Rome. Screenworks. https://screenworks.org.uk/archive/volume-10-1/the-norwegian-institute-in-rome
  3. Bates, R. L. ,, & Jackson, J. A. . ( 1984). Dictionary of geological terms (3rd ed.). Anchor Press.
  4. Biemann, U. . ( 2017). Performing borders: Transnational video. . In N. M. Alter , & T. Corrigan . (Eds.), Essays on the essay film. Columbia University Press;.
     [Google Scholar]
  5. Brink, J. T. . ( 1999). The essay film. Middlesex University. http://eprints.mdx.ac.uk/6876/
  6. Brun, E. . ( 2020a). 3xShapes of Home Oslo/Vesterålen. University of Oslo.
  7. Brun, E. . ( 2020b). Essay film as topography: Explorations of place through moving image thinking [PhD thesis, University of Oslo]. Oslo.
  8. Brun, E. . ( 2021;). Thinking through form. . Screenworks, 11 , 1. https://doi.org/https://doi.org/10.37186/swrks/11.1/5
    [Google Scholar]
  9. Bruno, G. . ( 2002). Atlas of emotion: Journeys in art, architecture and film. Verso;.
     [Google Scholar]
  10. Bruno, G. . ( 2006;). Visual studies: Four takes on spatial turns. . Journal of the Society of Architectural Historians, 65 (1), 23–24. https://doi.org/10.2307/25068236
    [Google Scholar]
  11. Corrigan, T. . ( 2011). The essay film: From Montaigne, after marker. USA:: Oxford University Press;.
     [Google Scholar]
  12. Damasio, A. R. . ( 2010). Self comes to mind: Constructing the conscious brain. William Heinemann;.
     [Google Scholar]
  13. Eisenstein, S. M. ,, Bois, Y.-A. ,, & Glenny, M. . ( 1989;). Montage and architecture. . Assemblage, 10 , 111–131. https://doi.org/10.2307/3171145
    [Google Scholar]
  14. Gibson, J. J. . ( 1986). The ecological approach to visual perception. Lawrence Erlbaum;.
     [Google Scholar]
  15. Glisovic, S. . ( 2014). Casting and straying: Hybrid approaches to understanding the dissolution of the body into landscape and landscape into body. RMIT University;.
     [Google Scholar]
  16. Gough-Brady, C. . ( 2020;). Using film as both embodied research and explication in a creative practice PhD. . Media Practice and Education, 21 (2), 97–108. https://doi.org/10.1080/25741136.2019.1675407
    [Google Scholar]
  17. Haralambidou, P. . ( 2016). The architectural essay film. . Design (pp. 234–248). Cambridge University Press;.
     [Google Scholar]
  18. Hawkins, H. . ( 2015;). Creative geographic methods: Knowing, representing, intervening. . On Composing Place and Page. Cultural Geographies, 22 (2), 247–268. https://doi.org/10.1177/1474474015569995
    [Google Scholar]
  19. Janz, B. B. . ( 2017). Place, space and hermeneutics (Vol. 5, pp. 1–5). Springer;.
     [Google Scholar]
  20. Johnson, M. . ( 1987). The body in the mind: The bodily basis of meaning, imagination, and reason. University of Chicago Press;.
     [Google Scholar]
  21. Lakoff, G. ,, & Johnson, M. . ( 1980). Metaphors we live by. University of Chicago Press;.
     [Google Scholar]
  22. Levine, C. . ( 2015). Forms: Whole, rhythm, hierarchy, network. Princeton University Press;.
     [Google Scholar]
  23. Malpas, J. . ( 2015). The intelligence of place: Topographies and poetics (, 1st. ed.). Bloomsbury;.
     [Google Scholar]
  24. Malpas, J. . ( 2018). Place and experience: A philosophical topography (1999) (, 2nd. ed.). Routledge;.209
     [Google Scholar]
  25. Merleau-Ponty, M. . ( 1962). Phenomenology of perception. Routledge;.
     [Google Scholar]
  26. Montero, D. . ( 2012). Thinking images: The essay film as a dialogic form in European cinema (Vol. 3). Peter Lang;.
     [Google Scholar]
  27. Nancy, J.-L. . ( 2010). Protection. . In M. Tawa . (Ed.), Agencies of the frame: Tectonic strategies of cinema and architecture. Cambridge Scholars Publishing;.
     [Google Scholar]
  28. Ramberg, I. B. ,, Solli, A. ,, Nordgulen, Ø. ,, Binns, R. ,, Grogan, P. ,, & Norsk Geologisk, F. . ( 2008). The making of a land: Geology of Norway. The Norwegian Geological Association;.
     [Google Scholar]
  29. Rascaroli, L. . ( 2009). The personal camera: Subjective cinema and the essay film. Wallflower;.
     [Google Scholar]
  30. Rascaroli, L. . ( 2017). How the essay film thinks. Oxford University Press;. https://doi.org/10.1093/acprof:oso/9780190238247.001.0001
    [Google Scholar]
  31. Rogers, C. ,, Gough-Brady, C. ,, & Berry, M. . ( 2021;). Breathing places: Three filmmaking investigations. . Cultural Geographies. https://doi.org/10.1177/14744740211003628
    [Google Scholar]
  32. Sheets-Johnstone, M. . ( 2011). The primacy of movement (Vol. 82, expanded 2nd ed.). John Benjamin.
  33. Silver, S. . ( 2015). The mind is a collection: Case studies in eighteenth-century thought. University of Pennsylvania Press;.
     [Google Scholar]
  34. Tawa, M. . ( 2010). Agencies of the frame: Tectonic strategies in cinema and architecture. Cambridge Scholars Publ;.
     [Google Scholar]
  35. Vaughan, H. . ( 2013). Where film meets philosophy: Godard, Resnais, and experiments in cinematic thinking. Columbia University Press;.210
     [Google Scholar]

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