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‘The Science Behind the Poetry’: Articulating a Pedagogy for Devising in the Tertiary Sector

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‘The Science Behind the Poetry’: Articulating a Pedagogy for Devising in the Tertiary Sector
Intellect , 43 (2023); https://doi.org/10.1386/9781789387704_3
/content/books/9781789387704.c03
/content/books/9781789387704.c03
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References

  1. Anderson, Porter . ( 1995), ‘ The meat of the medium: Anne Bogart and the American avant-garde. ’, in M. B. Dixon, and J. A. Smith. (eds), Anne Bogart: Viewpoints, Lyme:: Smith & Kraus;, pp. 105–42.
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  2. Barnes, Sally . ( 1993), Democracy's Body: Judson Dance Theatre, 1962–1964, Durham & London:: Duke University Press;.
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  3. Bogart, Anne , and Landau, Tina . ( 2005), The Viewpoints Book: A Practical Guide to Viewpoints and Composition, New York:: Theatre Communications Group;.
     [Google Scholar]
  4. Callery, Dympha . ( 2001), Through the Body: A Practical Guide to Physical Theatre, London:: Nick Hern Books;.
     [Google Scholar]
  5. Cummings, Scott T. . ( 2006), Remaking American Theatre: Charles Mee, Anne Bogart and the SITI Company, Cambridge:: Cambridge University Press;.
     [Google Scholar]
  6. Estevez, Carlos Garcia . ( 2016), ‘ Auto-cours, enquêtes, commandes: A theatre practitioner's perspective. ’, in M. Evans , and R. Kemp . (eds), The Routledge Companion to Jacques Lecoq, Oxon:: Routledge;, pp. 165–70.
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  7. Herrington, Joan . ( 2000;), ‘ Directing with the Viewpoints. ’, Theatre Topics, 10:2, pp. 155–68.
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  8. Hughes, Allen . ( 2001), ‘DANCE; A place and time to find new ways to move’, New York Times, 3 June, https://www.nytimes.com/2001/06/03/arts/dance-a-place-and-time-to-find-new-ways-to-move.html. Accessed 17 November 2018.
  9. Jory, Jon . ( 1995), ‘ Foreword. ’, in M. B. Dixon, and J. A. Smith. (eds), Anne Bogart: Viewpoints, Lyme:: Smith & Kraus;, pp. xv–vi.
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  10. Kehoe, Steph. ( 1998–2000), ‘Paris Journal: Ecole Jacques Lecoq’ (unpublished).
  11. Lauren, Ellen . ( 1995), ‘ Seven points of view. ’, in M. B. Dixon, and J. A. Smith. (eds), Anne Bogart: Viewpoints, Lyme:: Smith & Kraus;, pp. 57–70.
     [Google Scholar]
  12. Lecoq, Jacques . ( 2000), The Moving Body: Teaching Creative Theatre (trans. D. Bradby), London:: Methuen;.
     [Google Scholar]
  13. Lecoq, Jacques . ( 2006), ‘ The rules of the game. ’, in D. Bradby. (ed.), Theatre of Movement and Gesture, Oxon:: Routledge;, p. 77.59
     [Google Scholar]
  14. Martin, John. ( 2002), ‘ The theatre which does not exist: Neutrality to interculturalism. ’, in F. Chamberlain, and R. Yarrow. (eds), Jacques Lecoq and the British Theatre, London:: Routledge;, pp. 57–70.
     [Google Scholar]
  15. Murray, Simon, and Keefe, John. ( 2016), Physical Theatres: A Critical Introduction, London and New York:: Routledge;.
     [Google Scholar]
  16. Overlie, Mary . ( 2016), Standing in Space: The Six Viewpoints Theory & Practice, Billings:: Artcraft Printers;.
     [Google Scholar]
  17. Reilly, Nicole . ( 2017), ‘Artist's Journal’, DRA 702: Devising, Masters of Professional Practice (Performing Arts), University of the Sunshine Coast.
  18. Schon, Jane . ( 2019), ‘Self Reflection’, DRAM 20026: Bachelor Fine Arts Theatre, Victorian College of the Arts/University of Melbourne.
  19. Sherman, Jon Foley . ( 2010;), ‘ The practice of astonishment: Devising, phenomenology, and Jacques Lecoq. ’, Theatre Topics, 20:2, pp. 88–99.
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References

  1. Anderson, Porter . ( 1995), ‘ The meat of the medium: Anne Bogart and the American avant-garde. ’, in M. B. Dixon, and J. A. Smith. (eds), Anne Bogart: Viewpoints, Lyme:: Smith & Kraus;, pp. 105–42.
     [Google Scholar]
  2. Barnes, Sally . ( 1993), Democracy's Body: Judson Dance Theatre, 1962–1964, Durham & London:: Duke University Press;.
     [Google Scholar]
  3. Bogart, Anne , and Landau, Tina . ( 2005), The Viewpoints Book: A Practical Guide to Viewpoints and Composition, New York:: Theatre Communications Group;.
     [Google Scholar]
  4. Callery, Dympha . ( 2001), Through the Body: A Practical Guide to Physical Theatre, London:: Nick Hern Books;.
     [Google Scholar]
  5. Cummings, Scott T. . ( 2006), Remaking American Theatre: Charles Mee, Anne Bogart and the SITI Company, Cambridge:: Cambridge University Press;.
     [Google Scholar]
  6. Estevez, Carlos Garcia . ( 2016), ‘ Auto-cours, enquêtes, commandes: A theatre practitioner's perspective. ’, in M. Evans , and R. Kemp . (eds), The Routledge Companion to Jacques Lecoq, Oxon:: Routledge;, pp. 165–70.
     [Google Scholar]
  7. Herrington, Joan . ( 2000;), ‘ Directing with the Viewpoints. ’, Theatre Topics, 10:2, pp. 155–68.
     [Google Scholar]
  8. Hughes, Allen . ( 2001), ‘DANCE; A place and time to find new ways to move’, New York Times, 3 June, https://www.nytimes.com/2001/06/03/arts/dance-a-place-and-time-to-find-new-ways-to-move.html. Accessed 17 November 2018.
  9. Jory, Jon . ( 1995), ‘ Foreword. ’, in M. B. Dixon, and J. A. Smith. (eds), Anne Bogart: Viewpoints, Lyme:: Smith & Kraus;, pp. xv–vi.
     [Google Scholar]
  10. Kehoe, Steph. ( 1998–2000), ‘Paris Journal: Ecole Jacques Lecoq’ (unpublished).
  11. Lauren, Ellen . ( 1995), ‘ Seven points of view. ’, in M. B. Dixon, and J. A. Smith. (eds), Anne Bogart: Viewpoints, Lyme:: Smith & Kraus;, pp. 57–70.
     [Google Scholar]
  12. Lecoq, Jacques . ( 2000), The Moving Body: Teaching Creative Theatre (trans. D. Bradby), London:: Methuen;.
     [Google Scholar]
  13. Lecoq, Jacques . ( 2006), ‘ The rules of the game. ’, in D. Bradby. (ed.), Theatre of Movement and Gesture, Oxon:: Routledge;, p. 77.59
     [Google Scholar]
  14. Martin, John. ( 2002), ‘ The theatre which does not exist: Neutrality to interculturalism. ’, in F. Chamberlain, and R. Yarrow. (eds), Jacques Lecoq and the British Theatre, London:: Routledge;, pp. 57–70.
     [Google Scholar]
  15. Murray, Simon, and Keefe, John. ( 2016), Physical Theatres: A Critical Introduction, London and New York:: Routledge;.
     [Google Scholar]
  16. Overlie, Mary . ( 2016), Standing in Space: The Six Viewpoints Theory & Practice, Billings:: Artcraft Printers;.
     [Google Scholar]
  17. Reilly, Nicole . ( 2017), ‘Artist's Journal’, DRA 702: Devising, Masters of Professional Practice (Performing Arts), University of the Sunshine Coast.
  18. Schon, Jane . ( 2019), ‘Self Reflection’, DRAM 20026: Bachelor Fine Arts Theatre, Victorian College of the Arts/University of Melbourne.
  19. Sherman, Jon Foley . ( 2010;), ‘ The practice of astonishment: Devising, phenomenology, and Jacques Lecoq. ’, Theatre Topics, 20:2, pp. 88–99.
     [Google Scholar]

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