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The Project: Towards a ‘Universal’ Inclusive Theatre Devising Framework for Disabled and Non-Disabled Collaborators

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The Inside Project: Towards a ‘Universal’ Inclusive Theatre Devising Framework for Disabled and Non-Disabled Collaborators
Intellect , 236 (2023); https://doi.org/10.1386/9781789387704_15
/content/books/9781789387704.c15
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References

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  2. Bogart, Anne, and Landau, Tina. ( 2005), The Viewpoints Book, New York:: Theatre Communications Group;.
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  3. Fletcher-Watson, Ben. ( 2015;), ‘ Relaxed performance: Audiences with autism in mainstream theatre. ’, Scottish Journal of Performance, 2:2, pp. 61–88.
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  4. Goggin, George,, Steele, Linda, and Cadwallader, Jessica. ( 2017;), ‘ Normality and disability: Intersections among norms, law, and culture. ’, Continuum, 31:3, p. 338.
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  5. Hargrave, Matt. ( 2015), Theatres of Learning Disability: Good, Bad or Plain Ugly?, London:: Palgrave Macmillan;.
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  6. Johnston, Kirsty. ( 2016;), ‘ Introduction: Performance and disability. ’, Theatre Research in Canada/ Recherches théâtrales au Canada, 37: 2, pp. 1–5.
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  7. Johnston, Kirsty. ( 2017), Disability Theatre and Modern Drama: Recasting Modernism, London:: Bloomsbury;.
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  8. Kaplan, Deborah. ( 2000;), ‘ The definition of disability: Perspective of the disability community. ’, Journal of Health Care Law and Policy, 3:2, pp. 352–64.
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  9. Kershaw, Baz,, Miller, Lee,, Whalley, Joanna, and Pollard, Niki. ( 2001), ‘ Practice as research: Transdisciplinary innovation in action. ’, in B. Kershaw, and H. Nicholson. (eds), Research Methods in Theatre and Performance, Edinburgh:: Edinburgh University Press;, pp. 63–85.
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  10. Lang, Raymond. ( 2007), ‘The Development and Critique of the Social Model of Disability’, Unpublished Working Paper, Overseas Development Group, University of East Anglia, www.ucl.ac.uk/lc-ccr/centrepublications/workingpapers/WP03_Development_Critique.pdf. Accessed 14 March 2017.
  11. Lawson, Anna. ( 2005), Disability Rights in Europe: From Theory to Practice, London:: Hart;.
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  12. Mace, Ron. ( 1985;), ‘ Universal design: Barrier free environments for everyone. ’, Designers West, 33:1, pp. 147–152.251
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  13. Oddey, Allison. ( 2013), Devising theatre: A Practical and Theoretical Handbook, London:: Routledge;.
     [Google Scholar]
  14. Preiser, Wolfgang. ( 2011), Universal Design Handbook, New York:: McGraw Hill;.
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  15. Shakespeare, Tom. ( 2013), The Disability Studies Reader, London:: Routledge;.
     [Google Scholar]
  16. Skotch, Richard. ( 2001), The New Disability History: American Perspectives, New York:: New York University Press;.
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  17. Thom, Jess. ( 2016), The Art of Discomfort, live panel discussion, attended 16 October, https://www.wheelercentre.com/broadcasts/the-art-of-discomfort.
  18. Ubersfeld, Anne. ( 1981), L'ecole Du Spectacular, Paris:: Belin Editions;.
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  19. UN General Assembly ( 2007), ‘Convention on the Rights of Persons with Disabilities: Resolution Adopted by the General Assembly’, www.refworld.org/docid/45f973632.html. Accessed 17 April 2017.
  20. Walton, John. ( 2014), ‘Devised Theatre: Ten Tips for a Truly Creative Collaboration’, www.theguardian.com/culture-professionals-network/2014/dec/16/devised-theatre-ten-tips-collaboration. Accessed December 2016.
  21. Wickramasinghe, Nilmini. ( 2006;), ‘ Knowledge creation: A meta-framework. ’, International Journal of Innovation and Learning, 3:5, pp. 558–73.
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  22. Willett, J.. ( 1964), Brecht on Theatre: The Development of an Aesthetic, London:: Methuen;.
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References

  1. Auslander, Phillip, and Sandhal, Carrie. ( 2005), Bodies in Commotion, Ann Arbor:: University of Michigan Press;, pp. 1–12.
     [Google Scholar]
  2. Bogart, Anne, and Landau, Tina. ( 2005), The Viewpoints Book, New York:: Theatre Communications Group;.
     [Google Scholar]
  3. Fletcher-Watson, Ben. ( 2015;), ‘ Relaxed performance: Audiences with autism in mainstream theatre. ’, Scottish Journal of Performance, 2:2, pp. 61–88.
     [Google Scholar]
  4. Goggin, George,, Steele, Linda, and Cadwallader, Jessica. ( 2017;), ‘ Normality and disability: Intersections among norms, law, and culture. ’, Continuum, 31:3, p. 338.
     [Google Scholar]
  5. Hargrave, Matt. ( 2015), Theatres of Learning Disability: Good, Bad or Plain Ugly?, London:: Palgrave Macmillan;.
     [Google Scholar]
  6. Johnston, Kirsty. ( 2016;), ‘ Introduction: Performance and disability. ’, Theatre Research in Canada/ Recherches théâtrales au Canada, 37: 2, pp. 1–5.
     [Google Scholar]
  7. Johnston, Kirsty. ( 2017), Disability Theatre and Modern Drama: Recasting Modernism, London:: Bloomsbury;.
     [Google Scholar]
  8. Kaplan, Deborah. ( 2000;), ‘ The definition of disability: Perspective of the disability community. ’, Journal of Health Care Law and Policy, 3:2, pp. 352–64.
     [Google Scholar]
  9. Kershaw, Baz,, Miller, Lee,, Whalley, Joanna, and Pollard, Niki. ( 2001), ‘ Practice as research: Transdisciplinary innovation in action. ’, in B. Kershaw, and H. Nicholson. (eds), Research Methods in Theatre and Performance, Edinburgh:: Edinburgh University Press;, pp. 63–85.
     [Google Scholar]
  10. Lang, Raymond. ( 2007), ‘The Development and Critique of the Social Model of Disability’, Unpublished Working Paper, Overseas Development Group, University of East Anglia, www.ucl.ac.uk/lc-ccr/centrepublications/workingpapers/WP03_Development_Critique.pdf. Accessed 14 March 2017.
  11. Lawson, Anna. ( 2005), Disability Rights in Europe: From Theory to Practice, London:: Hart;.
     [Google Scholar]
  12. Mace, Ron. ( 1985;), ‘ Universal design: Barrier free environments for everyone. ’, Designers West, 33:1, pp. 147–152.251
     [Google Scholar]
  13. Oddey, Allison. ( 2013), Devising theatre: A Practical and Theoretical Handbook, London:: Routledge;.
     [Google Scholar]
  14. Preiser, Wolfgang. ( 2011), Universal Design Handbook, New York:: McGraw Hill;.
     [Google Scholar]
  15. Shakespeare, Tom. ( 2013), The Disability Studies Reader, London:: Routledge;.
     [Google Scholar]
  16. Skotch, Richard. ( 2001), The New Disability History: American Perspectives, New York:: New York University Press;.
     [Google Scholar]
  17. Thom, Jess. ( 2016), The Art of Discomfort, live panel discussion, attended 16 October, https://www.wheelercentre.com/broadcasts/the-art-of-discomfort.
  18. Ubersfeld, Anne. ( 1981), L'ecole Du Spectacular, Paris:: Belin Editions;.
     [Google Scholar]
  19. UN General Assembly ( 2007), ‘Convention on the Rights of Persons with Disabilities: Resolution Adopted by the General Assembly’, www.refworld.org/docid/45f973632.html. Accessed 17 April 2017.
  20. Walton, John. ( 2014), ‘Devised Theatre: Ten Tips for a Truly Creative Collaboration’, www.theguardian.com/culture-professionals-network/2014/dec/16/devised-theatre-ten-tips-collaboration. Accessed December 2016.
  21. Wickramasinghe, Nilmini. ( 2006;), ‘ Knowledge creation: A meta-framework. ’, International Journal of Innovation and Learning, 3:5, pp. 558–73.
     [Google Scholar]
  22. Willett, J.. ( 1964), Brecht on Theatre: The Development of an Aesthetic, London:: Methuen;.
     [Google Scholar]

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