Giving – and Taking – Voice: Self-Devising Theatrical Performance with Learning-Disabled Actors

Ames, Margaret. ( 2018;), ‘ Emptiness as material for devised theatre performance. ’, Research in Drama Education: The Journal of Applied Theatre and Performance, 23:1, pp. 4–19.

Bailes, Sara Jane. ( 2011), Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service, Abingdon and New York:: Routledge;.

Derrida, Jacques. ( 2002), ‘ Hospitality. ’ in G. Anidjar. (ed.), Acts of Religion, London:: Routledge;, pp. 356–421.

Guattari, Félix. (1989), ‘The Three Ecologies’ (trans. C. Turner), New Formations, Number 8, Summer, pp. 131–47.

McCaffrey, Tony. ( 2019), Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities, Oxford:: Routledge;.

Still Lives. ( 2012), Devised by the ensemble, directed by Tony McCaffrey, Different Light Theatre, Society for Disability Studies 24th annual conference, San José, California, 15–18 June 2011, Ludus Festival, Leeds and PSi 18, Riley Smith Hall, University of Leeds, 28–30 July 2012.

The History of Different Light ( 2019), Devised by the ensemble, directed by Tony McCaffrey, Different Light Theatre, NASDA Theatre, Christchurch Arts Festival, 1–3 August 2019.

The Shadow Whose Prey the Hunter Becomes (2019), Devised by Back to Back Theatre, directed by Bruce Gladwin, Carriageworks, Sydney, 28 September 2019.

Three Ecologies of Different Light ( 2016), Devised by the ensemble, directed by Tony McCaffrey, Different Light Theatre, Guild Theatre, University of Melbourne, PSi 22 Conference July 5–9 2016.

Yergeau, Remi M.. ( 2018), Authoring Autism: On Rhetoric and Neurological Queerness, Durham:: Duke University Press;.

Ames, Margaret. ( 2018;), ‘ Emptiness as material for devised theatre performance. ’, Research in Drama Education: The Journal of Applied Theatre and Performance, 23:1, pp. 4–19.

Bailes, Sara Jane. ( 2011), Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service, Abingdon and New York:: Routledge;.

Derrida, Jacques. ( 2002), ‘ Hospitality. ’ in G. Anidjar. (ed.), Acts of Religion, London:: Routledge;, pp. 356–421.

Guattari, Félix. (1989), ‘The Three Ecologies’ (trans. C. Turner), New Formations, Number 8, Summer, pp. 131–47.

McCaffrey, Tony. ( 2019), Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities, Oxford:: Routledge;.

Still Lives. ( 2012), Devised by the ensemble, directed by Tony McCaffrey, Different Light Theatre, Society for Disability Studies 24th annual conference, San José, California, 15–18 June 2011, Ludus Festival, Leeds and PSi 18, Riley Smith Hall, University of Leeds, 28–30 July 2012.

The History of Different Light ( 2019), Devised by the ensemble, directed by Tony McCaffrey, Different Light Theatre, NASDA Theatre, Christchurch Arts Festival, 1–3 August 2019.

The Shadow Whose Prey the Hunter Becomes (2019), Devised by Back to Back Theatre, directed by Bruce Gladwin, Carriageworks, Sydney, 28 September 2019.

Three Ecologies of Different Light ( 2016), Devised by the ensemble, directed by Tony McCaffrey, Different Light Theatre, Guild Theatre, University of Melbourne, PSi 22 Conference July 5–9 2016.

Yergeau, Remi M.. ( 2018), Authoring Autism: On Rhetoric and Neurological Queerness, Durham:: Duke University Press;.