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Devising as Research: Challenging Power and Ethics in Methodology through the Onion Theatre Project

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References

  1. Afolabi, Taiwo. ( 2017), ‘Actors Note Onion Theatre Project Description. Newcomer Youth – Onion Theatre Project’, Unpublished manuscript.
  2. Boal, Augusto. ( 1979), Theatre of the Oppressed, London:: Pluto Press;.
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  3. Cornwall, Andrea, and Jewkes, Rachel. ( 1995;), ‘ What is participatory research?. ’, Social Science and Medicine, 41:12, pp. 1667–76, https://doi.org/10.1016/0277-9536(95)00127-S.
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  4. Crenshaw, Kimberlè. ( 2006), ‘ Mapping the margins: Intersectionality, identity politics and violence against women of color. ’, in I. Grewal, and C. Kaplan. (eds), An Introduction to Women's Studies Gender in a Transnational World, , 2nd ed.., New York:: McGraw-Hill;, pp. 200–05.
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  5. Five Days of Action ( 2018), Equity and Human Rights, University of Victoria;, www.uvic.ca/equity/education/5-days-action/index.php. Accessed 7 April, 2022.
     [Google Scholar]
  6. Foucault, Michel. ( 2010), The History of Sexuality, in V. B. Leitch,, W. E. Cain,, L. A. Finke,, B. E. Johnson,, J. McGowan,, T. D. Sharpley-Whiting, and J. J. Williams. (eds), The Norton Anthology of Theory and Criticism, , 2nd ed.., New York:: W.W. Norton & Company;.
     [Google Scholar]
  7. Freire, Paulo. ( 1970), Pedagogy of the Oppressed (, 30th anniversary ed..), New York; London:: Continuum;.
     [Google Scholar]
  8. Hacker, Karen. ( 2013), Community-Based Participatory Research, London:: SAGE;.
     [Google Scholar]
  9. Heddon, Deirdre, and Milling, Jane. ( 2016), Devising Performance: A Critical History, New York:: Palgrave Macmillan;.
     [Google Scholar]
  10. Jawanda, Jasmindra, and Afolabi, Taiwo. ( 2019), ‘ In Our Footsteps: An Onion Theatre Project. ’, Here Magazine, Spring/Summer;, pp. 38–43.
     [Google Scholar]
  11. Kershaw, Baz. ( 2007), ‘ Performance, community, culture. ’, in P. Kuppers, and G. Robertson. (eds), The Community Performance Reader, New York:: Routledge;, pp. 77–96.
     [Google Scholar]
  12. Leavy, Patricia. ( 2017), Research Design: Quantitative, Qualitative, Mixed Methods, Arts-based, and Community-based Participatory Research Approaches, New York:: Guildford Press;.
     [Google Scholar]
  13. Leavy, Patricia. ( 2018), Handbook of Arts-Based Research, New York:: Guildford Press;.
     [Google Scholar]
  14. Mermikides, Alex, and Smart, Jackie. ( 2010), Devising in Process, New York:: Palgrave Macmillan;.
     [Google Scholar]
  15. Minkler Meredith, and Wallerstein, Nina. ( 2018), ‘ On community-based participatory research. ’, in N. Wallerstein,, B. Duran,, J. G. Oetzel, and M. Minkler. (eds), Community-Based Participatory Research for Health: Advancing Social and Health Equity, New York:: John Wiley & Sons: ProQuest Ebook Central;, pp. xivi–lxiii.
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  16. Moody, Elaine, and Phinney, Alison. ( 2012;), ‘ A community-engaged art program for older people: Fostering social inclusion. ’, Canadian Journal on Aging / La Revue Canadienne Du Vieillissement, 31:1, pp. 55–64, https://doi.org/10.1017/S0714980811000596.
     [Google Scholar]
  17. Moqia Sealey-Qaylow, Aziza. ( 2018), Onion Theatre Project Performance, 20 June.
  18. Nicholson, Helen. ( 2014), Applied Drama: The Gift of Theatre, , 2nd ed.., New York:: Palgrave Macmillan;.
     [Google Scholar]
  19. O'Connor, Peter, and Anderson, Michael. ( 2015), Applied Theatre: Research: Radical Departures, London and New York:: Bloomsbury Methuen Drama;.316
     [Google Scholar]
  20. Onion Theatre Project anonymous audience member ( 2018a), personal interview, 22 March.
  21. Onion Theatre Project anonymous audience member ( 2018b), personal interview, 20 June.
  22. Onion Theatre Project collaborator ( 2018a), personal interview, 10 February.
  23. Onion Theatre Project collaborator ( 2018b), personal interview, 30 April.
  24. Onion Theatre Project collaborators ( 2018a), personal interview, 13 January.
  25. Onion Theatre Project collaborators ( 2018b), personal interview, 24 March.
  26. Prendergast, Monica. ( 2017;), ‘ Delegated performance: Interdisciplinary tensions, provocations and questions. ’, Performing Ethos, 7:1, pp. 25–42, https://doi.org/10.1386/peet.7.1.25_1.
     [Google Scholar]
  27. Sofola, Zulu. ( 1994), The Artist and the Tragedy of a Nation, Ibadan:: Caltop Publications Nigeria Limited;.
     [Google Scholar]
  28. Turner, Victor. ( 1982), From Ritual to Theatre: The Human Seriousness of Play, New York:: Performing Arts Journal Publications;.
     [Google Scholar]
  29. Wang, Qingchun,, Coemans, Sara,, Siegesmund, Richard, and Hannes, Karin. ( 2017;), ‘ Arts-based methods in socially engaged research practice: A classification framework. ’, Art/Research International: A Transdisciplinary Journal, 2:2, pp. 5–39, https://doi.org/10.18432/R26G8P.
     [Google Scholar]
  30. Wooster, Roger. ( 2010;), ‘ Theatre in education: More than just a health message. ’, Journal of Applied Arts & Health, 1:3, pp. 281–94, https://doi.org/10.1386/jaah.1.3.281_1.
     [Google Scholar]

References

  1. Afolabi, Taiwo. ( 2017), ‘Actors Note Onion Theatre Project Description. Newcomer Youth – Onion Theatre Project’, Unpublished manuscript.
  2. Boal, Augusto. ( 1979), Theatre of the Oppressed, London:: Pluto Press;.
     [Google Scholar]
  3. Cornwall, Andrea, and Jewkes, Rachel. ( 1995;), ‘ What is participatory research?. ’, Social Science and Medicine, 41:12, pp. 1667–76, https://doi.org/10.1016/0277-9536(95)00127-S.
     [Google Scholar]
  4. Crenshaw, Kimberlè. ( 2006), ‘ Mapping the margins: Intersectionality, identity politics and violence against women of color. ’, in I. Grewal, and C. Kaplan. (eds), An Introduction to Women's Studies Gender in a Transnational World, , 2nd ed.., New York:: McGraw-Hill;, pp. 200–05.
     [Google Scholar]
  5. Five Days of Action ( 2018), Equity and Human Rights, University of Victoria;, www.uvic.ca/equity/education/5-days-action/index.php. Accessed 7 April, 2022.
     [Google Scholar]
  6. Foucault, Michel. ( 2010), The History of Sexuality, in V. B. Leitch,, W. E. Cain,, L. A. Finke,, B. E. Johnson,, J. McGowan,, T. D. Sharpley-Whiting, and J. J. Williams. (eds), The Norton Anthology of Theory and Criticism, , 2nd ed.., New York:: W.W. Norton & Company;.
     [Google Scholar]
  7. Freire, Paulo. ( 1970), Pedagogy of the Oppressed (, 30th anniversary ed..), New York; London:: Continuum;.
     [Google Scholar]
  8. Hacker, Karen. ( 2013), Community-Based Participatory Research, London:: SAGE;.
     [Google Scholar]
  9. Heddon, Deirdre, and Milling, Jane. ( 2016), Devising Performance: A Critical History, New York:: Palgrave Macmillan;.
     [Google Scholar]
  10. Jawanda, Jasmindra, and Afolabi, Taiwo. ( 2019), ‘ In Our Footsteps: An Onion Theatre Project. ’, Here Magazine, Spring/Summer;, pp. 38–43.
     [Google Scholar]
  11. Kershaw, Baz. ( 2007), ‘ Performance, community, culture. ’, in P. Kuppers, and G. Robertson. (eds), The Community Performance Reader, New York:: Routledge;, pp. 77–96.
     [Google Scholar]
  12. Leavy, Patricia. ( 2017), Research Design: Quantitative, Qualitative, Mixed Methods, Arts-based, and Community-based Participatory Research Approaches, New York:: Guildford Press;.
     [Google Scholar]
  13. Leavy, Patricia. ( 2018), Handbook of Arts-Based Research, New York:: Guildford Press;.
     [Google Scholar]
  14. Mermikides, Alex, and Smart, Jackie. ( 2010), Devising in Process, New York:: Palgrave Macmillan;.
     [Google Scholar]
  15. Minkler Meredith, and Wallerstein, Nina. ( 2018), ‘ On community-based participatory research. ’, in N. Wallerstein,, B. Duran,, J. G. Oetzel, and M. Minkler. (eds), Community-Based Participatory Research for Health: Advancing Social and Health Equity, New York:: John Wiley & Sons: ProQuest Ebook Central;, pp. xivi–lxiii.
     [Google Scholar]
  16. Moody, Elaine, and Phinney, Alison. ( 2012;), ‘ A community-engaged art program for older people: Fostering social inclusion. ’, Canadian Journal on Aging / La Revue Canadienne Du Vieillissement, 31:1, pp. 55–64, https://doi.org/10.1017/S0714980811000596.
     [Google Scholar]
  17. Moqia Sealey-Qaylow, Aziza. ( 2018), Onion Theatre Project Performance, 20 June.
  18. Nicholson, Helen. ( 2014), Applied Drama: The Gift of Theatre, , 2nd ed.., New York:: Palgrave Macmillan;.
     [Google Scholar]
  19. O'Connor, Peter, and Anderson, Michael. ( 2015), Applied Theatre: Research: Radical Departures, London and New York:: Bloomsbury Methuen Drama;.316
     [Google Scholar]
  20. Onion Theatre Project anonymous audience member ( 2018a), personal interview, 22 March.
  21. Onion Theatre Project anonymous audience member ( 2018b), personal interview, 20 June.
  22. Onion Theatre Project collaborator ( 2018a), personal interview, 10 February.
  23. Onion Theatre Project collaborator ( 2018b), personal interview, 30 April.
  24. Onion Theatre Project collaborators ( 2018a), personal interview, 13 January.
  25. Onion Theatre Project collaborators ( 2018b), personal interview, 24 March.
  26. Prendergast, Monica. ( 2017;), ‘ Delegated performance: Interdisciplinary tensions, provocations and questions. ’, Performing Ethos, 7:1, pp. 25–42, https://doi.org/10.1386/peet.7.1.25_1.
     [Google Scholar]
  27. Sofola, Zulu. ( 1994), The Artist and the Tragedy of a Nation, Ibadan:: Caltop Publications Nigeria Limited;.
     [Google Scholar]
  28. Turner, Victor. ( 1982), From Ritual to Theatre: The Human Seriousness of Play, New York:: Performing Arts Journal Publications;.
     [Google Scholar]
  29. Wang, Qingchun,, Coemans, Sara,, Siegesmund, Richard, and Hannes, Karin. ( 2017;), ‘ Arts-based methods in socially engaged research practice: A classification framework. ’, Art/Research International: A Transdisciplinary Journal, 2:2, pp. 5–39, https://doi.org/10.18432/R26G8P.
     [Google Scholar]
  30. Wooster, Roger. ( 2010;), ‘ Theatre in education: More than just a health message. ’, Journal of Applied Arts & Health, 1:3, pp. 281–94, https://doi.org/10.1386/jaah.1.3.281_1.
     [Google Scholar]

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