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Collaborating with Soldiers in Devising

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References

  1. Ali, Alisha,, Wolfert, Stephan, and Homer, Bruce D.. ( 2019;), ‘ In the service of science: Veteran-led research in the investigation of a theatre-based posttraumatic stress disorder treatment. ’, Journal of Humanistic Psychology, pp. 119, https://doi.org/10.1177/0022167819839907.
    [Google Scholar]
  2. Barton, Bruce. (ed.) ( 2008), Collective Creation, Collaboration and Devising, Toronto:: Playwrights Canada Press;.
    [Google Scholar]
  3. Beck, Jaime L.,, Belliveau, George,, Lea, Graham W., and Wager, Amanda. ( 2011;), ‘ Delineating a spectrum of research-based theatre. ’, Qualitative Inquiry, 17:8, pp. 687700.
    [Google Scholar]
  4. Belliveau, George. ( 2018;), ‘ Performing research: Contemplating what it means to be a man. ’, Artizein: Arts & Teaching Journal, 3:1, pp. 3845, https://opensiuc.lib.siu.edu/atj/vol3/iss1/7. Accessed 2 December 2022.
    [Google Scholar]
  5. Belliveau, George,, Cook, Christopher,, McLean, Blair, and Lea, Graham W.. ( 2019;), ‘ Thawing out: Therapy through theatre with Canadian military veterans. ’, The Arts in Psychotherapy, 62, pp. 4551, https://doi.org/10.1016/j.aip.2018.11.001. Accessed 2 December 2022.
    [Google Scholar]
  6. Belliveau, George, and Lea, Graham W.. (eds) ( 2016), Research-based Theatre: An Artistic Methodology, London:: Intellect Books;.
    [Google Scholar]
  7. Belliveau, George, and Lea, Graham W.. (eds) ( 2020), Contact!Unload: Military Veterans, Trauma, and Research-based Theatre, Vancouver:: University of British Columbia Press;.
    [Google Scholar]
  8. Belliveau, George, and Nichols, Jennica. ( 2017;), ‘ Audience responses to Contact!Unload: A Canadian research-based play about returning military veterans. ’, Cogent Arts & Humanities, 4:1, https://doi.org/10.1080/23311983.2017.1351704.
    [Google Scholar]
  9. Bonczek, Rose Burnett, and Storck, David. ( 2013), Ensemble Theatre Making: A Practical Guide, New York:: Routledge;.
    [Google Scholar]
  10. Bray, Errol. ( 1991), Playbuilding: A Guide for Group Creation for Plays with Young People, Paddington:: Currency;.
    [Google Scholar]
  11. Britton, John. (ed.) ( 2013), Encountering Ensemble, London:: Bloomsbury;.
    [Google Scholar]
  12. Dennison, Britney. ( 2014), ‘A soldier's tale: “Nobody understood what I'd done”’, The Tyee, 10 November, http://thetyee.ca/News/2014/11/10/Soldiers-Tales-Told/. Accessed 17 June 2021.351
  13. Garthside, Timothy. ( 2020), ‘ Finding my truth. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 10508.
    [Google Scholar]
  14. Graham, Scott, and Hoggett, Steven. ( 2014), The Frantic Assembly Book of Devising Theatre, , 2nd ed.., New York:: Routledge;.
    [Google Scholar]
  15. Gray, Julia, and The Ensemble. ( 2011;), ‘ After the crash: A play about brain injury. ’, Canadian Theatre Review, 146, pp. 6686, https://doi.org/10.3138/ctr.146.66.
    [Google Scholar]
  16. Hassall, Linda. ( 2014), The Return, unpublished play.
  17. Heathcote, Dorothy, and Bolton, Gavin. ( 1994), Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education, Portsmouth:: Heinemann;.
    [Google Scholar]
  18. Lea, Graham W.. ( 2020), ‘ Listening through stories: Insights into writing Contact!Unload. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 5364.
    [Google Scholar]
  19. Lea, Graham W.,, Belliveau, George, and The Company. ( 2020), ‘ Contact!Unload. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 166.
    [Google Scholar]
  20. Lea, Graham W.,, Belliveau, George, and Westwood, Marv. ( 2020;), ‘ Staging therapeutic enactment with veterans in Contact!Unload. ’, Qualitative Research in Psychology, 17:4, pp. 52140, https://doi.org/10.1080/14780887.2018.1442776.
    [Google Scholar]
  21. Mermikides, Alex, and Smart, Jackie. (eds) ( 2010), Devising in Process, New York:: Palgrave Macmillan;.
    [Google Scholar]
  22. Norris, Joe. ( 2009), Playbuilding as Qualitative Research: A Participatory Arts-based Approach, Walnut Creek:: Left Coast Press;.
    [Google Scholar]
  23. Porath, Marion,, Buchanan, Marla, and Banister, Elizabeth. ( 2020), ‘ Audience experience of vicarious witnessing in performing war. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 15159.
    [Google Scholar]
  24. Prendergast, Monica, and Saxton, Juliana. ( 2013), Applied Drama: A Facilitator's Handbook for Working in Community, Bristol:: Intellect;.
    [Google Scholar]
  25. Prentki, Tim, and Preston, Sheila. (eds) ( 2009), The Applied Theatre Reader, London:: Routledge;.
    [Google Scholar]
  26. Ritchie, Rob. ( 1987), The Joint Stock Book: The Making of a Theatre Collective, London:: Methune;.
    [Google Scholar]
  27. Syssoyeva, Kathryn M., and Proudfit, Scott. (eds) ( 2013), Collective Creation in Contemporary Performance, New York:: Palgrave Macmillan;.
    [Google Scholar]
  28. Weigler, Will. ( 2001), Strategies for Playbuilding: Helping Groups Translate Issues into Theatre, Portsmouth:: Heinemann;.
    [Google Scholar]
  29. Westwood, Marvin. ( 2009;), ‘ The veterans’ transition program: Therapeutic enactment in action. ’, Educational Insights, 7:2, https://doi.org/10.1080/13569783.2014.911806. Accessed 2 December 2022.352
    [Google Scholar]

References

  1. Ali, Alisha,, Wolfert, Stephan, and Homer, Bruce D.. ( 2019;), ‘ In the service of science: Veteran-led research in the investigation of a theatre-based posttraumatic stress disorder treatment. ’, Journal of Humanistic Psychology, pp. 119, https://doi.org/10.1177/0022167819839907.
    [Google Scholar]
  2. Barton, Bruce. (ed.) ( 2008), Collective Creation, Collaboration and Devising, Toronto:: Playwrights Canada Press;.
    [Google Scholar]
  3. Beck, Jaime L.,, Belliveau, George,, Lea, Graham W., and Wager, Amanda. ( 2011;), ‘ Delineating a spectrum of research-based theatre. ’, Qualitative Inquiry, 17:8, pp. 687700.
    [Google Scholar]
  4. Belliveau, George. ( 2018;), ‘ Performing research: Contemplating what it means to be a man. ’, Artizein: Arts & Teaching Journal, 3:1, pp. 3845, https://opensiuc.lib.siu.edu/atj/vol3/iss1/7. Accessed 2 December 2022.
    [Google Scholar]
  5. Belliveau, George,, Cook, Christopher,, McLean, Blair, and Lea, Graham W.. ( 2019;), ‘ Thawing out: Therapy through theatre with Canadian military veterans. ’, The Arts in Psychotherapy, 62, pp. 4551, https://doi.org/10.1016/j.aip.2018.11.001. Accessed 2 December 2022.
    [Google Scholar]
  6. Belliveau, George, and Lea, Graham W.. (eds) ( 2016), Research-based Theatre: An Artistic Methodology, London:: Intellect Books;.
    [Google Scholar]
  7. Belliveau, George, and Lea, Graham W.. (eds) ( 2020), Contact!Unload: Military Veterans, Trauma, and Research-based Theatre, Vancouver:: University of British Columbia Press;.
    [Google Scholar]
  8. Belliveau, George, and Nichols, Jennica. ( 2017;), ‘ Audience responses to Contact!Unload: A Canadian research-based play about returning military veterans. ’, Cogent Arts & Humanities, 4:1, https://doi.org/10.1080/23311983.2017.1351704.
    [Google Scholar]
  9. Bonczek, Rose Burnett, and Storck, David. ( 2013), Ensemble Theatre Making: A Practical Guide, New York:: Routledge;.
    [Google Scholar]
  10. Bray, Errol. ( 1991), Playbuilding: A Guide for Group Creation for Plays with Young People, Paddington:: Currency;.
    [Google Scholar]
  11. Britton, John. (ed.) ( 2013), Encountering Ensemble, London:: Bloomsbury;.
    [Google Scholar]
  12. Dennison, Britney. ( 2014), ‘A soldier's tale: “Nobody understood what I'd done”’, The Tyee, 10 November, http://thetyee.ca/News/2014/11/10/Soldiers-Tales-Told/. Accessed 17 June 2021.351
  13. Garthside, Timothy. ( 2020), ‘ Finding my truth. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 10508.
    [Google Scholar]
  14. Graham, Scott, and Hoggett, Steven. ( 2014), The Frantic Assembly Book of Devising Theatre, , 2nd ed.., New York:: Routledge;.
    [Google Scholar]
  15. Gray, Julia, and The Ensemble. ( 2011;), ‘ After the crash: A play about brain injury. ’, Canadian Theatre Review, 146, pp. 6686, https://doi.org/10.3138/ctr.146.66.
    [Google Scholar]
  16. Hassall, Linda. ( 2014), The Return, unpublished play.
  17. Heathcote, Dorothy, and Bolton, Gavin. ( 1994), Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education, Portsmouth:: Heinemann;.
    [Google Scholar]
  18. Lea, Graham W.. ( 2020), ‘ Listening through stories: Insights into writing Contact!Unload. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 5364.
    [Google Scholar]
  19. Lea, Graham W.,, Belliveau, George, and The Company. ( 2020), ‘ Contact!Unload. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 166.
    [Google Scholar]
  20. Lea, Graham W.,, Belliveau, George, and Westwood, Marv. ( 2020;), ‘ Staging therapeutic enactment with veterans in Contact!Unload. ’, Qualitative Research in Psychology, 17:4, pp. 52140, https://doi.org/10.1080/14780887.2018.1442776.
    [Google Scholar]
  21. Mermikides, Alex, and Smart, Jackie. (eds) ( 2010), Devising in Process, New York:: Palgrave Macmillan;.
    [Google Scholar]
  22. Norris, Joe. ( 2009), Playbuilding as Qualitative Research: A Participatory Arts-based Approach, Walnut Creek:: Left Coast Press;.
    [Google Scholar]
  23. Porath, Marion,, Buchanan, Marla, and Banister, Elizabeth. ( 2020), ‘ Audience experience of vicarious witnessing in performing war. ’, in G. Belliveau, and G. W. Lea. (eds), Contact!Unload: Research-based Theatre with Military Veterans, Vancouver:: University of British Columbia Press;, pp. 15159.
    [Google Scholar]
  24. Prendergast, Monica, and Saxton, Juliana. ( 2013), Applied Drama: A Facilitator's Handbook for Working in Community, Bristol:: Intellect;.
    [Google Scholar]
  25. Prentki, Tim, and Preston, Sheila. (eds) ( 2009), The Applied Theatre Reader, London:: Routledge;.
    [Google Scholar]
  26. Ritchie, Rob. ( 1987), The Joint Stock Book: The Making of a Theatre Collective, London:: Methune;.
    [Google Scholar]
  27. Syssoyeva, Kathryn M., and Proudfit, Scott. (eds) ( 2013), Collective Creation in Contemporary Performance, New York:: Palgrave Macmillan;.
    [Google Scholar]
  28. Weigler, Will. ( 2001), Strategies for Playbuilding: Helping Groups Translate Issues into Theatre, Portsmouth:: Heinemann;.
    [Google Scholar]
  29. Westwood, Marvin. ( 2009;), ‘ The veterans’ transition program: Therapeutic enactment in action. ’, Educational Insights, 7:2, https://doi.org/10.1080/13569783.2014.911806. Accessed 2 December 2022.352
    [Google Scholar]
/content/books/9781789387704.c21
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