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When Mr Fox Met Kit Calvert, the Maker of Wensleydale Cheese: Constructing Yorkshireness in the Sixties Leeds Folk Scene

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References

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  14. Spracklen, Karl and Robinson, Dave (2020), ‘Putting faith in vinyl, real ale and live music: A case study of the limits of tourism policy and a critical analysis of new leisure spaces in a northern English town’, Tourism, Culture and Communication, 20:2&3, pp. 15161.
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  15. Wells, David (2004), ‘Sleeve notes in Mr Fox’, Join Us in Our Game, CD, London: Castle.
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  16. Wells, David (2006), ‘Sleeve notes in Bob Pegg’, Keeper of the Flame, CD, London: Castle.
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  17. Whyte, William Hadden (2015), Redbrick: A Social and Architectural History of Britain's Civic Universities, Oxford: Oxford University Press.
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  18. Williams, Allan M. and Hall, C. Michael (2000), ‘Tourism and migration: New relationships between production and consumption’, Tourism Geographies, 2:1, pp. 527.
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  19. Young, Rob (2011), Electric Eden: Unearthing Britain's Visionary Music, London: Faber and Faber.
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References

  1. Birkett, Norman (2014), National Parks and the Countryside, Cambridge: Cambridge University Press.
    [Google Scholar]
  2. Briggs, Asa (2014), The Age of Improvement: 1783–1867, Abingdon: Routledge.42
    [Google Scholar]
  3. Dewhurst, Helen and Thomas, Rhodri (2003), ‘Encouraging sustainable business practices in a non-regulatory environment: A case study of small tourism firms in a UK national park’, Journal of Sustainable Tourism, 11:5, pp. 383403.
    [Google Scholar]
  4. Joosen, Vanessa (2011), Critical and Creative Perspectives on Fairy Tales: An Intertextual Dialogue Between Fairy-Tale Scholarship and Postmodern Retellings, Detroit: Wayne State University Press.
    [Google Scholar]
  5. Keegan-Phipps, Simon (2017), ‘Identifying the English: Essentialism and multiculturalism in contemporary English folk music’, Ethnomusicology Forum, 26:1, pp. 325.
    [Google Scholar]
  6. Kenrick, Donald and Clark, Colin (1999), Moving On: The Gypsies and Travellers of Britain, Hatfield: University of Hertfordshire Press.
    [Google Scholar]
  7. Mr Fox (1970), Mr Fox, LP, London: Transatlantic.
    [Google Scholar]
  8. Mr Fox (1972), The Gipsy, LP, London: Transatlantic.
    [Google Scholar]
  9. Neill, Robert (1951), Mist Over Pendle, London: Hutchinson.
    [Google Scholar]
  10. Pegg, Bob and Pegg, Carole (1971), He Came from the Mountains, LP, London: Trailer.
    [Google Scholar]
  11. Sheail, John (1995), ‘John Dower, national parks, and town and country planning in Britain’, Planning Perspectives, 10:1, pp. 116.
    [Google Scholar]
  12. Spracklen, Karl (2013), ‘Nazi punks folk off: Leisure, nationalism, cultural identity and the consumption of metal and folk music’, Leisure Studies, 32:4, pp. 41528.
    [Google Scholar]
  13. Spracklen, Karl (2016), ‘Theorising northernness and northern culture: The north of England, northern Englishness, and sympathetic magic’, Journal for Cultural Research, 20:1, pp. 416.
    [Google Scholar]
  14. Spracklen, Karl and Robinson, Dave (2020), ‘Putting faith in vinyl, real ale and live music: A case study of the limits of tourism policy and a critical analysis of new leisure spaces in a northern English town’, Tourism, Culture and Communication, 20:2&3, pp. 15161.
    [Google Scholar]
  15. Wells, David (2004), ‘Sleeve notes in Mr Fox’, Join Us in Our Game, CD, London: Castle.
    [Google Scholar]
  16. Wells, David (2006), ‘Sleeve notes in Bob Pegg’, Keeper of the Flame, CD, London: Castle.
    [Google Scholar]
  17. Whyte, William Hadden (2015), Redbrick: A Social and Architectural History of Britain's Civic Universities, Oxford: Oxford University Press.
    [Google Scholar]
  18. Williams, Allan M. and Hall, C. Michael (2000), ‘Tourism and migration: New relationships between production and consumption’, Tourism Geographies, 2:1, pp. 527.
    [Google Scholar]
  19. Young, Rob (2011), Electric Eden: Unearthing Britain's Visionary Music, London: Faber and Faber.
    [Google Scholar]
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