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Home Is Where the Music Is: Migrants and Belonging in Leeds

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References

  1. Cain, Melissa, Istvandity, Lauren and Lakhani, Ali (2020), ‘Participatory music-making and well-being within immigrant cultural practice: Exploratory case studies in South East Queensland, Australia’, Leisure Studies, 39:1, pp. 68–82.115
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  4. Council of Europe (2020b), Leeds ICC Index Analysis, Strasbourg: Intercultural Cities Secretariat, https://rm.coe.int/icc-index-analysis-2020-leeds-united-kingdom-september-2020/1680a0098a. Accessed 15 February 2023.
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  5. Farrar, Guy, Smith, Tim and Farrar, Max (2017), Celebrate! 50 years of Leeds West Indian Carnival, Huddersfield: Northern Arts Publications.
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  6. Fitzgerald, Mark and O'Flynn, John (2016), Music and Identity in Ireland and Beyond, London: Routledge.
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  7. Folkestad, Göran (2002), ‘National identity and music’, in R. MacDonald, D. Hargreaves and D. Miell (eds), Musical Identities, Oxford: Oxford University Press, pp. 151–62.
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  8. Friar, Danny (2018), Rewind 'n’ Come Again – 50 Years of Leeds Reggae, Leeds Mas Media – Leeds Carnival blog, 27 November 2018, https://leedsmasmedia.wordpress.com/2018/11/27/rewind-n-come-again-50-years-of-leeds-reggae/. Accessed 15 February 2023.
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  11. Güney, Serhat, Pekman, Cem and Bülent, Kabaş (2014), ‘Diasporic music in transition: Turkish immigrant performers on the stage of “Multikulti” Berlin’, Popular Music and Society, 37:2, pp. 132–51.
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  12. Hargreaves, David, Miell, Dorothy and MacDonald, Raymond (2002), ‘What are musical identities, and why are they important?’, in R. MacDonald, D. Hargreaves and D. Miell (eds), Musical Identities, Oxford: Oxford University Press, pp. 1–20.
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  13. Hwang, Yoo J. and Cho, Eun (2019), ‘Musical parenting and acculturation of South Korean immigrant mothers’, International Journal of Community Music, 12:1, pp. 57–77.
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  14. Kelly, Jessica (2018), Palestine Underground, UK: Boiler Room.
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  15. Lidskog, Rolf (2016), ‘The role of music in ethnic identity formation in diaspora: A research review’, International Social Science Journal, 66:219&20, pp. 23–38.
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  16. Long, Jonathan, Hylton, Kevin and Spracklen, Karl (2014), ‘Whiteness, Blackness and settlement: Leisure and the integration of new migrants’, Journal of Ethnic and Migration Studies, 40:11, pp. 1779–97.
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  17. Maffesoli, Michel (1996), The Time of the Tribes, London: Sage.
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  18. Martiniello, Marco and Lafleur, Jean-Michel (2008), ‘Ethnic minorities’ cultural practices as forms of political expression: A review of the literature and a theoretical discussion on music’, Journal of Ethnic and Migration Studies, 34:8, pp. 1191–215.
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  19. Orlando, Valerie (2003), ‘From Rap to Raï in the mixing bowl: Beur hip-hop culture and banlieue cinema in urban France’, Journal of Popular Culture, 36:3, pp. 395–415.
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  20. Phillips, Caryl (2007), Foreigners: Three English Lives, London: Vintage.
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  21. Rojek, Chris (2000), Leisure and Culture, Basingstoke: Palgrave.
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  22. Shabazz, Menelik (2011), The Story of Lovers Rock, UK: Verve.116
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  23. Soul Music (2021), ‘Take Me Home, Country Roads’, BBC Radio 4, UK, 4 August, 9.00–9.30 am, https://www.bbc.co.uk/programmes/m000ydl2. Accessed 14 December 2021.
  24. Tajfel, Henri (1973), Human Groups and Social Categories: Studies in Social Psychology, Cambridge: Cambridge University Press.
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  25. Untold Stories: The Irish Community in Leeds (n.d.), ‘Emigration & The Irish diaspora’, Untold Stories: The Irish Community in Leeds, http://www.untoldstories.co.uk/articles. Accessed 21 December 2021.
  26. Viladrich, Anahí (2019), ‘Think global, act Argentine! Tango émigrés and the search for artistic authenticity’, Ethnic and Racial Studies, 42:6, pp. 901–18.
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References

  1. Cain, Melissa, Istvandity, Lauren and Lakhani, Ali (2020), ‘Participatory music-making and well-being within immigrant cultural practice: Exploratory case studies in South East Queensland, Australia’, Leisure Studies, 39:1, pp. 68–82.115
     [Google Scholar]
  2. Clavane, Anthony (2012), Does Your Rabbi Know You're Here? London: Quercus.
     [Google Scholar]
  3. Council of Europe (2020a), ‘Leeds, United Kingdom – Intercultural city’, https://www.coe.int/en/web/interculturalcities/leeds. Accessed 15 February 2023.
  4. Council of Europe (2020b), Leeds ICC Index Analysis, Strasbourg: Intercultural Cities Secretariat, https://rm.coe.int/icc-index-analysis-2020-leeds-united-kingdom-september-2020/1680a0098a. Accessed 15 February 2023.
     [Google Scholar]
  5. Farrar, Guy, Smith, Tim and Farrar, Max (2017), Celebrate! 50 years of Leeds West Indian Carnival, Huddersfield: Northern Arts Publications.
     [Google Scholar]
  6. Fitzgerald, Mark and O'Flynn, John (2016), Music and Identity in Ireland and Beyond, London: Routledge.
     [Google Scholar]
  7. Folkestad, Göran (2002), ‘National identity and music’, in R. MacDonald, D. Hargreaves and D. Miell (eds), Musical Identities, Oxford: Oxford University Press, pp. 151–62.
     [Google Scholar]
  8. Friar, Danny (2018), Rewind 'n’ Come Again – 50 Years of Leeds Reggae, Leeds Mas Media – Leeds Carnival blog, 27 November 2018, https://leedsmasmedia.wordpress.com/2018/11/27/rewind-n-come-again-50-years-of-leeds-reggae/. Accessed 15 February 2023.
  9. Gilroy, Paul (1987), There Ain't No Black in the Union Jack, London: Unwin Hyman.
     [Google Scholar]
  10. Gilroy, Paul (1993), The Black Atlantic, London: Verso.
     [Google Scholar]
  11. Güney, Serhat, Pekman, Cem and Bülent, Kabaş (2014), ‘Diasporic music in transition: Turkish immigrant performers on the stage of “Multikulti” Berlin’, Popular Music and Society, 37:2, pp. 132–51.
     [Google Scholar]
  12. Hargreaves, David, Miell, Dorothy and MacDonald, Raymond (2002), ‘What are musical identities, and why are they important?’, in R. MacDonald, D. Hargreaves and D. Miell (eds), Musical Identities, Oxford: Oxford University Press, pp. 1–20.
     [Google Scholar]
  13. Hwang, Yoo J. and Cho, Eun (2019), ‘Musical parenting and acculturation of South Korean immigrant mothers’, International Journal of Community Music, 12:1, pp. 57–77.
     [Google Scholar]
  14. Kelly, Jessica (2018), Palestine Underground, UK: Boiler Room.
     [Google Scholar]
  15. Lidskog, Rolf (2016), ‘The role of music in ethnic identity formation in diaspora: A research review’, International Social Science Journal, 66:219&20, pp. 23–38.
     [Google Scholar]
  16. Long, Jonathan, Hylton, Kevin and Spracklen, Karl (2014), ‘Whiteness, Blackness and settlement: Leisure and the integration of new migrants’, Journal of Ethnic and Migration Studies, 40:11, pp. 1779–97.
     [Google Scholar]
  17. Maffesoli, Michel (1996), The Time of the Tribes, London: Sage.
     [Google Scholar]
  18. Martiniello, Marco and Lafleur, Jean-Michel (2008), ‘Ethnic minorities’ cultural practices as forms of political expression: A review of the literature and a theoretical discussion on music’, Journal of Ethnic and Migration Studies, 34:8, pp. 1191–215.
     [Google Scholar]
  19. Orlando, Valerie (2003), ‘From Rap to Raï in the mixing bowl: Beur hip-hop culture and banlieue cinema in urban France’, Journal of Popular Culture, 36:3, pp. 395–415.
     [Google Scholar]
  20. Phillips, Caryl (2007), Foreigners: Three English Lives, London: Vintage.
     [Google Scholar]
  21. Rojek, Chris (2000), Leisure and Culture, Basingstoke: Palgrave.
     [Google Scholar]
  22. Shabazz, Menelik (2011), The Story of Lovers Rock, UK: Verve.116
     [Google Scholar]
  23. Soul Music (2021), ‘Take Me Home, Country Roads’, BBC Radio 4, UK, 4 August, 9.00–9.30 am, https://www.bbc.co.uk/programmes/m000ydl2. Accessed 14 December 2021.
  24. Tajfel, Henri (1973), Human Groups and Social Categories: Studies in Social Psychology, Cambridge: Cambridge University Press.
     [Google Scholar]
  25. Untold Stories: The Irish Community in Leeds (n.d.), ‘Emigration & The Irish diaspora’, Untold Stories: The Irish Community in Leeds, http://www.untoldstories.co.uk/articles. Accessed 21 December 2021.
  26. Viladrich, Anahí (2019), ‘Think global, act Argentine! Tango émigrés and the search for artistic authenticity’, Ethnic and Racial Studies, 42:6, pp. 901–18.
     [Google Scholar]

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