A Tale of Two Artists: Thinking Intersectionally About Women and Music in Leeds

By Beccy Watson
Source: Popular Music in Leeds , pp 117-129
Publication Date: November 2023
DOI: https://doi.org/10.1386/9781789388053_9
Language: English

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References

Back, Les and Yarrow, Thomas (2014), ‘Writers on writing’, Journal of the Royal Anthropological Institute (N.S.), 20, pp. 766–70.
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Scraton, Sheila and Watson, Beccy (1998), ‘Gendered cities: Women and public leisure space in the postmodern city’, Leisure Studies, 17:2, pp. 123–37.
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Watson, Beccy (2010), ‘“What about us?” Examining popular music, leisure and urban arts policy in the post-industrial city’, Annals of Leisure Research, 13:3, pp. 459–75.
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Watson, Beccy (2018), ‘Thinking intersectionally: Fourth wave feminism and feminist leisure scholarship’, in D. Parry (ed.), Feminisms in Leisure Studies: Advancing a Fourth Wave, London: Routledge, pp. 58–78.
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Wenner, Ann, Gadir, Tami and De Boise, Sam (2020), ‘Broadening research in gender and music practice’, Popular Music, 39:3–4, pp. 636–51.
[Google Scholar]

References

Back, Les and Yarrow, Thomas (2014), ‘Writers on writing’, Journal of the Royal Anthropological Institute (N.S.), 20, pp. 766–70.
[Google Scholar]
Cohen, Sara (1991), Rock Culture in Liverpool: Popular Music in the Making, Oxford: Clarendon Press.
[Google Scholar]
DeNora, Tia (2000), Music and Everyday Life, Cambridge: Cambridge University Press.
[Google Scholar]
hooks, bell (1989), Talking Back: Thinking Feminist, Thinking Black, Boston: South End Press.
[Google Scholar]
Keenan, Elizabeth (2018), ‘Intersectionality in third-wave popular music: Sexuality, race, and class’, in Oxford Handbooks Online, Oxford: Oxford University Press, https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199935321.001.0001/oxfordhb-9780199935321-e-36. Accessed 21 March 2022.
Massey, Doreen (2005), For Space, London: Sage.
[Google Scholar]
Scraton, Sheila and Watson, Beccy (1998), ‘Gendered cities: Women and public leisure space in the postmodern city’, Leisure Studies, 17:2, pp. 123–37.
[Google Scholar]
Watson, Beccy (2010), ‘“What about us?” Examining popular music, leisure and urban arts policy in the post-industrial city’, Annals of Leisure Research, 13:3, pp. 459–75.
[Google Scholar]
Watson, Beccy (2018), ‘Thinking intersectionally: Fourth wave feminism and feminist leisure scholarship’, in D. Parry (ed.), Feminisms in Leisure Studies: Advancing a Fourth Wave, London: Routledge, pp. 58–78.
[Google Scholar]
Wenner, Ann, Gadir, Tami and De Boise, Sam (2020), ‘Broadening research in gender and music practice’, Popular Music, 39:3–4, pp. 636–51.
[Google Scholar]

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