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Exhibition: Music and Materiality in Leeds’ Abbey House Museum

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Sounds of Our City Exhibition: Music and Materiality in Leeds’ Abbey House Museum
Intellect , 217 (2023); https://doi.org/10.1386/9781789388053_16
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References

  1. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2016a), ‘Curating popular music heritage: Storytelling and narrative engagement in popular music museums and exhibitions’, Museum Management and Curatorship, 31:4, pp. 369–85.
     [Google Scholar]
  2. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2016b) ‘The sound of music heritage: Curating popular music in music museums and exhibitions’, International Journal of Heritage Studies, 22: 1, pp. 70–81.
     [Google Scholar]
  3. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2020), ‘Curatorial practice in popular music museums: An emerging typology of structuring concepts’, European Journal of Cultural Studies, 23:3, pp. 434–53.
     [Google Scholar]
  4. Cortez, Alcina (2015), ‘The curatorial practices of exhibiting popular music in Portugal at the beginning of the twenty-first century: An overview’, Revista Portuguesa De Musicologia, 2:2, pp. 297–324.
     [Google Scholar]
  5. Cortez, Alcina (2016), ‘How popular music is exhibited by museums in Portugal at the beginning of the twenty-first century: A case study’, Curator: The Museum Journal, 59:2, pp. 153–76.
     [Google Scholar]
  6. Dudley, Sandra H. (ed), (2010), Museum Materialities: Objects, Engagements, Interpretations, London: Routledge.
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  7. Fairchild, Charles (2017), ‘Understanding exhibitionary characteristics of popular music museums’, Museum & Society, 15:1, pp. 87–99.
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  8. Heppleston, Neal (2020), ‘Dearlove conservation’, Heppleston Lutherie, https://www.hepplestonlutherie.co.uk/blog/2019/12/1/dearlove-conservation. Accessed 16 February 2022.
  9. Knifton, Robert (2012), ‘Popular music beyond text: An academic perspective on popular music in the museum’, Social History in Museums, 36, pp. 21–25.
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  10. Leeds Museums and Galleries (n.d.), ‘Leeds museums and galleries’, YouTube, https://www.youtube.com/user/leedsmuseums. Accessed 16 February 2022.234
  11. Leonard, Marion (2007), ‘Constructing histories through material culture: Popular music, museums and collecting’, Popular Music History, 2:2, pp. 147–67.
     [Google Scholar]
  12. Leonard, Marion (2010), ‘Exhibiting popular music: Museum audiences, inclusion and social history’, Journal of New Music Research, 39:2, pp. 171–81.
     [Google Scholar]
  13. Leonard, Marion (2014), ‘Staging the Beatles: Ephemerality, materiality and the production of authenticity in the museum’, International Journal of Heritage Studies, 20:4, pp. 357–75.
     [Google Scholar]
  14. Leonard, Marion and Knifton, Robert (2015), ‘Engaging nostalgia: Popular music and memory in museums’, in S. Cohen, R. Knifton and M. Leonard (eds), Sites of Popular Music Heritage: Memories, Histories, Places, London: Routledge, pp. 160–73.
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  15. Leonard, Marion and Knifton, Robert (2017), ‘A critical survey of museum collections of popular music in the United Kingdom’, Popular Music History, 10:2, pp. 171–91.
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  16. LEEDM.E.2012.0553.0003 (1928), Obituary: Alfred Warrington Lodge, 3 March (newspaper cutting), Leeds Museums and Galleries.
  17. LEEDM.E.2011.0443 (1964), ‘Cyril Maynard Mitchell and Jack Dearlove, interviewed by Dick Gregson’, Home This Afternoon, BBC, 24 August (Audio recording), Leeds Museums and Galleries.
  18. Mortensen, Christian H. and Madsen Jacob W. (2015), ‘The sound of yesteryear on display: A rethinking of nostalgia as a strategy for exhibiting pop/rock heritage’, International Journal of Heritage Studies, 21:3, pp. 250–63.
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  19. Music:Leeds (2021), Sonic Stops (art exhibition), Abbey House Museum, 28 April, http://www.musicleeds.com/sonicstops. Accessed 16 February 2022.
  20. Van der Hoeven, Arno and Brandellero, Amanda (2015), ‘Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives’, Poetics, 51, pp. 37–53.
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References

  1. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2016a), ‘Curating popular music heritage: Storytelling and narrative engagement in popular music museums and exhibitions’, Museum Management and Curatorship, 31:4, pp. 369–85.
     [Google Scholar]
  2. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2016b) ‘The sound of music heritage: Curating popular music in music museums and exhibitions’, International Journal of Heritage Studies, 22: 1, pp. 70–81.
     [Google Scholar]
  3. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2020), ‘Curatorial practice in popular music museums: An emerging typology of structuring concepts’, European Journal of Cultural Studies, 23:3, pp. 434–53.
     [Google Scholar]
  4. Cortez, Alcina (2015), ‘The curatorial practices of exhibiting popular music in Portugal at the beginning of the twenty-first century: An overview’, Revista Portuguesa De Musicologia, 2:2, pp. 297–324.
     [Google Scholar]
  5. Cortez, Alcina (2016), ‘How popular music is exhibited by museums in Portugal at the beginning of the twenty-first century: A case study’, Curator: The Museum Journal, 59:2, pp. 153–76.
     [Google Scholar]
  6. Dudley, Sandra H. (ed), (2010), Museum Materialities: Objects, Engagements, Interpretations, London: Routledge.
     [Google Scholar]
  7. Fairchild, Charles (2017), ‘Understanding exhibitionary characteristics of popular music museums’, Museum & Society, 15:1, pp. 87–99.
     [Google Scholar]
  8. Heppleston, Neal (2020), ‘Dearlove conservation’, Heppleston Lutherie, https://www.hepplestonlutherie.co.uk/blog/2019/12/1/dearlove-conservation. Accessed 16 February 2022.
  9. Knifton, Robert (2012), ‘Popular music beyond text: An academic perspective on popular music in the museum’, Social History in Museums, 36, pp. 21–25.
     [Google Scholar]
  10. Leeds Museums and Galleries (n.d.), ‘Leeds museums and galleries’, YouTube, https://www.youtube.com/user/leedsmuseums. Accessed 16 February 2022.234
  11. Leonard, Marion (2007), ‘Constructing histories through material culture: Popular music, museums and collecting’, Popular Music History, 2:2, pp. 147–67.
     [Google Scholar]
  12. Leonard, Marion (2010), ‘Exhibiting popular music: Museum audiences, inclusion and social history’, Journal of New Music Research, 39:2, pp. 171–81.
     [Google Scholar]
  13. Leonard, Marion (2014), ‘Staging the Beatles: Ephemerality, materiality and the production of authenticity in the museum’, International Journal of Heritage Studies, 20:4, pp. 357–75.
     [Google Scholar]
  14. Leonard, Marion and Knifton, Robert (2015), ‘Engaging nostalgia: Popular music and memory in museums’, in S. Cohen, R. Knifton and M. Leonard (eds), Sites of Popular Music Heritage: Memories, Histories, Places, London: Routledge, pp. 160–73.
     [Google Scholar]
  15. Leonard, Marion and Knifton, Robert (2017), ‘A critical survey of museum collections of popular music in the United Kingdom’, Popular Music History, 10:2, pp. 171–91.
     [Google Scholar]
  16. LEEDM.E.2012.0553.0003 (1928), Obituary: Alfred Warrington Lodge, 3 March (newspaper cutting), Leeds Museums and Galleries.
  17. LEEDM.E.2011.0443 (1964), ‘Cyril Maynard Mitchell and Jack Dearlove, interviewed by Dick Gregson’, Home This Afternoon, BBC, 24 August (Audio recording), Leeds Museums and Galleries.
  18. Mortensen, Christian H. and Madsen Jacob W. (2015), ‘The sound of yesteryear on display: A rethinking of nostalgia as a strategy for exhibiting pop/rock heritage’, International Journal of Heritage Studies, 21:3, pp. 250–63.
     [Google Scholar]
  19. Music:Leeds (2021), Sonic Stops (art exhibition), Abbey House Museum, 28 April, http://www.musicleeds.com/sonicstops. Accessed 16 February 2022.
  20. Van der Hoeven, Arno and Brandellero, Amanda (2015), ‘Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives’, Poetics, 51, pp. 37–53.
     [Google Scholar]

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