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How Graffiti and Street Art Styles, Images, and Iconography Impacted the Designs that Tribal Streetwear Uses on their Clothing and Accessories

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How Graffiti and Street Art Styles, Images, and Iconography Impacted the Designs that Tribal Streetwear Uses on their Clothing and Accessories
Intellect , 68 (2024); https://doi.org/10.1386/9781789388084_4
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References

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  7. Bojórquez, C. C. (2019). Graffiti is art: Any drawn line that speaks about identity, dignity, and unity... That line is art. In A. Jennifer, C. González, O. Chavoya, C. Noriega, & T. Romo (Eds.), Chicano and Chicana art: A critical anthology (pp. 117–122). Duke University Press.
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  11. Chappell, B. (2010). Custom contestations: Lowriders and urban space. City & Society, 22, 25–47.
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  12. Chappell, B. (2012). Lowrider space: Aesthetics and politics of Mexican American custom cars. University of Texas Press.
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  13. Daichendt, G. J. (2014). Shepard Fairey Inc. Artist/professional/vandal. Cameron Books.
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  14. Daichendt, G. J. (2019, December 1). As it turns 30, San Diego's Tribal streetwear still keeping it real. San Diego Tribune. https://www.sandiegouniontribune.com/lifestyle/story/2019-12-01/tribal-streetwear-turns-30-and-represents-san-diego-around-the-world
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  16. Goffman, E. (1959). Presentation of self in everyday life. Anchor Books.
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  17. Hebdige, D. (1998). Subculture: The meaning of style. Routledge.
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  18. Hundreds, B. (2011, June 21). 50 greatest streetwear brands of all time. Complex Magazine. https://www.complex.com/style/the-greatest-streetwear-brands/original-fake82
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  19. Hunt, M. B. (1996). The sociolinguistics of tagging and Chicano gang graffiti (Publication No. 9705114) [Dissertation, University of Southern California]. ProQuest Dissertations & Theses Global.
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  20. Jasman, A. (2020). All to know about Kenny Scharf, the guest artist behind Dior Men fall 2021. Esquire. https://www.esquiresg.com/dior-men-fall-2021-kenny-scharf-interview-artist-collaboration-fai-khadra/
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  21. Mackanamee, T. (2013, June 13). From urban graffiti runways to feminine graffiti frocks. Trendsetter. https://www.trendhunter.com/slideshow/graffitiinspired-fashion
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  22. Menendez, E., & Nitschke, A. (2019). Streetwear impact report. https://strategyand.hypebeast.com/streetwear-report.
  23. Miller, J. (1995). Gang style and the meanings of social control. In J. Ferrell, & C. R. Sanders (Eds.), Cultural criminology (pp. 213–234). Northeastern University Press.
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  24. Phillips, S. A. (1999). Wallbangin’: Graffiti and gangs in LA. University of Chicago Press.
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  25. Pool, B. (2003, October 3). Conference views graffiti's creative side. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2003-oct-03-me-art3-story.html
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  26. Pulido, A. L., & Roberto ‘rigo’, R. L. (2017). San Diego lowriders: A history of cars and cruising. The History Press.
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  27. Romano, P. (2021, February 3). Street art and graffiti on the catwalk. NSS Magazine. https://www.nssgclub.com/en/fashion/25064/street-art-graffiti-fashion-runway
     [Google Scholar]
  28. Romofsky, J., & Romofsky, S. (1976). Los Angeles barrio calligraphy. Dawson's Book Shop.
     [Google Scholar]
  29. Rosen, M. D., & Fisher, J. (2001). Chicano Park and the Chicano Park murals: Barrio Logan, city of San Diego, California. The Public Historian, 23(4), 91–112.
     [Google Scholar]
  30. Ross, J. I. (2016a). Introduction: Sorting it all out. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 1–10). Routledge.
     [Google Scholar]
  31. Ross, J. I. (2016b). Effects of graffiti and street art. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 389–392). Routledge.
     [Google Scholar]
  32. Ross, J. I. (Ed.) (2016c). Routledge handbook of graffiti and street art. Routledge.
     [Google Scholar]
  33. Ross, J. I., Lennon, J. F., & Kramer, R. (2020). Moving beyond Banksy and Fairey: Interrogating the co-optation and commodification of modern graffiti and street art. Visual Inquiry, 9(1–2), 5–23.
     [Google Scholar]
  34. Ross, J. I., & Wright, B. S. (2014). “I've got better things to worry about”: Police perceptions of graffiti and street art in a large mid-Atlantic city. Police Quarterly, 17(2), 176–200.
     [Google Scholar]
  35. Sheren, I. N. (2018). The San Diego Chicano movement and the origins of border art. Journal of Borderlands Studies, 33(4), 513–527.
     [Google Scholar]
  36. Simpson, E. (1980). Chicano street murals. Journal of Popular Culture, 13(3), 642–652.
     [Google Scholar]
  37. Staff. (2010). Q&A with Tribal Founder Bobby Ruiz: 20 years strong, Ballerstatus.com. https://www.ballerstatus.com/2010/08/05/qa-with-tribal-founder-bobby-ruiz-20-years-strong/83
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References

  1. Aguilar, J. A. (2000, April 25–28). Chicano street signs: Graffiti as public literacy practice [Conference paper]. Annual Meeting of the American Educational Research Association, New Orleans, LA, United States.
     [Google Scholar]
  2. Alabi, M. (2013, November 26). When street art meets runway style. CNN. http://cnn.com/2013/09/07/living/high-fashion-street-art/
     [Google Scholar]
  3. Anonymous (n.d.). The history of fashion in graffiti. https://thedailyshine.com/pages/the-history-of-graffiti-in-fashion
  4. Arreola, D. D. (1984). Mexican American exterior murals. Geographical Review, 74(4), 409–424.
     [Google Scholar]
  5. Banks, A. (2014). The inspirations behind 20 of the most well-known designs in streetwear. High Snobiety. https://www.highsnobiety.com/p/inspiration-behind-20-most-important-streetwear-designs/
     [Google Scholar]
  6. Bloch, S. (2021). Going all city. University of Chicago Press.
     [Google Scholar]
  7. Bojórquez, C. C. (2019). Graffiti is art: Any drawn line that speaks about identity, dignity, and unity... That line is art. In A. Jennifer, C. González, O. Chavoya, C. Noriega, & T. Romo (Eds.), Chicano and Chicana art: A critical anthology (pp. 117–122). Duke University Press.
     [Google Scholar]
  8. Bruzzi, S., & Gibson P. C. (Eds.). (2014). Fashion cultures revisited: Theories, explorations and analysis. Routledge.
     [Google Scholar]
  9. Cardenas, J. (1999, August 20). Clothing with a culture. Los Angeles Times. https://www.latimes.com/archives/la-xpm-1999-aug-20-cl-1881-story.html
     [Google Scholar]
  10. Cesaretti, G. (1975). Street writers: A guided tour of Chicano graffiti. Acrobat Books.
     [Google Scholar]
  11. Chappell, B. (2010). Custom contestations: Lowriders and urban space. City & Society, 22, 25–47.
     [Google Scholar]
  12. Chappell, B. (2012). Lowrider space: Aesthetics and politics of Mexican American custom cars. University of Texas Press.
     [Google Scholar]
  13. Daichendt, G. J. (2014). Shepard Fairey Inc. Artist/professional/vandal. Cameron Books.
     [Google Scholar]
  14. Daichendt, G. J. (2019, December 1). As it turns 30, San Diego's Tribal streetwear still keeping it real. San Diego Tribune. https://www.sandiegouniontribune.com/lifestyle/story/2019-12-01/tribal-streetwear-turns-30-and-represents-san-diego-around-the-world
     [Google Scholar]
  15. Ferrell, J. (1993). Crimes of style: Urban graffiti and the politics of criminality. Garland Publishers.
     [Google Scholar]
  16. Goffman, E. (1959). Presentation of self in everyday life. Anchor Books.
     [Google Scholar]
  17. Hebdige, D. (1998). Subculture: The meaning of style. Routledge.
     [Google Scholar]
  18. Hundreds, B. (2011, June 21). 50 greatest streetwear brands of all time. Complex Magazine. https://www.complex.com/style/the-greatest-streetwear-brands/original-fake82
     [Google Scholar]
  19. Hunt, M. B. (1996). The sociolinguistics of tagging and Chicano gang graffiti (Publication No. 9705114) [Dissertation, University of Southern California]. ProQuest Dissertations & Theses Global.
     [Google Scholar]
  20. Jasman, A. (2020). All to know about Kenny Scharf, the guest artist behind Dior Men fall 2021. Esquire. https://www.esquiresg.com/dior-men-fall-2021-kenny-scharf-interview-artist-collaboration-fai-khadra/
     [Google Scholar]
  21. Mackanamee, T. (2013, June 13). From urban graffiti runways to feminine graffiti frocks. Trendsetter. https://www.trendhunter.com/slideshow/graffitiinspired-fashion
     [Google Scholar]
  22. Menendez, E., & Nitschke, A. (2019). Streetwear impact report. https://strategyand.hypebeast.com/streetwear-report.
  23. Miller, J. (1995). Gang style and the meanings of social control. In J. Ferrell, & C. R. Sanders (Eds.), Cultural criminology (pp. 213–234). Northeastern University Press.
     [Google Scholar]
  24. Phillips, S. A. (1999). Wallbangin’: Graffiti and gangs in LA. University of Chicago Press.
     [Google Scholar]
  25. Pool, B. (2003, October 3). Conference views graffiti's creative side. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2003-oct-03-me-art3-story.html
     [Google Scholar]
  26. Pulido, A. L., & Roberto ‘rigo’, R. L. (2017). San Diego lowriders: A history of cars and cruising. The History Press.
     [Google Scholar]
  27. Romano, P. (2021, February 3). Street art and graffiti on the catwalk. NSS Magazine. https://www.nssgclub.com/en/fashion/25064/street-art-graffiti-fashion-runway
     [Google Scholar]
  28. Romofsky, J., & Romofsky, S. (1976). Los Angeles barrio calligraphy. Dawson's Book Shop.
     [Google Scholar]
  29. Rosen, M. D., & Fisher, J. (2001). Chicano Park and the Chicano Park murals: Barrio Logan, city of San Diego, California. The Public Historian, 23(4), 91–112.
     [Google Scholar]
  30. Ross, J. I. (2016a). Introduction: Sorting it all out. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 1–10). Routledge.
     [Google Scholar]
  31. Ross, J. I. (2016b). Effects of graffiti and street art. In J. I. Ross (Ed.), Routledge handbook of graffiti and street art (pp. 389–392). Routledge.
     [Google Scholar]
  32. Ross, J. I. (Ed.) (2016c). Routledge handbook of graffiti and street art. Routledge.
     [Google Scholar]
  33. Ross, J. I., Lennon, J. F., & Kramer, R. (2020). Moving beyond Banksy and Fairey: Interrogating the co-optation and commodification of modern graffiti and street art. Visual Inquiry, 9(1–2), 5–23.
     [Google Scholar]
  34. Ross, J. I., & Wright, B. S. (2014). “I've got better things to worry about”: Police perceptions of graffiti and street art in a large mid-Atlantic city. Police Quarterly, 17(2), 176–200.
     [Google Scholar]
  35. Sheren, I. N. (2018). The San Diego Chicano movement and the origins of border art. Journal of Borderlands Studies, 33(4), 513–527.
     [Google Scholar]
  36. Simpson, E. (1980). Chicano street murals. Journal of Popular Culture, 13(3), 642–652.
     [Google Scholar]
  37. Staff. (2010). Q&A with Tribal Founder Bobby Ruiz: 20 years strong, Ballerstatus.com. https://www.ballerstatus.com/2010/08/05/qa-with-tribal-founder-bobby-ruiz-20-years-strong/83
     [Google Scholar]

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