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Conclusion: Shifting Horizons of Possibility

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This concluding chapter addresses the materiality of media – devices, storage formats, platforms – as tied up with feeling; the sense of things. If media technology presents a material, ever-shifting horizon of possibility for what can or cannot be done at any given point in time, it also gives rise to modes of sensation as sounds and images materialise in different ways, and as they become differently experienced.

Keywords: actor-network theory ; Andrey Tarkovsky ; feeling ; film ; materiality ; media ecology ; media formats ; non-human agency ; sensation ; technology

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References

  1. Bogost, Ian and Montfort, Nick (2007), ‘New media as material constraint: An introduction to platform studies’, Electronic Techtonics: Thinking at the Interface. Proceedings of the First International HASTAC Conference, pp. 176–93.
  2. Gillespie, Tarleton , Boczkowski, Pablo. J. and Foot, Kirsten A. (eds) (2014), Media Technologies: Essays on Communication, Materiality, and Society, Cambridge, MA: The MIT Press.
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  3. Hall, Stuart (1992), ‘Cultural studies and its theoretical legacies’, in L. Grossberg (ed.), Cultural Studies: A Reader, London: Routledge, pp. 27786.
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  7. Parikka, Jussi (2012), What Is Media Archaeology, Cambridge: Polity Press.
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  8. Sedgwick, Eve Kosofsky (2003), Touching Feeling: Affect, Pedagogy, Performativity, Durham: Duke University Press.
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References

  1. Bogost, Ian and Montfort, Nick (2007), ‘New media as material constraint: An introduction to platform studies’, Electronic Techtonics: Thinking at the Interface. Proceedings of the First International HASTAC Conference, pp. 176–93.
  2. Gillespie, Tarleton , Boczkowski, Pablo. J. and Foot, Kirsten A. (eds) (2014), Media Technologies: Essays on Communication, Materiality, and Society, Cambridge, MA: The MIT Press.
    [Google Scholar]
  3. Hall, Stuart (1992), ‘Cultural studies and its theoretical legacies’, in L. Grossberg (ed.), Cultural Studies: A Reader, London: Routledge, pp. 27786.
    [Google Scholar]
  4. Jucan, Ioana B. , Parikka, Jussi , and Schneider, Rebecca (2019), Remain, Minneapolis: University of Minnesota Press.
    [Google Scholar]
  5. Kittler, Friedrich (1999), Gramophone, Film, Typewriter (trans. G. Winthorp-Young and M. Wutz), Stanford: Stanford University Press.250
    [Google Scholar]
  6. Paasonen, Susanna (2011), Carnal Resonance: Affect and Online Pornography, Cambridge, MA: The MIT Press.
    [Google Scholar]
  7. Parikka, Jussi (2012), What Is Media Archaeology, Cambridge: Polity Press.
    [Google Scholar]
  8. Sedgwick, Eve Kosofsky (2003), Touching Feeling: Affect, Pedagogy, Performativity, Durham: Duke University Press.
    [Google Scholar]
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