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This concluding chapter addresses the materiality of media – devices, storage formats, platforms – as tied up with feeling; the sense of things. If media technology presents a material, ever-shifting horizon of possibility for what can or cannot be done at any given point in time, it also gives rise to modes of sensation as sounds and images materialise in different ways, and as they become differently experienced.
Keywords: actor-network theory ; Andrey Tarkovsky ; feeling ; film ; materiality ; media ecology ; media formats ; non-human agency ; sensation ; technology
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