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A/r/tography: A Metonymic Métissage (2004)

image of A/r/tography: A Metonymic Métissage (2004)

In Western history, Aristotle articulated “three kinds of ‘thought’: knowing (theoria), doing (praxis), and making (poesis), the latter including poetry as well as other productive arts”. Understanding these three forms of thought has always been of interest to arts educators and those interested in accessing the arts as a means to enhance their own understanding of ideas and practices. To live the life of an artist who is also a researcher and teacher is to live a life of awareness, a life that permits openness to the complexity around us, a life that intentionally sets out to perceive things differently. From a sociocultural perspective, metissage is a language of the borderlands of English-French, of autobiography-ethnography, of male-female. Theory as a/r/tography as metissage is a way for those of us living in the borderlands to creatively engage with self and others as we re-imagine our life histories in and through time.

Keywords: a/r/tography ; action research ; aesthetic experience ; arts based research ; borderlands ; creative analytic practice ; doing ; knowing ; living inquiry ; making ; metaphor ; metissage ; poesis ; praxis ; theory

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References

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References

  1. Aoki, T. T. (2005). Locating living pedagogy in teacher “research”: Five metonymic moments. In W. F. Pinar & R. L. Irwin (Eds.), Curriculum in a new key: The collected works of Ted. T. Aoki (pp. 425430). Lawrence Erlbaum.
    [Google Scholar]
  2. Barnard, M. (2001). Approaches to understanding visual culture. Palgrave.
    [Google Scholar]
  3. Barone, T. (2001). Science, art, and the predispositions of educational researchers. Educational Researcher, 30(7), 2428.
    [Google Scholar]
  4. Barone, T., & Eisner, E. W. (1997). Arts-based educational research. In R. Jaeger (Ed.), Complementary methods for research in education (2nd ed., pp. 75116). American Educational Research Association.
    [Google Scholar]
  5. Carson, T., & Sumara, D. (Eds.) (1997). Action research as living practice. Peter Lang.
    [Google Scholar]
  6. de Cosson, A. (2000). Following the process. A non-modern inter(face). Educational Insights, 6(1). http://www.csci.educ.ubc.ca/publication/insights/archives/v06n01/
    [Google Scholar]
  7. de Cosson, A. (2001). Anecdotal sculpting: Learning to learn, one from another. Journal of Curriculum Theorizing, 17(4), 7383.
    [Google Scholar]
  8. de Cosson, A. (2002). The hermeneutic dialogic: Finding patterns amid the aporia of the artist/researcher/teacher. The Alberta Journal of Educational Research, xlviii(3). Article on CD-ROM insert.
    [Google Scholar]
  9. Denzin, N. K., & Lincoln, Y. S. (Eds.) (2000). Handbook of qualitative research (2nd ed.). SAGE Publishing.
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  10. Dewey, J. (1934). Art as experience. Capricorn Books.
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  11. Eisner, E. W. (1979). The educational imagination: On the design and evaluation of school programs. Macmillan.
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  12. Eisner, E. W. (1991). The enlightened eye: Qualitative inquiry and the enhancement of educational practice. Macmillan.
    [Google Scholar]
  13. Eisner, E. W., & Powell, K. (2002). Art in science? Curriculum Inquiry, 32(2), 131159.35
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  14. Ellis, C., & Bochner, A. P. (2000). Autoethnography, personal narrative, reflexivity: Researcher as subject. In N. K. Denzin & Y. S. Lincoln (Eds.), Handbook of qualitative research (2nd ed., pp. 733768). SAGE.
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  15. Finley, S., & Knowles, J. G. (1995). Researcher as artist/artist as researcher. Qualitative Inquiry, 1(1), 110142.
    [Google Scholar]
  16. Foster, H. (Ed.). (1988). Vision and visuality. Pay Press.
    [Google Scholar]
  17. Fox, G. T., & Geichman, J. (2001). Creating research questions from strategies and perspectives of contemporary art. Curriculum Inquiry, 31(1), 3349.
    [Google Scholar]
  18. Garoian, C. P. (1999). Performing pedagogy: Toward an art of politics. SUNY Press.
    [Google Scholar]
  19. Greene, M. (1995). Releasing the imagination. Jossey-Bass.
    [Google Scholar]
  20. Irwin, R. L. (1999). Listening to the shapes of collaborative artmaking. Art Education, 52(2), 3540.
    [Google Scholar]
  21. Irwin, R. L. (2003). Curating the aesthetics of curriculum/leadership or caring for how we perceive running/guiding the course. A paper given at the Canadian Society for the Study of Education Conference, Halifax, Nova Scotia, May 28–31.
  22. Irwin, R. L., Mastri, R., &Robertson, H. (2000). Pausing to reflect: Moments in feminist collaborative action research. Journal of Gender Issues in Art Education, 1, 4356.
    [Google Scholar]
  23. Irwin, R. L., Rogers, T., &Reynolds, J. K. (2000). In the spirit of gathering. Canadian Review of Art Education, 27(2), 5172.
    [Google Scholar]
  24. Irwin, R. L., Stephenson, W., Neale, A., Robertson, H., Mastri, R., &Crawford, N. (1998). Quiltmaking as a metaphor: Creating feminist political consciousness for art pedagogues. In E. Sacca &E. Zimmerman (Eds.), Women art educators IV: Herstories, our stories, future stories (pp. 100111). Canadian Society for Education through Art.
    [Google Scholar]
  25. Irwin, R. L., Stephenson, W., Robertson, H., &Reynolds, J. K. (2001). Passionate creativity, compassionate community. Canadian Review of Art Education, 28(2), 1534.
    [Google Scholar]
  26. Jackson, P. W. (1998). John Dewey and the lessons of art. Yale University Press.
    [Google Scholar]
  27. Lakoff, G., &Johnson, M. (1980). Metaphors we live by. University of Chicago Press.
    [Google Scholar]
  28. Linstead, S., &Hopfl, H. (Eds.) (2000). The aesthetics of organization. SAGE.
    [Google Scholar]
  29. Low, M., &Palulis, P. (2000). Teaching as a messy text: Metonymic moments in pedagogical practice. Journal of Curriculum Theorizing, 16(2), 7680.
    [Google Scholar]
  30. McNiff, S. (1998). Art-based research. Jessica Kingsley Publications.
    [Google Scholar]
  31. Pearse, H. (1994). Autobiography and self portraiture as pedagogy, research and art. NSCAD Papers in Art Education, 17, 107124.
    [Google Scholar]
  32. Pinar, W. F., &Grumet, M. (1976). Toward a poor curriculum. Kendall/Hunt.
    [Google Scholar]
  33. Pinar, W. F., &Irwin, R. L. (Eds.) (2005). Curriculum in a new key: The collected works of Ted T. Aoki. Lawrence Erlbaum.
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  35. Pollock, D. (1998). Performing writing. In P. Phelan &J. Lane (Eds.), The ends of performance (pp. 73103). New York University Press.
    [Google Scholar]
  36. Prosser, J. (1998). Image-based research: A sourcebook for qualitative researchers. Falmer Press.36
    [Google Scholar]
  37. Richardson, L. (2000). Writing: A method of inquiry. In N. K. Denzin &Y. S. Lincoln (Eds.), Handbook of qualitative research (2nd ed., pp. 923948). SAGE.
    [Google Scholar]
  38. Rogoff, I. (2000). Terra infirma: Geography's visual culture. Routledge.
    [Google Scholar]
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    [Google Scholar]
  40. Silverman, D. (2000). Routine pleasures: The aesthetics of the mundane. In S. Linstead &H. Hopfl (Eds.), The aesthetics of organization (pp. 130153). SAGE.
    [Google Scholar]
  41. Slattery, P. (2001). The educational researcher as artist working within. Qualitative Inquiry 7(3), 370398.
    [Google Scholar]
  42. Smith, S. (1993). Subjectivity, identity, and the body. Indiana University Press.
    [Google Scholar]
  43. Springgay, S. (2002a). Arts-based educational research as an unknowable text. Alberta Journal of Educational Research, (3), CD Rom.
    [Google Scholar]
  44. Springgay, S. (2002b). Cloth as intercorporeality: An artist's inquiry into student perceptions of body images, visual culture, and identity [Paper presentation and installation art]. Curriculum and Pedagogy and Arts-based Research Conference, Decatur, Georgia.
  45. Springgay, S., &Irwin, R. L. (2004). Women making art: Aesthetic inquiry as a political performance. In G. Knowles, L. Neilsen, A. Cole &T. Luciani (Eds.), Provoked by art: Theorizing arts-informed inquiry (pp. 7183). Backalong Books.
    [Google Scholar]
  46. Springgay, S., Irwin, R. L., de Cosson, A., Wilson Kind, S., Stephenson, W., &Pente, P. (2002, October 16–20). Cutting into the research space: Re-imagining a/r/tography as a living practice [Paper and video presentation]. Curriculum and Pedagogy Conference, Athens, GA.
  47. Stewart, R. (2002). Creating ourselves: Memory and self narrative. Visual research methods. Department of Visual Arts, University of Southern Queensland.
  48. Sullivan, G. (2000). Aesthetic education at the Lincoln Center Institute: An historical and philosophical overview. Lincoln Center Institute. http://www.lincolncenter.org/Ici/philosophy/hist.html#origins
    [Google Scholar]
  49. Sullivan, G. (2002a). Artistic thinking as transcognitive practice: A reconciliation of the process-product dichotomy. Visual Arts Research, 22(1), 217.
    [Google Scholar]
  50. Sullivan, G. (2002b). Ideas and teaching: Making meaning from contemporary art. In Y. Gaudelius &P. Speirs (Eds.), Contemporary issues in art education (pp. 2338). Prentice Hall.
    [Google Scholar]
  51. Watrin, R. (1999). Art as research. Canadian Review of Art Education, 26(2), 92100.
    [Google Scholar]
  52. Weber, S., &Mitchell, C. (1996). Drawing ourselves into teaching: Studying the images that shape and distort teacher education. Teaching and Teacher Education, 12(3), 303313.
    [Google Scholar]
  53. Whitehead, A. N. (1966). Modes of thought. The Free Press. (Original work published in 1938.)
    [Google Scholar]
  54. Wilson, S., Stephenson, W., Springgay, S., Irwin, R. L., de Cosson, A., &Adu Poku, S. (2002). Performative liberation: A multilectic inter/intrastanding of pedagogy. In T. Poetter, C. Haerr, M. Hayes, C. Higgins &K. Wilson Baptist (Eds.), In(Ex)clusion (Re)visioning the democratic ideal (Papers from the 2nd Curriculum and Pedagogy Group's Annual Conference, University of Victoria, BC, October 2001, 13 webpages). Educator's International Press. http://education.wsu.edu/journal
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