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This chapter has two complementary and intertwined objectives. The first is methodological: How can film editing narrative structures be used to organize arguments and demonstrations in visual a/r/tography reports? The second is thematic: What analogies can be drawn between three different symbolic spaces such as classrooms, museums, and films? The semantic interactions between visual images on education, painting and movies provoke new ways of interpreting the roles of academic learning (students versus teachers) and aesthetic consumption (spectators versus artists).
Keywords: Art education ; Art for Learning [Arte para Aprender] ; Artistic research ; Contemporary drawing and heritage ; Photo pairs ; Research methods in Education ; Visual a/r/tography ; Visual arts based educational research ; Visual Arts in education ; Visual essay in education ; Visual quotation
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