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Collage: Composition, improvisation, & resistance

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Collage: Composition, improvisation, & resistance
Intellect , 26 (2024); https://doi.org/10.1386/9781789388749_4
/content/books/9781789388749.c02
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References

  1. Art21. (2018). Politics, process, and postmodernism. https://art21.org/read/mark-bradford-politics-process-and-postmodernism/
  2. Art21. (2021). Pleasure, politics, and beauty. https://art21.org/read/jessica-stockholder-pleasure-politics-and-beauty/
  3. Ballard, H. (2020). Rosie Lee Tompkins/Sacred structures. In L. Rinder & E. Y. Yau (Eds.) Rosie Lee Tompkins: A retrospective. University of California.
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  4. Burmeister, R. (2014). Glued, not cut: On the singularity of Hanna Höch's scrapbook. In I. Blazwick (Ed.), Hannah Höch (pp. X–XX). Pestel.
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  5. Dickerman, L. (2009). Bauhaus fundamentals. In L. Dickerman & B. Bergdoll (Eds.), Workshop for modernity: Bauhaus 1919–1933. New York City, NY: The Museum of Modern Art.
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  6. Estrada, T. C., Somsen, H. M., & Buteyn, K. (2023). An artist and a mother. Demeter Press.
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  7. Gude, O. (2004). Postmodern principles: In search of a 21st-century art education. Art Education, 57(1), 6–11.
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  8. Haims, M. M. (July 2023). http://mmhaims.com/
  9. hooks, b. (2010). Teaching critical thinking. Routledge.
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  10. Johnson, S. (2010). Where good ideas come from. Riverhead Books.
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  11. Knight, C. (2021, August 10). Review: Do you see the smile? Why Sanford Biggers’ painting will put one on your face. Los Angeles Times. https://www.latimes.com/entertainment-arts/story/2021-08-10/sanford-biggers-caam-los-angeles-museums
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  12. Lucero, J. (2020). Mere and easy common threads: Collage as a new sort of something. In J. Lucero (Ed.), Mere and easy: Collage as critical practice in pedagogy (pp. 5–7). University of Illinois Press.
     [Google Scholar]
  13. Manie, A. (2012). Mixed messages: The versatility of collage. Bloomsbury.
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  14. National Gallery of Art. (2003). The art of Romare Bearden: A resource for teachers. https://www.nga.gov/content/dam/ngaweb/Education/learning-resources/teaching-packets/pdfs/bearden-tchpk.pdf
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  15. Smith, R. (2020, June 29). The radical quilting of Rosie Lee Tompkins. The New York Times. https://www.nytimes.com/interactive/2020/06/26/arts/design/rosie-lee-tompkins-quilts.html
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  16. Sollins, S. (2007). Art in the twenty-first century. Harry N. Abrams.
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References

  1. Art21. (2018). Politics, process, and postmodernism. https://art21.org/read/mark-bradford-politics-process-and-postmodernism/
  2. Art21. (2021). Pleasure, politics, and beauty. https://art21.org/read/jessica-stockholder-pleasure-politics-and-beauty/
  3. Ballard, H. (2020). Rosie Lee Tompkins/Sacred structures. In L. Rinder & E. Y. Yau (Eds.) Rosie Lee Tompkins: A retrospective. University of California.
     [Google Scholar]
  4. Burmeister, R. (2014). Glued, not cut: On the singularity of Hanna Höch's scrapbook. In I. Blazwick (Ed.), Hannah Höch (pp. X–XX). Pestel.
     [Google Scholar]
  5. Dickerman, L. (2009). Bauhaus fundamentals. In L. Dickerman & B. Bergdoll (Eds.), Workshop for modernity: Bauhaus 1919–1933. New York City, NY: The Museum of Modern Art.
     [Google Scholar]
  6. Estrada, T. C., Somsen, H. M., & Buteyn, K. (2023). An artist and a mother. Demeter Press.
     [Google Scholar]
  7. Gude, O. (2004). Postmodern principles: In search of a 21st-century art education. Art Education, 57(1), 6–11.
     [Google Scholar]
  8. Haims, M. M. (July 2023). http://mmhaims.com/
  9. hooks, b. (2010). Teaching critical thinking. Routledge.
     [Google Scholar]
  10. Johnson, S. (2010). Where good ideas come from. Riverhead Books.
     [Google Scholar]
  11. Knight, C. (2021, August 10). Review: Do you see the smile? Why Sanford Biggers’ painting will put one on your face. Los Angeles Times. https://www.latimes.com/entertainment-arts/story/2021-08-10/sanford-biggers-caam-los-angeles-museums
     [Google Scholar]
  12. Lucero, J. (2020). Mere and easy common threads: Collage as a new sort of something. In J. Lucero (Ed.), Mere and easy: Collage as critical practice in pedagogy (pp. 5–7). University of Illinois Press.
     [Google Scholar]
  13. Manie, A. (2012). Mixed messages: The versatility of collage. Bloomsbury.
     [Google Scholar]
  14. National Gallery of Art. (2003). The art of Romare Bearden: A resource for teachers. https://www.nga.gov/content/dam/ngaweb/Education/learning-resources/teaching-packets/pdfs/bearden-tchpk.pdf
     [Google Scholar]
  15. Smith, R. (2020, June 29). The radical quilting of Rosie Lee Tompkins. The New York Times. https://www.nytimes.com/interactive/2020/06/26/arts/design/rosie-lee-tompkins-quilts.html
     [Google Scholar]
  16. Sollins, S. (2007). Art in the twenty-first century. Harry N. Abrams.
     [Google Scholar]

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