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My communities sustained me, and my poetry preserved my sanity during the pandemic, helping me to navigate the messiness of doing research, living life and producing knowledge. Conceptualising poetry as my voice in my research, I consider in this chapter how I move and perform as a researcher in the ontological community spaces that constitute and inform my lived experience and my research journey. I reflect on how poetry – the reading, writing and performing of it is core to my lived experience as a doctoral researcher and Caribbean diasporic woman negotiating cultural memory, community and embodied knowledge.
Keywords: Caribbean ; carnival ; community ; Covid-19 ; Cuba ; diaspora ; interviews ; lived experience ; poetry ; reflexivity ; research process
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