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This Chapter invites the reader to a journey to São Paulo, Brazil to explore the potentialities of community museums in: a) representing pedagogical sites, where local knowledge is co–constructed and mobilized; and b) providing income generation for socially excluded citizens. In the next sections, we will learn how 20 members of the National Recycling Social Movement (MNCR), produced their artworks and curated a community museum that quickly garnered the attention of politicians, the media, and the general public. Arts–based research framed participants' experiences during the art-making process and curatorship, while exploring the politics and the learning that goes on in community museums.
Keywords: art education for social change ; catadores ; environmental agents ; Environmental education ; environmental justice ; Museum Hacking ; recycling cooperatives ; social movement ; social movement learning ; visual arts education ; waste pickers
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