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The Portuguese Contemporary Art Museum Today

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In this chapter, I offer two hypotheses as necessary frameworks for the discussion about the function of art museums. The first focuses on our general relationship with the past, which is undergoing a profound change. The second hypothesis concerns the understanding of aesthetic experience, increasingly independent of its former status. Our daily life and knowledge of the world is permeated by cultural codes (and scripts) connected with a new chronotope. In response to these two frameworks and despite internal tensions of various types, I explore how education has been understood and implemented at the Serralves Museum of Contemporary Art (SMCA) in Porto (Portugal) as an autonomous and innovative practice.

Keywords: aesthetic experience ; appreciation of contemporary art and culture ; art museum education ; art museum mediations ; chronotop ; contemporary culture ; education and public programmes ; Elvira Leite ; Gumbrecht, Hans Ulrich ; museum practices ; Portugal ; schools and art museums ; Serralves Museum of Contemporary Art (SMCA) ; Serralves Park and Museum ; SMCA Education Department

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References

  1. Bakhtin, M. M. (1981). Forms of time and of the chronotope in the novel: Notes toward a historical poetics. In M. Holquist (Ed.), The dialogic imagination: Four essays (C. Emerson & M. Holquist, Trans.) (pp. 84258). University of Austin Press. (Original work published 1937)
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  9. Gumbrecht, H. U. (2014). Our broad present: Time and contemporary culture. Columbia University Press.
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  10. Leite, E. , & Malpique, M. (1986). Espaços de criatividade: A criança que fomos /a criança que somos através da expressão plástica. Afrontamento.
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  14. Leite, E. , & Victorino, S. (2008). Serralves: Projectos com escolas 2002–2007. Fundação de Serralves.
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  15. Low, T. (1942). The museum as a social instrument. The Metropolitan Museum of Art.
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References

  1. Bakhtin, M. M. (1981). Forms of time and of the chronotope in the novel: Notes toward a historical poetics. In M. Holquist (Ed.), The dialogic imagination: Four essays (C. Emerson & M. Holquist, Trans.) (pp. 84258). University of Austin Press. (Original work published 1937)
    [Google Scholar]
  2. Bourdieu, P. , & Darbel, A. (1966). L'amour de l'art: Les musées d'art et leur public. Les Éditions de Minuit.
    [Google Scholar]
  3. Carneiro, A. , Leite, E. , & Malpique, M. (1983). O espaço pedagógico: A casa /o caminho casa-escola / a escola. Afrontamento.
    [Google Scholar]
  4. Cartwright, M. A. (1939). The place of the museum in adult education. Museum News, 18(8), 1012.
    [Google Scholar]
  5. Ferreira, C. (2019). Museu de Serralves: 20 anos de serviço educativo [Unpublished master's thesis]. Coimbra University, Coimbra.
    [Google Scholar]
  6. Fróis, J. P. (2019). The emergence of museum education in Portugal: Madalena Cabral and the National Museum of Ancient Art. Curator: The Museum Journal, 62(4), 557569.
    [Google Scholar]
  7. Goodman, N. (1984). Of mind and other matters. Harvard University Press.
    [Google Scholar]
  8. Guimarães, S. , & Leite, E. (2002). Habitares Serralves 2001 e 2002. Fundação de Serralves.
    [Google Scholar]
  9. Gumbrecht, H. U. (2014). Our broad present: Time and contemporary culture. Columbia University Press.
    [Google Scholar]
  10. Leite, E. , & Malpique, M. (1986). Espaços de criatividade: A criança que fomos /a criança que somos através da expressão plástica. Afrontamento.
    [Google Scholar]
  11. Leite, E. , Malpique, M. , & Santos, M. (1989). Trabalho de projeto: 1. Aprender por projetos centrados em problemas. Edições Afrontamento.
    [Google Scholar]
  12. Leite, E. , Malpique, M. , & Santos, M. (1990). Trabalho de projeto: 2. Leituras comentadas. Edições Afrontamento.
    [Google Scholar]
  13. Leite, E. , & Victorino, S. (2006). Arte e paisagem. Fundação de Serralves.
    [Google Scholar]
  14. Leite, E. , & Victorino, S. (2008). Serralves: Projectos com escolas 2002–2007. Fundação de Serralves.
    [Google Scholar]
  15. Low, T. (1942). The museum as a social instrument. The Metropolitan Museum of Art.
    [Google Scholar]
  16. Rectanus, M. W. (2020). Museums and the creative economy: Soft power, financialization, and activism. In Museums inside out, artist collaborations and new exhibition ecologies (pp. 171213). University of Minnesota Press.
    [Google Scholar]
  17. Saraiva, M. , & Leite, E. (2012). Quarto: Lugar de abrigo, identidade e evasão. Fundação de Serralves.
    [Google Scholar]
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