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In this chapter, we explore the process of que(e)rying curatorial and archival practice by explicating the origins, development, and significance of Edmonton's Queer History Project (EQHP), which is a multi-media public art exhibition and digital archive comprised of artwork, artifacts, and videotaped life-history oral interviews that debuted at the Art Gallery of Alberta, June 2015 during Edmonton's 35th Pride celebrations. Drawing on community and private collections spanning 35+ years, this community-based research project provides a glimpse into queer fugitive (Hill, 1996) and subjugated knowledges (Halberstam, 2012) past and present, and how queer subaltern counterpublics (Fraser, 1990; Warner 2005) survive and thrive amidst the hetero- and cisnormative status quo. We explore how we challenged and queered museum conventions to create a multi-media public art exhibition that rendered queer lives intelligible and visible to mark and celebrate Edmonton's lesbian, gay, bisexual, trans, queer, and Two Spirit (LGBTQ2) communities.
Keywords: 2 Spirit, Lesbian, Gay, Bisexual, Trans, Queer history ; 2SLBGTQ community archives ; 2SLGBTQ, LGBTQ2, LGBT, LGBT*, 2SLGBTQ*, LGBTQ2*, LGBTQ+ ; Edmonton's Queer History Project (EQHP) ; LBGTQ2* history and archives ; lIfe history interviews ; oral life history ; queer art and exhibitions ; queer arts and culture ; queer community-based research ; queer counternarratives; queer countercultures, queer counterdiscourses ; queer history and archives ; queer multi-media public art exhibitions ; queer oral histories ; queer oral life history interviewing
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https://doi.org/10.1386/9781789389166_16 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.