Bolero: A Matter of Language

Arianna Maiorani

doi:10.1386/9781789389333_4

Bolero: A Matter of Language

By Arianna Maiorani¹
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¹ Loughborough University
Source: Following the Score , pp 56-72
Publication Date: April 2024
DOI: https://doi.org/10.1386/9781789389333_4
Language: English

This chapter focuses on the process of creation of the community cast choreography for Michael Pinchbeck's Bolero. Delving into the history of the original choreography for the first ballet performance, using inspiration from Martha Graham dance technique, and drawing on her work on the Functional Grammar of Dance and her interactions with Pinchbeck, the author explains the principles and motivations behind the work she achieved with a variegated cast of performers.

Keywords: Ballet Russes ; choreographic affordances ; choreography ; community cast ; crescendo ; dynamosphere ; FGD ; Functional Grammar of Dance ; Ida Rubinstein ; Kinesemiotics ; Martha Graham ; metafunctions ; Systemic Functional Linguistics

Hardback ISBN: 9781789389333

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Bolero: A Matter of Language

Intellect , 56 (2024); https://doi.org/10.1386/9781789389333_4

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References

Garafola, Lynn (2011), ‘An Amazon of the avant-garde: Bronislava Nijinska in revolutionary Russia’, Dance Research: The Journal of the Society for Dance Research, 29:2, pp. 109–66.72
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Graham, Martha (1992), Blood Memory, London: Macmillan.
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Halliday, Michael A. K. (2014), Halliday's Introduction to Functional Grammar, 4th ed. (rev. C. M. I. M. Matthiessen), London, New York: Routledge.
[Google Scholar]
Laban, Rudolf (1966), Choreutics (annot., ed. L. Ullmann), London: Macdonald and Evans.
[Google Scholar]
Lanford, Michael (2011), ‘Ravel and The Raven: The realisation of an inherited aesthetic in Boléro’, The Cambridge Quarterly, 40:3, pp. 243–65.
[Google Scholar]
Lester, Keith and Crisp, Clement (1983), ‘Rubinstein revisited’, Dance Research: The Journal of the Society for Dance Research, 1:2, pp. 21–31.
[Google Scholar]
Lewis, Daniel and Farlow, Lesley (1984), The Illustrated Dance Technique of José Limón, New York, London: Harper & Row.
[Google Scholar]
Maiorani, Arianna (2017), ‘Making meaning through movement: A functional grammar of dance’, in M. G. Sindoni , J. Wildfeuer , and K. L. O'Halloran (eds), Mapping Multimodal Performance Studies, London, New York: Routledge, pp. 39–60.
[Google Scholar]
Maiorani, Arianna (2021), Kinesemiotics: Modelling How Choreographed Movement Means in Space, London, New York: Routledge.
[Google Scholar]
Novak, Cynthia (1988), ‘Looking at movement as culture: Contact improvisation to Disco’, The Drama Review, 32:4, pp. 102–19.
[Google Scholar]

References

Garafola, Lynn (2011), ‘An Amazon of the avant-garde: Bronislava Nijinska in revolutionary Russia’, Dance Research: The Journal of the Society for Dance Research, 29:2, pp. 109–66.72
[Google Scholar]
Graham, Martha (1992), Blood Memory, London: Macmillan.
[Google Scholar]
Halliday, Michael A. K. (2014), Halliday's Introduction to Functional Grammar, 4th ed. (rev. C. M. I. M. Matthiessen), London, New York: Routledge.
[Google Scholar]
Laban, Rudolf (1966), Choreutics (annot., ed. L. Ullmann), London: Macdonald and Evans.
[Google Scholar]
Lanford, Michael (2011), ‘Ravel and The Raven: The realisation of an inherited aesthetic in Boléro’, The Cambridge Quarterly, 40:3, pp. 243–65.
[Google Scholar]
Lester, Keith and Crisp, Clement (1983), ‘Rubinstein revisited’, Dance Research: The Journal of the Society for Dance Research, 1:2, pp. 21–31.
[Google Scholar]
Lewis, Daniel and Farlow, Lesley (1984), The Illustrated Dance Technique of José Limón, New York, London: Harper & Row.
[Google Scholar]
Maiorani, Arianna (2017), ‘Making meaning through movement: A functional grammar of dance’, in M. G. Sindoni , J. Wildfeuer , and K. L. O'Halloran (eds), Mapping Multimodal Performance Studies, London, New York: Routledge, pp. 39–60.
[Google Scholar]
Maiorani, Arianna (2021), Kinesemiotics: Modelling How Choreographed Movement Means in Space, London, New York: Routledge.
[Google Scholar]
Novak, Cynthia (1988), ‘Looking at movement as culture: Contact improvisation to Disco’, The Drama Review, 32:4, pp. 102–19.
[Google Scholar]

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[ref-c04bib1] Garafola, Lynn (2011), ‘An Amazon of the avant-garde: Bronislava Nijinska in revolutionary Russia’, Dance Research: The Journal of the Society for Dance Research, 29:2, pp. 109–66.72
[Google Scholar]

[ref-c04bib2] Graham, Martha (1992), Blood Memory, London: Macmillan.
[Google Scholar]

[ref-c04bib3] Halliday, Michael A. K. (2014), Halliday's Introduction to Functional Grammar, 4th ed. (rev. C. M. I. M. Matthiessen), London, New York: Routledge.
[Google Scholar]

[ref-c04bib4] Laban, Rudolf (1966), Choreutics (annot., ed. L. Ullmann), London: Macdonald and Evans.
[Google Scholar]

[ref-c04bib5] Lanford, Michael (2011), ‘Ravel and The Raven: The realisation of an inherited aesthetic in Boléro’, The Cambridge Quarterly, 40:3, pp. 243–65.
[Google Scholar]

[ref-c04bib6] Lester, Keith and Crisp, Clement (1983), ‘Rubinstein revisited’, Dance Research: The Journal of the Society for Dance Research, 1:2, pp. 21–31.
[Google Scholar]

[ref-c04bib7] Lewis, Daniel and Farlow, Lesley (1984), The Illustrated Dance Technique of José Limón, New York, London: Harper & Row.
[Google Scholar]

[ref-c04bib8] Maiorani, Arianna (2017), ‘Making meaning through movement: A functional grammar of dance’, in M. G. Sindoni , J. Wildfeuer , and K. L. O'Halloran (eds), Mapping Multimodal Performance Studies, London, New York: Routledge, pp. 39–60.
[Google Scholar]

[ref-c04bib9] Maiorani, Arianna (2021), Kinesemiotics: Modelling How Choreographed Movement Means in Space, London, New York: Routledge.
[Google Scholar]

[ref-c04bib10] Novak, Cynthia (1988), ‘Looking at movement as culture: Contact improvisation to Disco’, The Drama Review, 32:4, pp. 102–19.
[Google Scholar]

Bolero: A Matter of Language

From This Site