Tutti – We Can Complete It Together

Rhiannon Jones

doi:10.1386/9781789389333_12

Tutti – We Can Complete It Together

By Rhiannon Jones¹
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Affiliations: ¹ University of Derby
Source: Following the Score , pp 186-198
Publication Date: April 2024
DOI: https://doi.org/10.1386/9781789389333_12
Language: English

This chapter creates a space for a live dialogue between Pinchbeck & Smith, exploring the process of making and performing The Ravel Trilogy. Dr Jones places herself as audience, both literally, having experienced the three pieces, and dialogically, representing ‘the audience in the room’ (Smith 2012) to unpack the dual dramaturgical and musical methodologies at play in the final work.

Keywords: Artist ; Artist Researcher ; Civic ; Community ; Conversation ; Dialogic ; Dialogue ; Placemaking ; Practice ; Process led ; Public Realm ; Research ; S.H.E.D ; University of Derby

Hardback ISBN: 9781789389333

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References

Deleuze, Gilles and Guattari, Félix (2004), A Thousand Plateaus, London: Continuum.
[Google Scholar]
Hermans, Hubert (2001), ‘The dialogical self: Toward a theory of personal and cultural positioning’, Culture & Psychology, 7:3, pp. 243–81.
[Google Scholar]
Khodyreva, Anastasia and Suoyrjö, Elina (n.d.), ‘The Editorial for Following Sonorous Bodies’, Unlikely: Journal for Creative Arts, 1:07, https://unlikely.net.au/issue-07/editorial-384. Accessed 13 January 2023 .
LaBelle, Brandon (2012), ‘Auditory relations’, in J. Sterne (ed.), The Sound Studies Reader, London: Routledge.
[Google Scholar]
Tiainen, Milla (2018), ‘Sonic performance and feminist posthumanities: Democracy of resonance and machinic sounds’, in C. Åsberg and R. Braidotti (eds), A Feminist Companion to the Posthumanities, New York: Springer, pp. 103–15.
[Google Scholar]

References

Deleuze, Gilles and Guattari, Félix (2004), A Thousand Plateaus, London: Continuum.
[Google Scholar]
Hermans, Hubert (2001), ‘The dialogical self: Toward a theory of personal and cultural positioning’, Culture & Psychology, 7:3, pp. 243–81.
[Google Scholar]
Khodyreva, Anastasia and Suoyrjö, Elina (n.d.), ‘The Editorial for Following Sonorous Bodies’, Unlikely: Journal for Creative Arts, 1:07, https://unlikely.net.au/issue-07/editorial-384. Accessed 13 January 2023 .
LaBelle, Brandon (2012), ‘Auditory relations’, in J. Sterne (ed.), The Sound Studies Reader, London: Routledge.
[Google Scholar]
Tiainen, Milla (2018), ‘Sonic performance and feminist posthumanities: Democracy of resonance and machinic sounds’, in C. Åsberg and R. Braidotti (eds), A Feminist Companion to the Posthumanities, New York: Springer, pp. 103–15.
[Google Scholar]

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[ref-c12bib1] Deleuze, Gilles and Guattari, Félix (2004), A Thousand Plateaus, London: Continuum.
[Google Scholar]

[ref-c12bib2] Hermans, Hubert (2001), ‘The dialogical self: Toward a theory of personal and cultural positioning’, Culture & Psychology, 7:3, pp. 243–81.
[Google Scholar]

[ref-c12bib3] Khodyreva, Anastasia and Suoyrjö, Elina (n.d.), ‘The Editorial for Following Sonorous Bodies’, Unlikely: Journal for Creative Arts, 1:07, https://unlikely.net.au/issue-07/editorial-384. Accessed 13 January 2023 .

[ref-c12bib4] LaBelle, Brandon (2012), ‘Auditory relations’, in J. Sterne (ed.), The Sound Studies Reader, London: Routledge.
[Google Scholar]

[ref-c12bib5] Tiainen, Milla (2018), ‘Sonic performance and feminist posthumanities: Democracy of resonance and machinic sounds’, in C. Åsberg and R. Braidotti (eds), A Feminist Companion to the Posthumanities, New York: Springer, pp. 103–15.
[Google Scholar]

Tutti – We Can Complete It Together

From This Site