Skip to content
1981

Introduction

image of Introduction
Preview this chapter:
Preview Magnify
Loading full text...

Full text loading...

References

  1. Foster, Hal (1995), ‘The artist as ethnographer?’ in G. E. Marcus and F. R. Myers (eds), The Traffic in Culture: Refiguring Art and Anthropology, Berkeley: University of California Press, pp. 302–09.
     [Google Scholar]
  2. Pratt, Mary-Louise (1992), Imperial Eyes: Travel Writing and Transculturation, New York: Routledge.
     [Google Scholar]
  3. Sykora, Katherina (2022), ZwischenWelten: Ulrike Ottingers Filme im Spiegel der transatlantische Kritik, Munich: Wallstein Verlag.
     [Google Scholar]

References

  1. Foster, Hal (1995), ‘The artist as ethnographer?’ in G. E. Marcus and F. R. Myers (eds), The Traffic in Culture: Refiguring Art and Anthropology, Berkeley: University of California Press, pp. 302–09.
     [Google Scholar]
  2. Pratt, Mary-Louise (1992), Imperial Eyes: Travel Writing and Transculturation, New York: Routledge.
     [Google Scholar]
  3. Sykora, Katherina (2022), ZwischenWelten: Ulrike Ottingers Filme im Spiegel der transatlantische Kritik, Munich: Wallstein Verlag.
     [Google Scholar]

  • From This Site

    /content/books/9781789389364.c00
    dcterms_title,dcterms_subject,pub_keyword
    -contentType:Contributor -contentType:Concept -contentType:Institution
    10
    5
/content/books/9781789389364.c00
dcterms_title,dcterms_subject,pub_keyword
-contentType:Contributor -contentType:Concept -contentType:Institution
10
5
Chapter
content/books/9781789389364
Book
false
en
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test