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Rewriting the Ethnos through the Everyday: Ulrike Ottinger's China. Die Künste – Der Alltag
Intellect , 101 (2024); https://doi.org/10.1386/9781789389364_9
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References

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  2. Baschiera, Stefano (2014), ‘From Beijing with love: The global dimension of Bertolucci's The Last Emperor’, The Journal of Italian Cinema and Media Studies, 2:3, pp. 399–415.
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  4. Burkett, Paul and Hart-Landsberg, Martin (2005), China and Socialism: Market Reforms and Class Struggle, New York: Monthly Review Press.
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  7. De Certeau, Michel (1986), Heterologies: Discourse on the Other (trans. Brian Massumi), Minneapolis: University of Minnesota Press.
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  8. Eco, Umberto (1977), ‘De Interpretatione, or the difficulty of being Marco Polo [On the occasion of Antonioni's China film]’ (trans. Christine Leefeld), Film Quarterly, 30:4, pp. 8–12.
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  9. Fabian, Johannes (2014), Time & The Other: How Anthropology Makes Its Objects, New York: Columbia University Press.
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  10. Fardon, Richard (1990), Localizing Strategies: Regional Traditions of Ethnographic Writing, Edinburgh: Scottish Academic Press.
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  11. Ge, Zhaoguang (2018), What is China? Territory, Ethnicity, Culture, and History (trans. Michael Gibbs Hill), Cambridge, MA: Harvard University Press.
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  12. Grisham, Therese (1992), ‘Twentieth century Theatrum Mundi: Ulrike Ottinger's Johanna d'Arc of Mongolia’, Wide Angle, 14:2, pp. 22–36.
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  13. Hansen, Miriam (1984), ‘Visual pleasure, fetishism and the problem of feminine discourse: Ulrike Ottinger's ticket of no return’, New German Critique, 31, pp. 95–108.
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  14. Harjes, Kirsten and Nusser, Tanja (1999), ‘An authentic experience of history: Tourism in Ulrike Ottinger's exile Shanghai’, Woman in German Yearbook, 15, pp. 247–63.
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  15. King, Homay (2007), ‘Sign in the void: Ulrike Ottinger's Johanna d'Arc of Mongolia’, Afterall, 16, pp. 46–52.119
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  16. Li, Jie (2020), ‘The hot noise of open-air cinema’, Grey Room, 81, pp. 6–35.
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  17. Lippit Victor D. (2005), ‘The political economy of China's economic reform’, Critical Asian Studies, 37:3, pp. 441–62.
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  18. Liu, Xin (2000), In One's Own Shadow: An Ethnographic Account of the Condition of Post-reform Rural China, Berkeley: University of California Press.
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  19. Longfellow, Brenda (1993), ‘Lesbian phantasy and the other woman in Ottinger's Johanna d’ Arc of Mongolia’, Screen, 34:2, pp. 124–33.
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  20. Kuhn, Annette and Ulrike Ottinger (1987), ‘Encounter between two cultures: A discussion with Ulrike Ottinger, introduced by Annette Kuhn’, Screen, 28:4, pp. 74–79.
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  21. Marcus, George E. (1986), ‘Contemporary problems of ethnography in the modern world system’, in James Clifford and George E. Marcus (eds), Writing Culture: The Poetics and Politics of Ethnography, Berkeley: University of California Press, pp. 165–93.
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  22. Marcus, George E. and M. M. J. Fischer (1986), Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences, Chicago: University of Chicago Press.
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  23. McGrath, Jason (2008), Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age, Stanford: Stanford University Press.
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  24. Mueller, Rosewitha (1982), ‘Interview with Ulrike Ottinger’, Discourse, 4, pp. 108–25.
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  25. Ottinger, Ulrike (n.d.), ‘China: The arts – the people’, ulrike ottinger (website), https://www.ulrikeottinger.com/en/film-details/china-the-arts-the-people. Accessed 21 September 2021.
  26. Povinelli, Elizabeth A. (2002), The Cunning of Recognition: Indigenous Alterities and the Making of Australian Multiculturalism, Durham, NC: Duke University Press.
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  27. Shirt, Susan L. (1993), The Political Logic of Economic Reform in China, Berkeley: University of California Press.
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  28. Sklarew, Bruch H. and Spitz, Ellen Handler (1998), ‘Interview with Bernado Bertolucci’, in Bruce H. Sklarew, Bonnie S. Kaufman and Diane Borden (eds), Bertolucci's The Last Emperor: Multiple Takes, Detroit: Wayne State University Press, pp. 37–56.
     [Google Scholar]
  29. Taussig, Michael (1992), Mimesis and Alterity: A Particular History of the Senses, New York: Routledge.
     [Google Scholar]
  30. Trumpener, Katie (1993), ‘Johanna d'Arc of Mongolia in the mirror of Dorian Gray: Ethnographic recordings and the aesthetics of the market in the recent films of Ulrike Ottinger’, New German Critique, 60, pp. 77–99.
     [Google Scholar]
  31. Whissel, Kristen (1996), ‘Racialized spectacle, exchange relations and the western in Johanna d'Arc of Mongolia’, Screen, 37:1, pp. 41–67.
     [Google Scholar]
  32. White, Patricia (2022), ‘The cosmos according to Ulrike Ottinger’, The Criterion Collection, https://www.criterion.com/current/posts/7880-the-cosmos-according-to-ulrike-ottinger. Accessed 5 September 2023.
  33. Villarejo, Amy (2002), ‘Archiving the diaspora: A lesbian impression of/in Ulrike Ottinger's ‘Exile Shanghai’, New German Critique, 87, pp. 157–91.
     [Google Scholar]
  34. Zhaoguang, Ge (2018), What is China? Territory, Ethnicity, Culture, and History (trans. Michael Gibbs Hill), Cambridge, MA: Harvard University Press.
     [Google Scholar]

References

  1. Barthes, Roland (2012), Travel in China (ed. Anne Herschberg Pierrot), Malden: Polity Press, pp. 29–32.
     [Google Scholar]
  2. Baschiera, Stefano (2014), ‘From Beijing with love: The global dimension of Bertolucci's The Last Emperor’, The Journal of Italian Cinema and Media Studies, 2:3, pp. 399–415.
     [Google Scholar]
  3. Bergstrom, Janet (1988), ‘The theater of everyday life: Ulrike Ottinger's China: The arts, everyday life’, Camera Obscura, 19, pp. 42–51.
     [Google Scholar]
  4. Burkett, Paul and Hart-Landsberg, Martin (2005), China and Socialism: Market Reforms and Class Struggle, New York: Monthly Review Press.
     [Google Scholar]
  5. Clifford, James (1986), ‘Introduction: Partial truth’, in James Clifford and George E. Marcus (eds), Writing Culture: The Poetics and Politics of Ethnography, Berkeley: University of California Press, pp. 1–26.
     [Google Scholar]
  6. Crapanzano, Vincent (1986), ‘Hermes’ dilemma: The masking of subversion in ethnographic description’, in James Clifford and George E. Marcus (eds), Writing Culture: The Poetics and Politics of Ethnography, Berkeley: University of California Press, pp. 51–76.
     [Google Scholar]
  7. De Certeau, Michel (1986), Heterologies: Discourse on the Other (trans. Brian Massumi), Minneapolis: University of Minnesota Press.
     [Google Scholar]
  8. Eco, Umberto (1977), ‘De Interpretatione, or the difficulty of being Marco Polo [On the occasion of Antonioni's China film]’ (trans. Christine Leefeld), Film Quarterly, 30:4, pp. 8–12.
     [Google Scholar]
  9. Fabian, Johannes (2014), Time & The Other: How Anthropology Makes Its Objects, New York: Columbia University Press.
     [Google Scholar]
  10. Fardon, Richard (1990), Localizing Strategies: Regional Traditions of Ethnographic Writing, Edinburgh: Scottish Academic Press.
     [Google Scholar]
  11. Ge, Zhaoguang (2018), What is China? Territory, Ethnicity, Culture, and History (trans. Michael Gibbs Hill), Cambridge, MA: Harvard University Press.
     [Google Scholar]
  12. Grisham, Therese (1992), ‘Twentieth century Theatrum Mundi: Ulrike Ottinger's Johanna d'Arc of Mongolia’, Wide Angle, 14:2, pp. 22–36.
     [Google Scholar]
  13. Hansen, Miriam (1984), ‘Visual pleasure, fetishism and the problem of feminine discourse: Ulrike Ottinger's ticket of no return’, New German Critique, 31, pp. 95–108.
     [Google Scholar]
  14. Harjes, Kirsten and Nusser, Tanja (1999), ‘An authentic experience of history: Tourism in Ulrike Ottinger's exile Shanghai’, Woman in German Yearbook, 15, pp. 247–63.
     [Google Scholar]
  15. King, Homay (2007), ‘Sign in the void: Ulrike Ottinger's Johanna d'Arc of Mongolia’, Afterall, 16, pp. 46–52.119
     [Google Scholar]
  16. Li, Jie (2020), ‘The hot noise of open-air cinema’, Grey Room, 81, pp. 6–35.
     [Google Scholar]
  17. Lippit Victor D. (2005), ‘The political economy of China's economic reform’, Critical Asian Studies, 37:3, pp. 441–62.
     [Google Scholar]
  18. Liu, Xin (2000), In One's Own Shadow: An Ethnographic Account of the Condition of Post-reform Rural China, Berkeley: University of California Press.
     [Google Scholar]
  19. Longfellow, Brenda (1993), ‘Lesbian phantasy and the other woman in Ottinger's Johanna d’ Arc of Mongolia’, Screen, 34:2, pp. 124–33.
     [Google Scholar]
  20. Kuhn, Annette and Ulrike Ottinger (1987), ‘Encounter between two cultures: A discussion with Ulrike Ottinger, introduced by Annette Kuhn’, Screen, 28:4, pp. 74–79.
     [Google Scholar]
  21. Marcus, George E. (1986), ‘Contemporary problems of ethnography in the modern world system’, in James Clifford and George E. Marcus (eds), Writing Culture: The Poetics and Politics of Ethnography, Berkeley: University of California Press, pp. 165–93.
     [Google Scholar]
  22. Marcus, George E. and M. M. J. Fischer (1986), Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences, Chicago: University of Chicago Press.
     [Google Scholar]
  23. McGrath, Jason (2008), Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age, Stanford: Stanford University Press.
     [Google Scholar]
  24. Mueller, Rosewitha (1982), ‘Interview with Ulrike Ottinger’, Discourse, 4, pp. 108–25.
     [Google Scholar]
  25. Ottinger, Ulrike (n.d.), ‘China: The arts – the people’, ulrike ottinger (website), https://www.ulrikeottinger.com/en/film-details/china-the-arts-the-people. Accessed 21 September 2021.
  26. Povinelli, Elizabeth A. (2002), The Cunning of Recognition: Indigenous Alterities and the Making of Australian Multiculturalism, Durham, NC: Duke University Press.
     [Google Scholar]
  27. Shirt, Susan L. (1993), The Political Logic of Economic Reform in China, Berkeley: University of California Press.
     [Google Scholar]
  28. Sklarew, Bruch H. and Spitz, Ellen Handler (1998), ‘Interview with Bernado Bertolucci’, in Bruce H. Sklarew, Bonnie S. Kaufman and Diane Borden (eds), Bertolucci's The Last Emperor: Multiple Takes, Detroit: Wayne State University Press, pp. 37–56.
     [Google Scholar]
  29. Taussig, Michael (1992), Mimesis and Alterity: A Particular History of the Senses, New York: Routledge.
     [Google Scholar]
  30. Trumpener, Katie (1993), ‘Johanna d'Arc of Mongolia in the mirror of Dorian Gray: Ethnographic recordings and the aesthetics of the market in the recent films of Ulrike Ottinger’, New German Critique, 60, pp. 77–99.
     [Google Scholar]
  31. Whissel, Kristen (1996), ‘Racialized spectacle, exchange relations and the western in Johanna d'Arc of Mongolia’, Screen, 37:1, pp. 41–67.
     [Google Scholar]
  32. White, Patricia (2022), ‘The cosmos according to Ulrike Ottinger’, The Criterion Collection, https://www.criterion.com/current/posts/7880-the-cosmos-according-to-ulrike-ottinger. Accessed 5 September 2023.
  33. Villarejo, Amy (2002), ‘Archiving the diaspora: A lesbian impression of/in Ulrike Ottinger's ‘Exile Shanghai’, New German Critique, 87, pp. 157–91.
     [Google Scholar]
  34. Zhaoguang, Ge (2018), What is China? Territory, Ethnicity, Culture, and History (trans. Michael Gibbs Hill), Cambridge, MA: Harvard University Press.
     [Google Scholar]

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