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A Timely Education: (1989)

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A Timely Education: Johanna d'Arc of Mongolia (1989)
Intellect , 120 (2024); https://doi.org/10.1386/9781789389364_10
/content/books/9781789389364.c08
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References

  1. Alvarez, Catalina (2017), ‘Towards another cinema (after Kidlat Tihimik and Ulrike Ottinger)’, Cinephile, XI, pp. 12–17.
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  6. Beynon John, S. (1995), ‘Georges Feydeau’, in P. France (ed.), The New Oxford Companion to Literature in French, Oxford: Oxford University Press, https://www.oxfordreference.com/view/10.1093/acref/9780198661252.001.0001/acref-9780198661252-e-1783?rskey=mrTp0t&result=2. Accessed 23 May 2023.
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  8. Carter, Erica (2022), ‘Activating the archive. Feminism and German women's film heritage, 2010–2020’, Feminist German Studies, 38:1, pp. 27–53.
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  9. Coleman, Patrick (2016), ‘Introduction’, in Flaubert, G. (ed.), Sentimental Education (1869) (trans. H. Constantine [French]), New York: Oxford University Press, pp. vii–xxix.
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  10. Cooper, Sarah (2019), Film and the Imagined Image, Edinburgh: Edinburgh University Press.
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  11. Dyer, Richard (2002), Now You See It: Studies in Lesbian and Gay Film, 2nd ed., London and New York: Taylor and Francis.
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  12. Flaubert, Gustave (2016), Sentimental Education (1869) (trans. H. Constantine [French]), New York: Oxford University Press.
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  13. Galt, Rosalind (2011), Pretty: Film and the Decorative Image, New York: Columbia University Press.
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  14. Hanisch, Michael, Gregor, Erika and Schmidt-Zäringer, Anja (1995), Ulrike Ottinger, Berlin: Freunde der Deutschen Kinemathek.
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  15. Haraway, Donna (2016), Staying with the Trouble: Making Kin in the Chthulucene, Durham and London: Duke University Press.
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  16. hooks, bell (1993), ‘Eros, eroticism and the pedagogical process’, Cultural Studies, 7:1, pp. 58–63.
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  17. Kant, Immanuel (2000), Critique of the Power of Judgement, 1790 (ed. P. Guyer, trans. P. Guyer and E. Matthews), Cambridge: Cambridge University Press.
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  18. Kappelhoff, Hermann (2015), The Politics and Poetics of Cinematic Realism (trans. D. Hendrickson), New York: Columbia University Press.
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  19. Keller, Ursul (2004), ‘Writing Europe’, in Ursula Keller (ed.), What is European about the Literatures of Europe? Budapest: Central European Press, https://books.openedition.org/ceup/1622. Accessed 23 May 2023.
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  20. Knight, Julia (1998), ‘Observing rituals: Ulrike Ottinger's Johanna d'Arc of Mongolia’, in I. M. O'Sickey and I. von Zadow (eds), Triangulated Visions: Women in Recent German Cinema, New York: State University of New York Press, pp. 103–16.141
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  21. Longfellow, Brenda (1993), ‘Lesbian phantasy and the other woman in Ottinger's Johanna d'Arc of Mongolia’, Screen, XXXIV:2, pp. 124–36.
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  22. Ottinger, Ulrike (dir.) (1989), Johanna d'Arc of Mongilia, Germany: La Sept Cinéma, Popolar-Film and Zweites Deutsches Fernsehen (ZDF).
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  23. Passerini, Luisa, Labanyi, Jo and Diehl, Karen (2012), Europe and Love in Cinema, Bristol: Intellect.
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  24. Rancière, Jacques (2013), The Politics of Aesthetics (ed. G. Rockhil, trans. G. Rockhil), London: Bloomsbury.
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  25. Said, Edward (1978), Orientalism, London: Penguin.
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  26. Sarris, Andrew (1977), ‘The cultural guilt of musical movies: The Jazz Singer, 50 years after’, Film Comment, 13:5, pp. 39–41.
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  27. Sherlock, Amy (2019), ‘Following Ulrike Ottinger to the end of the world’, Frieze: Contemporary Art and Culture, 208, January–February, https://www.frieze.com/article/following-ulrike-ottinger-end-world. Accessed 23 May 2023.
  28. Steegmuller, Francis (ed.) (1973), Flaubert in Egypt: A Sensibility on Tour (trans. F. Steegmuller), Boston: Little, Brown & Co.
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  29. Tomaryn Bruckner, Matilda (1992), ‘Fictions of the female voice: the women troubadours’, Speculum: Medieval Academy of America, 67:4, October, pp. 865–91.
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  30. Wedel, Michael (2019), Pictorial Affects, Senses of Rupture: On the Poetics and Culture of Popular German Cinema, 1910–1930, Berlin and Boston: De Gruyter.
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  31. Whissel, Kristen (1996), ‘Racialized spectacle, exchange relations, and the western in Johanna d'Arc of Mongolia’, Screen, XXXVII:1, pp. 41–57.
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References

  1. Alvarez, Catalina (2017), ‘Towards another cinema (after Kidlat Tihimik and Ulrike Ottinger)’, Cinephile, XI, pp. 12–17.
     [Google Scholar]
  2. Anon. (2013), ‘Hilferuf zum Filmerbe’, 5 December, https://www.nd-aktuell.de/artikel/917095.hilferuf-zum-filmerbe.html. Accessed 23 May 2023.140
  3. Arendt, Hannah (1992), Lectures on Kant's Political Philosophy (ed. Ronald Beiner), Chicago: University of Chicago Press.
     [Google Scholar]
  4. Battersby, Christine (2007), The Sublime, Terror and Human Difference, London and New York: Routledge.
     [Google Scholar]
  5. Beiser, Frederick C. (2003), The Romantic Imperative: The Concept of Early German Romanticism, Cambridge, MA: Harvard University Press.
     [Google Scholar]
  6. Beynon John, S. (1995), ‘Georges Feydeau’, in P. France (ed.), The New Oxford Companion to Literature in French, Oxford: Oxford University Press, https://www.oxfordreference.com/view/10.1093/acref/9780198661252.001.0001/acref-9780198661252-e-1783?rskey=mrTp0t&result=2. Accessed 23 May 2023.
     [Google Scholar]
  7. Burch, Kerry T. (2000), ‘Postpatriarchal representations of eros in the twentieth century’, Counterpoints, 114, pp. 143–74.
     [Google Scholar]
  8. Carter, Erica (2022), ‘Activating the archive. Feminism and German women's film heritage, 2010–2020’, Feminist German Studies, 38:1, pp. 27–53.
     [Google Scholar]
  9. Coleman, Patrick (2016), ‘Introduction’, in Flaubert, G. (ed.), Sentimental Education (1869) (trans. H. Constantine [French]), New York: Oxford University Press, pp. vii–xxix.
     [Google Scholar]
  10. Cooper, Sarah (2019), Film and the Imagined Image, Edinburgh: Edinburgh University Press.
     [Google Scholar]
  11. Dyer, Richard (2002), Now You See It: Studies in Lesbian and Gay Film, 2nd ed., London and New York: Taylor and Francis.
     [Google Scholar]
  12. Flaubert, Gustave (2016), Sentimental Education (1869) (trans. H. Constantine [French]), New York: Oxford University Press.
     [Google Scholar]
  13. Galt, Rosalind (2011), Pretty: Film and the Decorative Image, New York: Columbia University Press.
     [Google Scholar]
  14. Hanisch, Michael, Gregor, Erika and Schmidt-Zäringer, Anja (1995), Ulrike Ottinger, Berlin: Freunde der Deutschen Kinemathek.
     [Google Scholar]
  15. Haraway, Donna (2016), Staying with the Trouble: Making Kin in the Chthulucene, Durham and London: Duke University Press.
     [Google Scholar]
  16. hooks, bell (1993), ‘Eros, eroticism and the pedagogical process’, Cultural Studies, 7:1, pp. 58–63.
     [Google Scholar]
  17. Kant, Immanuel (2000), Critique of the Power of Judgement, 1790 (ed. P. Guyer, trans. P. Guyer and E. Matthews), Cambridge: Cambridge University Press.
     [Google Scholar]
  18. Kappelhoff, Hermann (2015), The Politics and Poetics of Cinematic Realism (trans. D. Hendrickson), New York: Columbia University Press.
     [Google Scholar]
  19. Keller, Ursul (2004), ‘Writing Europe’, in Ursula Keller (ed.), What is European about the Literatures of Europe? Budapest: Central European Press, https://books.openedition.org/ceup/1622. Accessed 23 May 2023.
     [Google Scholar]
  20. Knight, Julia (1998), ‘Observing rituals: Ulrike Ottinger's Johanna d'Arc of Mongolia’, in I. M. O'Sickey and I. von Zadow (eds), Triangulated Visions: Women in Recent German Cinema, New York: State University of New York Press, pp. 103–16.141
     [Google Scholar]
  21. Longfellow, Brenda (1993), ‘Lesbian phantasy and the other woman in Ottinger's Johanna d'Arc of Mongolia’, Screen, XXXIV:2, pp. 124–36.
     [Google Scholar]
  22. Ottinger, Ulrike (dir.) (1989), Johanna d'Arc of Mongilia, Germany: La Sept Cinéma, Popolar-Film and Zweites Deutsches Fernsehen (ZDF).
     [Google Scholar]
  23. Passerini, Luisa, Labanyi, Jo and Diehl, Karen (2012), Europe and Love in Cinema, Bristol: Intellect.
     [Google Scholar]
  24. Rancière, Jacques (2013), The Politics of Aesthetics (ed. G. Rockhil, trans. G. Rockhil), London: Bloomsbury.
     [Google Scholar]
  25. Said, Edward (1978), Orientalism, London: Penguin.
     [Google Scholar]
  26. Sarris, Andrew (1977), ‘The cultural guilt of musical movies: The Jazz Singer, 50 years after’, Film Comment, 13:5, pp. 39–41.
     [Google Scholar]
  27. Sherlock, Amy (2019), ‘Following Ulrike Ottinger to the end of the world’, Frieze: Contemporary Art and Culture, 208, January–February, https://www.frieze.com/article/following-ulrike-ottinger-end-world. Accessed 23 May 2023.
  28. Steegmuller, Francis (ed.) (1973), Flaubert in Egypt: A Sensibility on Tour (trans. F. Steegmuller), Boston: Little, Brown & Co.
     [Google Scholar]
  29. Tomaryn Bruckner, Matilda (1992), ‘Fictions of the female voice: the women troubadours’, Speculum: Medieval Academy of America, 67:4, October, pp. 865–91.
     [Google Scholar]
  30. Wedel, Michael (2019), Pictorial Affects, Senses of Rupture: On the Poetics and Culture of Popular German Cinema, 1910–1930, Berlin and Boston: De Gruyter.
     [Google Scholar]
  31. Whissel, Kristen (1996), ‘Racialized spectacle, exchange relations, and the western in Johanna d'Arc of Mongolia’, Screen, XXXVII:1, pp. 41–57.
     [Google Scholar]

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