The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability

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References

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Behar, R. (1997), The Vulnerable Observer: Anthropology That Breaks Your Heart, Boston: Beacon Press.
[Google Scholar]
Deleuze, G. , Guattari, F. , and Massumi, B. (1987), A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press.
[Google Scholar]
Goodley, D. , Liddiard, K. , and Runswick-Cole, K. (2018), ‘Feeling disability: Theories of affect and critical disability studies’, Disability & Society, 33:2, pp. 197–217.
[Google Scholar]
Hall, M. (2019), ‘Critical disability theory’, The Stanford Encyclopedia of Philosophy, https://plato.stanford.edu/archives/win2019/entries/disability-critical/.
Kuppers, P. (2009), ‘Toward a rhizomatic model of disability: Poetry, performance, and touch’, Journal of Literary & Cultural Disability Studies, 3:3, pp. 221–40.
[Google Scholar]
Meekosha, H. and Shuttleworth, R. (2009), ‘What’s so ‘critical’ about critical disability studies?’ Australian Journal of Human Rights, 15:1, pp. 47–75.
[Google Scholar]
Minich, J. A. (2016), ‘Enabling whom? Critical disability studies now’, Lateral, 5:1, http://doi.org.10.25158/L5.1.9.
[Google Scholar]
Tremain, S. L. (2017), Foucault and feminist philosophy of disability, Ann Arbor: University of Michigan Press.
[Google Scholar]