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A Painting Goes Into Exile. Picasso's Guernica in the United States
Intellect , 184 (2024); https://doi.org/10.1386/9781789389616_13
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References

  1. Ahrend, Evelyn (North American Committee), to A. Everett Austin (Wadsworth Atheneum), 6 June 1939a, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.
  2. Ahrend, Evelyn (North American Committee), to Marcelene Peterson (Motion Picture Artists’ Committee, Hollywood), 10 June 1939b, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.
  3. Anonymous. “Picasso's Guernica to Be Shown to Aid Refugees.” Daily Worker (New York), 24 April 1939a, p. 7.
     [Google Scholar]
  4. Anonymous. “Picasso's Guernica Misses the Masses, but Wins the Art Critics.” Art Digest, 15 May 1939b, p. 11.
     [Google Scholar]
  5. Anonymous. “Mural That Started War of Critics to Be Shown Here.” Los Angeles Times, 5 August 1939c.
     [Google Scholar]
  6. Anonymous. “Negrín arrives on a Private Trip.” New York Post, 1 May 1939d, p. 12.
     [Google Scholar]
  7. Anonymous. “Tea and Preview.” New York Post, 4 May 1939e, p. 1.
     [Google Scholar]
  8. Anonymous. “Picasso's Guernica Here. Artists Congress Holds Spanish Benefit at Valentine Gallery.” New York Post, 6 May 1939f, p. 3.
     [Google Scholar]
  9. Anonymous. “Negrín Forecasts Franco Collapse.” New York Times, 2 May 1939g, p. 13.
     [Google Scholar]
  10. Anonymous. “En la llegada del ‘Guernica’ a España.” El Pais, 10 September 1981.
     [Google Scholar]
  11. Backus, Louise Laidlaw, and Olga H. Guggenheim to Dana C. Backus, 23 May 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.
  12. Barr, Alfred H. Jr., to Paul J. Sachs, 2 October 1941 (Department of Painting and Sculpture Guernica Records, The Museum of Modern Art Archives, New York), ARCH.8918 https://maid.moma.org/#/detail/294408. Accessed 22 November 2023.
  13. Biddle, George. “The Victory and Defeat of Modernism: Art in a New World.” Harper's Magazine, 1 June 1943, pp. 32–37.
     [Google Scholar]
  14. Bouvard, Émilie and Géraldine Mercier, editors. Guernica, exh. cat. Musée national Picasso, Paris, 2018.
  15. Brian, Doris. “A Picasso Premiere: Guernica and Studies in a Benefit Exhibit.” Art News, 20 May 1939.
     [Google Scholar]
  16. Calas, Nicolas. “Iconolatry and Iconoclasm.” College Art Journal, vol. 9, no. 2, 1949–1950, pp. 129–141.
     [Google Scholar]
  17. Castro, Idoia Murga. “El último viaje del arte republicano antes del exilio. Nueva York, 1939.” El arte y el viaje, edited by Miguel Cabañas and Amelia López-Yarto, Madrid: Consejo Superior de Investigaciones, 2011, pp. 683–698.
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  18. Chipp, Herschel B. “El Guernica en Estados Unidos.” Guernica-Legado Picasso, edited by José Álvarez Lopera et al., Universidad de Granada, 1981, pp. 119–120.
     [Google Scholar]
  19. Claass, Victor. “Naufrage du prêt. Autour de l'incendie du paquebot Paris en avril 1939.” Histoires de prêts. Mémoires et enjeux des prêts dans les musées, edited by François-René Martin, Michela Passini and Neville Rowley, Paris, École du Louvre, 2024, pp. 119–136.196
     [Google Scholar]
  20. Clark, Vernon. “The Guernica Mural: Picasso and Social Problems.” Science and Society, vol. 5, no. 1, 1941, pp. 72–78.
     [Google Scholar]
  21. E. A. J. [Edwin Alden Jewell]. “Picasso. The Guernica Mural at the Valentine.” New York Times, 7 May 1939.
     [Google Scholar]
  22. Fleckner, Uwe, and Elena Tolstichin. “Das Leben der Wandernden. Haupt-, Neben- und Irrwege (auto)mobiler Kunstwerke.” Das verirrte Kunstwerk, edited by Uwe Fleckner and Elena Tolstichin, De Gruyter, 2019, pp. 1–28.
     [Google Scholar]
  23. Frankenstein, Alfred. “Out of the Bombing of Guernica Came a Picasso Mural.” San Francisco Chronicle, 3 September 1939, p. 13.
     [Google Scholar]
  24. Friedman, B. H. “An Interview with Lee Krasner Pollock.” [1969]. Jackson Pollock. Interviews, Articles and Reviews, edited by Pepe Karmel and Kirk Varnedoe, exh. cat. Museum of Modern Art, New York, 1999, pp. 35–38.
     [Google Scholar]
  25. Karmel, Pepe, and Kirk Varnedoe. Jackson Pollock. Interviews, Articles and Reviews, The Museum of Modern Art, New York, 1999a.
     [Google Scholar]
  26. Karmel, Pepe. “A Sum of Destructions.” Jackson Pollock. New Approaches, edited by Pepe Karmel and Kirk Varnedoe, The Museum of Modern Art, New York, 1999b, pp. 71–99.
     [Google Scholar]
  27. Larrea, Juan, to Pablo Picasso, 21 December 1939, Musée national Picasso-Paris, https://guernica.museoreinasofia.es/en/document/juan-larreas-letter-pablo-picasso-dated-21-december-1939. Accessed 22 November 2023.
  28. Larrea, Juan. “Picasso en Nueva York.” España peregrina, vol. 1, no. 1, February 1940, pp. 35–36.
     [Google Scholar]
  29. Lindstrom, Charles. “Guernica.” Art Digest, 15 October 1939.
     [Google Scholar]
  30. Mackenzie, Helen Frances. Understanding Picasso: A Study of His Styles and Development. University of Chicago Press, 1940.
     [Google Scholar]
  31. McBride, Henry. “Picasso's Guernica.” The New York Sun, 6 May 1939.
     [Google Scholar]
  32. McCann Morley, Grace L., to William W. Crocker, Spanish Refugee Relief Association Records (Columbia University Library, New York, 9 August 1939a), box 25.
  33. McCann Morley, Grace L. “Guernica by Pablo Picasso” (manuscript, San Francisco Museum of Modern Art, Archives, 25 August 1939b).
  34. McCann Morley, Grace L. “Protest against War Made in Spanish Artist's Mural.” San Francisco News, 26 August 1939c, p. 6.
     [Google Scholar]
  35. Olmsted, Duncan. “The Horror and Futility of War.” Petaluma Argus-Courier, 2 September 1939.
     [Google Scholar]
  36. Oppler, Ellen C. Picasso's Guernica. W.W. Norton, 1987.
     [Google Scholar]
  37. Program Bureau to Mary Gordon, 23 September 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1939), box 25.
  38. Read, Herbert. “Picasso's Guernica.” London Bulletin, no. 10, 1939.
     [Google Scholar]
  39. Reinhardt, Ad. “How to Look at the ‘Picasso’ Guernica Mural.” P.M., 5 January 1947, https://guernica.museoreinasofia.es/en/document/how-look-mural-guernica. Accessed 22 November 2023.
     [Google Scholar]
  40. Scheyer, Galka, to Sidney Janis, 2 September 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1939), box 25.
  41. Soby, James Thrall. “Picasso. A Critical Estimate.” Parnassus, no. 11, 1939, pp. 8–12.197
     [Google Scholar]
  42. Tardío, Rocío Robles. “‘Extended loan from the artist’: Guernica at the Museum of Modern Art, New York.” The Travels of Guernica, edited by Rocío Robles Tardío, Museo Nacional Centro de Arte, 2019.
     [Google Scholar]
  43. Wheeler, Monroe. “Symposium on Guernica, Museum of Modern Art, New York.” (manuscript, Indiana University Library, 25 November 1947.)
  44. Whitehill, Virginia. “On Public Taste and Picasso.” Parnassus, no. 12, 1940, p. 12.
     [Google Scholar]
  45. Whitney, Caspar, to Ernest Hemingway, 17 April 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.

References

  1. Ahrend, Evelyn (North American Committee), to A. Everett Austin (Wadsworth Atheneum), 6 June 1939a, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.
  2. Ahrend, Evelyn (North American Committee), to Marcelene Peterson (Motion Picture Artists’ Committee, Hollywood), 10 June 1939b, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.
  3. Anonymous. “Picasso's Guernica to Be Shown to Aid Refugees.” Daily Worker (New York), 24 April 1939a, p. 7.
     [Google Scholar]
  4. Anonymous. “Picasso's Guernica Misses the Masses, but Wins the Art Critics.” Art Digest, 15 May 1939b, p. 11.
     [Google Scholar]
  5. Anonymous. “Mural That Started War of Critics to Be Shown Here.” Los Angeles Times, 5 August 1939c.
     [Google Scholar]
  6. Anonymous. “Negrín arrives on a Private Trip.” New York Post, 1 May 1939d, p. 12.
     [Google Scholar]
  7. Anonymous. “Tea and Preview.” New York Post, 4 May 1939e, p. 1.
     [Google Scholar]
  8. Anonymous. “Picasso's Guernica Here. Artists Congress Holds Spanish Benefit at Valentine Gallery.” New York Post, 6 May 1939f, p. 3.
     [Google Scholar]
  9. Anonymous. “Negrín Forecasts Franco Collapse.” New York Times, 2 May 1939g, p. 13.
     [Google Scholar]
  10. Anonymous. “En la llegada del ‘Guernica’ a España.” El Pais, 10 September 1981.
     [Google Scholar]
  11. Backus, Louise Laidlaw, and Olga H. Guggenheim to Dana C. Backus, 23 May 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.
  12. Barr, Alfred H. Jr., to Paul J. Sachs, 2 October 1941 (Department of Painting and Sculpture Guernica Records, The Museum of Modern Art Archives, New York), ARCH.8918 https://maid.moma.org/#/detail/294408. Accessed 22 November 2023.
  13. Biddle, George. “The Victory and Defeat of Modernism: Art in a New World.” Harper's Magazine, 1 June 1943, pp. 32–37.
     [Google Scholar]
  14. Bouvard, Émilie and Géraldine Mercier, editors. Guernica, exh. cat. Musée national Picasso, Paris, 2018.
  15. Brian, Doris. “A Picasso Premiere: Guernica and Studies in a Benefit Exhibit.” Art News, 20 May 1939.
     [Google Scholar]
  16. Calas, Nicolas. “Iconolatry and Iconoclasm.” College Art Journal, vol. 9, no. 2, 1949–1950, pp. 129–141.
     [Google Scholar]
  17. Castro, Idoia Murga. “El último viaje del arte republicano antes del exilio. Nueva York, 1939.” El arte y el viaje, edited by Miguel Cabañas and Amelia López-Yarto, Madrid: Consejo Superior de Investigaciones, 2011, pp. 683–698.
     [Google Scholar]
  18. Chipp, Herschel B. “El Guernica en Estados Unidos.” Guernica-Legado Picasso, edited by José Álvarez Lopera et al., Universidad de Granada, 1981, pp. 119–120.
     [Google Scholar]
  19. Claass, Victor. “Naufrage du prêt. Autour de l'incendie du paquebot Paris en avril 1939.” Histoires de prêts. Mémoires et enjeux des prêts dans les musées, edited by François-René Martin, Michela Passini and Neville Rowley, Paris, École du Louvre, 2024, pp. 119–136.196
     [Google Scholar]
  20. Clark, Vernon. “The Guernica Mural: Picasso and Social Problems.” Science and Society, vol. 5, no. 1, 1941, pp. 72–78.
     [Google Scholar]
  21. E. A. J. [Edwin Alden Jewell]. “Picasso. The Guernica Mural at the Valentine.” New York Times, 7 May 1939.
     [Google Scholar]
  22. Fleckner, Uwe, and Elena Tolstichin. “Das Leben der Wandernden. Haupt-, Neben- und Irrwege (auto)mobiler Kunstwerke.” Das verirrte Kunstwerk, edited by Uwe Fleckner and Elena Tolstichin, De Gruyter, 2019, pp. 1–28.
     [Google Scholar]
  23. Frankenstein, Alfred. “Out of the Bombing of Guernica Came a Picasso Mural.” San Francisco Chronicle, 3 September 1939, p. 13.
     [Google Scholar]
  24. Friedman, B. H. “An Interview with Lee Krasner Pollock.” [1969]. Jackson Pollock. Interviews, Articles and Reviews, edited by Pepe Karmel and Kirk Varnedoe, exh. cat. Museum of Modern Art, New York, 1999, pp. 35–38.
     [Google Scholar]
  25. Karmel, Pepe, and Kirk Varnedoe. Jackson Pollock. Interviews, Articles and Reviews, The Museum of Modern Art, New York, 1999a.
     [Google Scholar]
  26. Karmel, Pepe. “A Sum of Destructions.” Jackson Pollock. New Approaches, edited by Pepe Karmel and Kirk Varnedoe, The Museum of Modern Art, New York, 1999b, pp. 71–99.
     [Google Scholar]
  27. Larrea, Juan, to Pablo Picasso, 21 December 1939, Musée national Picasso-Paris, https://guernica.museoreinasofia.es/en/document/juan-larreas-letter-pablo-picasso-dated-21-december-1939. Accessed 22 November 2023.
  28. Larrea, Juan. “Picasso en Nueva York.” España peregrina, vol. 1, no. 1, February 1940, pp. 35–36.
     [Google Scholar]
  29. Lindstrom, Charles. “Guernica.” Art Digest, 15 October 1939.
     [Google Scholar]
  30. Mackenzie, Helen Frances. Understanding Picasso: A Study of His Styles and Development. University of Chicago Press, 1940.
     [Google Scholar]
  31. McBride, Henry. “Picasso's Guernica.” The New York Sun, 6 May 1939.
     [Google Scholar]
  32. McCann Morley, Grace L., to William W. Crocker, Spanish Refugee Relief Association Records (Columbia University Library, New York, 9 August 1939a), box 25.
  33. McCann Morley, Grace L. “Guernica by Pablo Picasso” (manuscript, San Francisco Museum of Modern Art, Archives, 25 August 1939b).
  34. McCann Morley, Grace L. “Protest against War Made in Spanish Artist's Mural.” San Francisco News, 26 August 1939c, p. 6.
     [Google Scholar]
  35. Olmsted, Duncan. “The Horror and Futility of War.” Petaluma Argus-Courier, 2 September 1939.
     [Google Scholar]
  36. Oppler, Ellen C. Picasso's Guernica. W.W. Norton, 1987.
     [Google Scholar]
  37. Program Bureau to Mary Gordon, 23 September 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1939), box 25.
  38. Read, Herbert. “Picasso's Guernica.” London Bulletin, no. 10, 1939.
     [Google Scholar]
  39. Reinhardt, Ad. “How to Look at the ‘Picasso’ Guernica Mural.” P.M., 5 January 1947, https://guernica.museoreinasofia.es/en/document/how-look-mural-guernica. Accessed 22 November 2023.
     [Google Scholar]
  40. Scheyer, Galka, to Sidney Janis, 2 September 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1939), box 25.
  41. Soby, James Thrall. “Picasso. A Critical Estimate.” Parnassus, no. 11, 1939, pp. 8–12.197
     [Google Scholar]
  42. Tardío, Rocío Robles. “‘Extended loan from the artist’: Guernica at the Museum of Modern Art, New York.” The Travels of Guernica, edited by Rocío Robles Tardío, Museo Nacional Centro de Arte, 2019.
     [Google Scholar]
  43. Wheeler, Monroe. “Symposium on Guernica, Museum of Modern Art, New York.” (manuscript, Indiana University Library, 25 November 1947.)
  44. Whitehill, Virginia. “On Public Taste and Picasso.” Parnassus, no. 12, 1940, p. 12.
     [Google Scholar]
  45. Whitney, Caspar, to Ernest Hemingway, 17 April 1939, Spanish Refugee Relief Association Records (Columbia University Library, New York, 1935–1957), box 25.

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