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oa Reparative Workshop and Body Practices in the Field of Art, Diaspora, and Migration 1969 and 2020

image of Reparative Workshop and Body Practices in the Field of Art, Diaspora, and Migration 1969 and 2020

This chapter examines the entanglements of art and migration pursuing different constellations as results of the Atlantic slave trade, the Holocaust, and the course of contemporary global flight and (forced) migration. We focus on long term diasporic, post-migrant conditions. Shedding light on the specific historical situation of the post-WWII US (post)migrant society with its close relationship between the African American Diaspora and the Jewish-American Diaspora, we investigate contemporary configurations of global migration and Pan African communities. To examine these historical and conceptual interrelations we will revisit Anna Halprin's workshops for her performance Ceremony of Us (1969) and crossread it with contemporary performative work, based on the concept of Decolonial Healing as it has been developed during the 2010s, amongst others by Tabita Rezaire. Both artists assume that traumatic experiences of racism, colonialism, and diaspora are inscribed within the body and can be transformed through somatic practices.

Keywords: Anna Halprin and Ceremony of Us (1969) ; Bioenergetics and polarity therapy ; body memory and critical trauma therapy ; Civil Rights Movement ; Decolonial Healing ; embodied lab ; Embodied performance documentation ; Esalen ; Feldenkrais (Moshe Feldenkrais) ; Fritz Perls ; Gestalt Therapy ; Historical and collective Trauma ; Human Potential Movement ; Kemetic Yoga ; Multidimensional Memory ; Rolfing (Ida Rolf) ; somatic art practice ; stress release ; structural slow Violence ; Studio Watts ; Tabita Rezaire and MerKaBa for the Hoeteps ; technoshamanism ; trauma therapy ; Workshops as artistic/somatic practice

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References

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References

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    [Google Scholar]
  2. Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso, 2012.
    [Google Scholar]
  3. Bond, Lucy, and Stef Craps. Trauma: The New Critical Idiom. Routledge, 2020.
    [Google Scholar]
  4. Bynum, Edward Bruce. The African Unconscious: Roots of Ancient Mysticism and Modern Psychology. Teachers College Press, 1999.
    [Google Scholar]
  5. Curtis, Adam. “The Century of the Self. Part 3: ‘There is a Policeman Inside All Our Heads; He Must Be Destroyed.’” YouTube, uploaded by JustAdamCurtis, 3 January 2017, https://www.youtube.com/watch?v=ub2LB2MaGoM. Accessed 15 September 2021.
  6. Du Bois, W.E.B. The Souls of Black Folk. [1903]. Oxford University Press, 2007.
    [Google Scholar]
  7. Glissant, Édouard. Poetics of Relation. University of Michigan Press, 1997.
    [Google Scholar]
  8. Halprin, Anna. Moving Towards Life: Five Decades of Transformational Dance, edited by Rachel Kaplan, Wesleyan University Press, 1995.
    [Google Scholar]
  9. Halprin, Anna, and James T. Burns. “Ceremony of Us.” The Drama Review, vol. 13, no. 4, 1969, pp. 131143.
    [Google Scholar]
  10. Halprin, Anna, and Seth Hill. “Right On (Ceremony of Us)”, Internet Archive, uploaded by California Revealed, 12 August 2017, https://archive.org/details/right-on-ceremony-of-us_11873_pm0047625. Accessed 15 September 2021.359
  11. Halprin, Lawrence. The RSVP Cycles: Creative Processes in the Human Environment. George Braziller, 1969.
    [Google Scholar]
  12. Harney, Stefano, and Fred Moten. The Undercommons: Fugitive Planning & Black Study. Minor Compositions, 2013.
    [Google Scholar]
  13. Heathfield, Adrian. “Then Again.” Perform, Repeat, Record: Live Art in History, edited by Amelia Jones and Adrian Heathfield, Intellect, 2012, pp. 2745.
    [Google Scholar]
  14. Herbst, Robby. “Ceremony of Us.” East of Borneo, 15 April 2014, https://eastofborneo.org/articles/ceremony-of-us/. Accessed 14 September 2021.
  15. LaCapra, Dominick. Writing History, Writing Trauma. Johns Hopkins University Press, 2014.
    [Google Scholar]
  16. Lorde, Audre. “The Uses of the Erotic. The Erotic as Power.” Sister Outsider, edited by Audre Lorde, Crossing Press, 1984, pp. 5359.
    [Google Scholar]
  17. Menakem, Resmaa. My Grandmother's Hands. Racialized Trauma and the Pathway to Mending our Hearts and Bodies. Central Recovery Press, 2017.
    [Google Scholar]
  18. Mignolo, Walter. The Darker Side of Western Modernity. Global Futures, Decolonial Options. Duke University Press, 2011.
    [Google Scholar]
  19. Oberender, Thomas, and Tino Sehgal. “Welt ohne Außen. Immersive Spaces since the 1960s.” Gropius Bau Berlin, 8 June to 5 August 2018, berlinerfestspiele, https://www.berlinerfestspiele.de/en/gropius-bau/programm/2018/welt-ohne-auen. Accessed 14 September 2021.
  20. Perls, Frederick S. Gestalt Therapy Verbatim. [1968]. Bantam Books, 1971.
    [Google Scholar]
  21. Ra Hotep, Yirser. “10 Black Yoga and Meditation Teachers Who Are Changing the World.” kripalu, https://kripalu.org/resources/10-black-yoga-and-meditation-teachers-who-are-changing-world. Accessed 14 September 2021.
    [Google Scholar]
  22. Rezaire, Tabita. “Decolonial Healing: In Defense of Spiritual Technologies.” Unpublished manuscript, 11 pages, 2016.
  23. Rezaire, Tabita. “MerKaBa for the Hoeteps”, Migros Museum 2020, Vimeo, uploaded by Migros Museum, 28 April 2020, https://vimeo.com/412617569. Accessed 14 September 2021.
    [Google Scholar]
  24. Rezaire, Tabita, and Eleanor Ford. Artist Profile: Tabita Rezaire, 1 February 2018, https://rhizome.org/editorial/2018/feb/01/artist-profile-tabita-rezaire/. Accessed 14 September 2021.
  25. Ross, Janice. Anna Halprin. Experience as Dance. California University Press, 2007.
    [Google Scholar]
  26. Rothberg, Michael. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford University Press, 2009.
    [Google Scholar]
  27. Rothberg, Michael. The Implicated Subject: Beyond Victims and Perpetrators. Stanford University Press, 2019.
    [Google Scholar]
  28. Shea, Tusa. “Anna Halprin's 10 Myths: Mutual Creation and Non-totalizing Collectivity.” Anarchist Developments in Cultural Studies Art & Anarchy, no. 2, 2011, pp. 930.
    [Google Scholar]
  29. Vergès, Françoise. A Decolonial Feminism. Pluto Press, 2021.
    [Google Scholar]
  30. von Eikels, Kai. The Workshop: Investigations Into an Artistic-Political Format. ICI Berlin, 2021.
    [Google Scholar]
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