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languaging

image of languaging

The chapter explicates the author's use of language/languaging in the f/old due to its unique style of delivery that is largely improvised, non-scripted and co-created. Rather than a set of instructions, the authors attend to how our words are heard (received). The juxtaposition of words-to-silences is a sonorous drone that ruptures logical sequencing. This kind of orality skews expectations and preconceptions of what to do (now, or next). As word(s) ‘land’ (register) in the sensorium, the tether around their prosaic meaning eases. A single word can becomes an agent of change, taking on poetic power. Throughout, the authors choose ‘languaging’ rather than language - a a term of art that captures the affective attunement that can be buried in the prosaic.

Keywords: ambiguity ; anemic(asemia) ; association ; code ; emergent ; improvisation ; in-between ; language ; lexicon ; neologism ; oculocentric ; palimpsest ; phenomenally ; relationship ; sensibility ; signpost ; spoken moment ; term of art ; tether ; unconscious ; writing

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References

  1. Becker, A.L. “Language in Particular: A Lecture.” In D. Tannen (ed.), Linguistics in Context. (1988): 17–35. Norwood, NJ: Ablex.120
  2. Ben Howell, Davis. “Infra-Thin Multimedia: Man Ray's Paris Portraits: 1921–39.” Museum Computer Network Conference. Smithsonian Institution Archives, Washington, DC, 1990. Accessed August 8, 2023. https://www.mit.edu/~bhdavis/Infrathin.html.
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References

  1. Becker, A.L. “Language in Particular: A Lecture.” In D. Tannen (ed.), Linguistics in Context. (1988): 17–35. Norwood, NJ: Ablex.120
  2. Ben Howell, Davis. “Infra-Thin Multimedia: Man Ray's Paris Portraits: 1921–39.” Museum Computer Network Conference. Smithsonian Institution Archives, Washington, DC, 1990. Accessed August 8, 2023. https://www.mit.edu/~bhdavis/Infrathin.html.
    [Google Scholar]
  3. Bloome, David, and Faythe Beauchemin. “Languaging Everyday Life in Classrooms.” Literacy Research: Theory, Method, and Practice 65, no. 1 (2016). Accessed June 8, 2024. https://files.eric.ed.gov/fulltext/EJ1119710.pdf.
    [Google Scholar]
  4. Duchamp, Marcel. Notes. Arranged and translated by Von Paul Matiss. Centre National d'Art et de Culture Georges Pompidou: Paris, France, 1983.
    [Google Scholar]
  5. Lee, Yeseung. Seamlessness. Making and (Un)Knowing in Fashion Practice. Chicago, IL: University of Chicago Press, 2016.
    [Google Scholar]
  6. Manning, Erin. “For a Pragmatics of the Useless.” Political Theory 45, 1 (2017): 97115.
    [Google Scholar]
  7. Michaux, Henri. Mouvements. Translated by Bernard Bador and Clayton Eshleman. Paris, France: NRF/Le Point du jour, 1951.
    [Google Scholar]
  8. Penfield, Kedzie. “Another Royal Road: Freudian Thought Applied to Authentic Movement.” In Dance Movement Therapy: Theory, Research and Practice, edited by Helen Payne, 2nd ed., 13248. London: Routledge, 2002.
    [Google Scholar]
  9. Perloff, Marjorie. 21st-Century Modernism: The “New” Poetics. Oxford, UK: Wiley-Blackwell., 2002.
  10. Stern, Daniel. Forms of Vitality: Exploring Dynamic Experience in Psychology, the Arts, Psychotherapy, and Development. Oxford, UK: Oxford University Press, 2010.
    [Google Scholar]
  11. Schwenger, Peter. Asemic: The Art of Writing. Minneapolis, MN: University of Minnesota Press, 2019.
    [Google Scholar]
/content/books/9781789389685.c05
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