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The Gravitational Body
Intellect , 53 (2024); https://doi.org/10.1386/9781789389777_5
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References

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  2. Biswas, Ansuman and Finer, Jem (2002), Wave/Particle, http://www.spacearts.info/en/db/get_work.php?id=609. Accessed 2 December 2014.
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  14. Gromola, Diane and Sharir, Yacov (1994), Dancing with the Virtual Dervish: Virtual Bodies, virtual reality installation, Alberta, Canada: Banff Centre for the Arts, http://www.banffcentre.ca/bnmi/coproduction/archives/d.asp#dancing. No longer accessible.
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  24. Lichty, Patrick (2011), ‘Phantom limbs: Affect and identification in virtual performance’, panel paper, ISEA 2011, Istanbul: Sabanci University, http://isea2011.sabanciuniv.edu/paper/phantom-limbs-affect-and-identification-virtual-performance. No longer accessible.
  25. Mantra, Nahum (2015), Matters of Gravity, 26th IAA Symposium on Space and Society.
  26. Matthai, Carlotta G. (2002), Wightman and Craos Mor: Gravity, A Love Story, https://www.artscatalyst.org/gravity-love-story-morag-wightman-craos-mor. Accessed 7 December 2020.
  27. Moser, MaryAnne and MacLeod, Douglas (eds) (1996), Immersed in Technology: Art and Virtual Environments, Cambridge: MIT Press.
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  28. Murnik, Maja (2017), ‘Art in weightlessness: From outer space to virtual worlds’, Journal of Virtual Creativity, 7:1, pp. 29–40, https://doi.org/10.1286/vcr.7.1.29_1.
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  29. Pell, Sarah Jane (2017), ‘Performing astronautics: Following the body's natural edge to the abyss of space’, Journal of Virtual Creativity, 7:1, pp. 53–61, https://doi.org/10.1286/vcr.7.1.53_1.
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  30. Rheingold, Howard (1991), Virtual Reality, New York: Summit Books.71
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  31. Ryklin, Michail (2005), ‘Being there’, in N. Triscott and R. La Frenais (eds), ZeroGravity: A Cultural User's Guide, London: The Arts Catalyst, pp. 14–17.
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  32. Sermon, Paul (1992), Telematic Dreaming, performance installation, http://www.paulsermon.org/dream/. Accessed 12 January 2022.
  33. Schroeder, Ralph J. (2002), The Social Life of Avatars, London: Springer.
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  34. Stallings, Tyler and Peljhan, Marko (2013), ‘Free enterprise: The art of citizen space exploration’, exhibition and symposium, University of California Riverside, http://www.artsblock.ucr.edu/Exhibition/Free-Enterprise. Accessed 7 December 2020.
  35. Stelarc (1982), Prepared Tree Suspension: Event for Obsolete Body No. 6, Black Mountain, Canberra, photoetching on aluminium, Australian Government's Cultural Gifts Program.
  36. Triscott, Nicola (2008), ‘Once upon a space age: How the dream was lost (and how we got it back again)’, in A. Miah (ed.), Human Futures: Art in an Age of Uncertainty, Liverpool: Liverpool University Press.
     [Google Scholar]
  37. Triscott, Nicola and La Frenais, Rob (2005), Zero Gravity: A Cultural User's Guide, London: The Arts Catalyst.
     [Google Scholar]
  38. Urbonas, Julijonas (2009), ‘Gravitational Aesthetics’, paper for ISEA 2009, Belfast, http://www.julijonasurbonas.lt/t/gravitational-aesthetics/. No longer accessible.
  39. Wilson, Louise K. (2005), Aerial Stories: Notes about Gravity, Bodies and the View Out of the Window, London: Probiscus.
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  40. Wilson, Louise K. (2017), ‘Naïve subjects: Intra-actions and gravitational states’, Journal of Virtual Creativity, 7:1, pp. 41–52, https://doi.org/10.1286/vcr.7.1.41_1.
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References

  1. Biswas, Ansuman and Finer, Jem (2001), Zero Genie, http://zerogenie.net/zerogenie.html. Accessed 22 September 2014.
  2. Biswas, Ansuman and Finer, Jem (2002), Wave/Particle, http://www.spacearts.info/en/db/get_work.php?id=609. Accessed 2 December 2014.
  3. Bureaud, Annick (2009), ‘Kitsou Dubois and the weightless body’, Journal of Multimedia, 16:1, pp. 138–47, https://doi.org/10.1109/MMUL.2009.12.
     [Google Scholar]
  4. Bureaud, Annick and Dubois, Kitsou (2005), ‘The embodiment of (micro)gravity. Kitsou Dubois's analogies: An artistic and aesthetic experience’, in Space: Planetary Consciousness and the Arts Symposium Proceedings, Yverdon-les-Bains, Switzerland.
     [Google Scholar]
  5. Damer, Bruce (1998), Avatars! Exploring and Building Virtual Worlds on the Internet, Berkeley: Peachpit Press.
     [Google Scholar]
  6. Davies, Char (1995), Osmose, virtual reality environment, http://www.immersence.com/osmose/index.php. Accessed 12 January 2022.
     [Google Scholar]
  7. Davies, Char (1998), Ephémère, virtual reality environment, http://www.immersence.com/. Accessed 12 January 2022.
     [Google Scholar]
  8. Davies, Char (2003), ‘Landscape, earth, body, being, space, and time in the immersive virtual environments Osmose and Ephémère’, in J. Malloy (ed.), Women, Art and Technology, Cambridge: MIT Press.
     [Google Scholar]
  9. Dove, Toni and Mackenzie, Michael (1993), Archaeology of the Mother Tongue, virtual reality installation, Alberta, Canada: Banff Centre for the Arts, http://www.banffcentre.ca/bnmi/coproduction/archives/a.asp. No longer accessible.
     [Google Scholar]
  10. Doyle, Denise (2017), ‘Astronauts and avatars: Exploring consciousness through the art and science of embodiment’, Journal of Virtual Creativity, 7:1, pp. 73–81, https://doi.org/10.1286/vcr.7.1.73_7.70
     [Google Scholar]
  11. Dubois, Kitsou (1999), Gravity Zero, London: Lux Gallery, https://www.artscatalyst.org/image/kitsou-dubois-microgravity-gravity-zero-1999. Accessed 7 December 2020.
     [Google Scholar]
  12. Dubois, Kitsou (2017), Kitsou Dubois Cie Ki Productions, http://www.kitsoudubois.com/ Accessed 1 December 2020.
  13. Forde, Kathleen (2010), ‘Dancing on the ceiling: Art and zero gravity’, exhibition catalogue and essay, http://zerogravity.empac.rpi.edu/. Accessed 1 December 2020.
  14. Gromola, Diane and Sharir, Yacov (1994), Dancing with the Virtual Dervish: Virtual Bodies, virtual reality installation, Alberta, Canada: Banff Centre for the Arts, http://www.banffcentre.ca/bnmi/coproduction/archives/d.asp#dancing. No longer accessible.
     [Google Scholar]
  15. Heim, Michael (1993), The Metaphysics of Virtual Reality, New York: Oxford University Press.
     [Google Scholar]
  16. Heudin, Jean-Claude (ed.) (1999), Virtual Worlds: Synthetic Universes, Digital Life and Complexity, Reading: Perseus Books.
     [Google Scholar]
  17. Kac, Eduardo (2005), ‘Against gravitropism: Art and the joys of levitation’, in N. Triscott and R. La Frenais (eds), ZeroGravity: A Cultural User's Guide, London: The Arts Catalyst, pp. 18–25.
     [Google Scholar]
  18. Kozel, Susan (1994), Spacemaking: Experiences of a Virtual Body, http://art.net/~dtz/kozel.html. Accessed 1 December 2020.
  19. Kozel, Susan (1997), Ghosts & Astronauts, http://www.braunarts.com/digidancing/umbrella97/dd/ghost.html. Accessed 7 December 2020.
  20. Kozel, Susan (2007), Closer: Performance, Technologies, Phenomenology, Cambridge: MIT Press.
     [Google Scholar]
  21. Kozel, Susan (2015), ‘Gravity and its Sisters: Re-enacting the memory of Ghosts & Astronauts’, YouTube, https://www.youtube.com/watch?v=KVGwZ8z0vTE. Accessed 7 December 2020.
  22. Kundera, Milan (1984), Unbearable Lightness of Being, London: Harper Collins.
     [Google Scholar]
  23. Laurel, Brenda and Strickland, Rachel (1993), Placeholder, virtual reality installation, Alberta, Canada: Banff Centre for the Arts, http://www.banffcentre.ca/bnmi/coproduction/archives/p.asp#placeholder. No longer accessible.
     [Google Scholar]
  24. Lichty, Patrick (2011), ‘Phantom limbs: Affect and identification in virtual performance’, panel paper, ISEA 2011, Istanbul: Sabanci University, http://isea2011.sabanciuniv.edu/paper/phantom-limbs-affect-and-identification-virtual-performance. No longer accessible.
  25. Mantra, Nahum (2015), Matters of Gravity, 26th IAA Symposium on Space and Society.
  26. Matthai, Carlotta G. (2002), Wightman and Craos Mor: Gravity, A Love Story, https://www.artscatalyst.org/gravity-love-story-morag-wightman-craos-mor. Accessed 7 December 2020.
  27. Moser, MaryAnne and MacLeod, Douglas (eds) (1996), Immersed in Technology: Art and Virtual Environments, Cambridge: MIT Press.
     [Google Scholar]
  28. Murnik, Maja (2017), ‘Art in weightlessness: From outer space to virtual worlds’, Journal of Virtual Creativity, 7:1, pp. 29–40, https://doi.org/10.1286/vcr.7.1.29_1.
     [Google Scholar]
  29. Pell, Sarah Jane (2017), ‘Performing astronautics: Following the body's natural edge to the abyss of space’, Journal of Virtual Creativity, 7:1, pp. 53–61, https://doi.org/10.1286/vcr.7.1.53_1.
     [Google Scholar]
  30. Rheingold, Howard (1991), Virtual Reality, New York: Summit Books.71
     [Google Scholar]
  31. Ryklin, Michail (2005), ‘Being there’, in N. Triscott and R. La Frenais (eds), ZeroGravity: A Cultural User's Guide, London: The Arts Catalyst, pp. 14–17.
     [Google Scholar]
  32. Sermon, Paul (1992), Telematic Dreaming, performance installation, http://www.paulsermon.org/dream/. Accessed 12 January 2022.
  33. Schroeder, Ralph J. (2002), The Social Life of Avatars, London: Springer.
     [Google Scholar]
  34. Stallings, Tyler and Peljhan, Marko (2013), ‘Free enterprise: The art of citizen space exploration’, exhibition and symposium, University of California Riverside, http://www.artsblock.ucr.edu/Exhibition/Free-Enterprise. Accessed 7 December 2020.
  35. Stelarc (1982), Prepared Tree Suspension: Event for Obsolete Body No. 6, Black Mountain, Canberra, photoetching on aluminium, Australian Government's Cultural Gifts Program.
  36. Triscott, Nicola (2008), ‘Once upon a space age: How the dream was lost (and how we got it back again)’, in A. Miah (ed.), Human Futures: Art in an Age of Uncertainty, Liverpool: Liverpool University Press.
     [Google Scholar]
  37. Triscott, Nicola and La Frenais, Rob (2005), Zero Gravity: A Cultural User's Guide, London: The Arts Catalyst.
     [Google Scholar]
  38. Urbonas, Julijonas (2009), ‘Gravitational Aesthetics’, paper for ISEA 2009, Belfast, http://www.julijonasurbonas.lt/t/gravitational-aesthetics/. No longer accessible.
  39. Wilson, Louise K. (2005), Aerial Stories: Notes about Gravity, Bodies and the View Out of the Window, London: Probiscus.
     [Google Scholar]
  40. Wilson, Louise K. (2017), ‘Naïve subjects: Intra-actions and gravitational states’, Journal of Virtual Creativity, 7:1, pp. 41–52, https://doi.org/10.1286/vcr.7.1.41_1.
     [Google Scholar]

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