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References

  1. Batchen, Geoffrey (1995), ‘Spectres of cyberspace’, Afterimage, 23:3, pp. 67.
    [Google Scholar]
  2. Bryld, Mette (1996), ‘Dialogues with dolphins and other extraterrestrials: Displacements in gendered space’, in N. Lykke and R. Braidotti (eds), Between Monsters, Goddesses and Cyborgs: Feminist Confrontations with Science, Medicine, and Cyberspace, London: Zed Books.
    [Google Scholar]
  3. Burton, Laini (2015), ‘“Swallowable Parfum”: The evolution of scent or the senses?’, in L. Downing Peters (ed.), The Body Beautiful? Identity, Performance, Fashion and the Contemporary Female Body, Oxford: Inter-Disciplinary Press.
    [Google Scholar]
  4. Cardenas, Micha (2010), ‘Becoming Dragon: A transversal technology study’, Code Drift: Essays in Critical Digital Studies, 9, n.pag., https://journals.uvic.ca/index.php/ctheory/article/view/14680/5550. Accessed 10 October 2022.
    [Google Scholar]
  5. Cardenas, Micha, Head, Christopher, Margolis, Todd, and Greco, Kael (2009), ‘Becoming Dragon: A mixed reality, durational performance in Second Life’, The International Society of Optical Engineering Conference Proceedings, https://doi.org/10.1117/12.806260.
    [Google Scholar]
  6. Doyle, Denise (2008), ‘Art and the avatar: The Kritical Works in SL project’, International Journal of Performance Arts and Digital Media, 4:2&3, pp. 13753.
    [Google Scholar]
  7. Doyle, Denise (2015), ‘Exploring liminal practices in art, technology and science’, in D. Harrison (ed.), Handbook of Research on Digital Media and Creative Technologies, Hershey: IGI Global.
    [Google Scholar]
  8. Doyle, Denise and Kim, Taey (2007), ‘Embodied narrative: The virtual nomad and the meta dreamer’, The International Journal of Performance Arts and Digital Media, 3:2&3, pp. 20922.112
    [Google Scholar]
  9. Doyle, Doyle (2011), ‘The body of the avatar: Constructing human presence in virtual worlds’, in A. Ensslin (ed.), Creating Second Lives: Community, Identity and Spatiality as Constructions of the Virtual, Oxford and New York: Routledge.
    [Google Scholar]
  10. Government Office for Science (2013), ‘Future Identities: Changing Identities in the UK’, UK Government Report, https://www.gov.uk/government/publications/future-identities-changing-identities-in-the-uk. Accessed 14 November 2023.
  11. Haraway, Donna J. (1991), Simians, Cyborgs, and Women: The Reinvention of Nature, London: Free Association Books.
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  12. Hatziyiannaki, Anna (2017), ‘Towards a semi-living avatar: Investigating the interface body-smart machines in Stelarc's work’, NoemaLab, https://noemalab.eu/ideas/towards-a-semi-living-avatar-investigating-the-interface-body-smart-machines-in-stelarcs-work/. Accessed 14 November 2023.
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  13. Heller, Lynne (2015), ‘Found objects, bought selves’, in D. Doyle (ed.), New Opportunities for Artistic Practice in Virtual Worlds, Hershey: IGI Global.
    [Google Scholar]
  14. Kozel, Susan (1994), Spacemaking: Experiences of a Virtual Body, http://art.net/~dtz/kozel.html. Accessed 12 October 2022.
  15. Kroker, Arthur (2012), Body Drift: Butler, Hayles, Haraway, Minneapolis: University of Minnesota Press.
    [Google Scholar]
  16. Larson, Jeremy D. (2016), ‘Meet Andrew Thomas Huang, the filmmaker behind Björk's stunning VR videos’, Redbull Music Academy, https://daily.redbullmusicacademy.com/2016/10/andrew-huang-bjork-vr-director-interview. Accessed 14 November 2023.
    [Google Scholar]
  17. Lefebvre, Henri (1991), The Production of Space, Oxford: Blackwell Publishing.
    [Google Scholar]
  18. Monroe, Jazz (2018), ‘Björk: With all the Earth's electricity’, Crack Magazine, https://crackmagazine.net/article/long-reads/bjork-cover-feature/. Accessed 14 November 2023.
    [Google Scholar]
  19. Moore, Sam (2016), ‘Bjork opens Digital London exhibition by appearing as an avatar at Somerset House press conference’, NME, https://www.nme.com/news/music/bjork-2-1188711. Accessed 14 November 2023.
    [Google Scholar]
  20. Raby, Dan (2012), ‘Bjork explores the world within for “Hollow”’, NPR, https://www.npr.org/sections/allsongs/2012/03/01/147756106/bjork-explores-the-world-within. Accessed 14 November 2023.
    [Google Scholar]
  21. Richards, Jason (2011), ‘Bjork talks about how nature inspired her new, high-tech album’, The Atlantic, https://www.theatlantic.com/entertainment/archive/2011/10/bjork-talks-abouthow-nature-inspired-her-new-high-tech-album/246281/. Accessed 14 November 2023.
    [Google Scholar]
  22. Schwartz, Max, Lenz, Christian, Memmesheimer, Raphael, Patzold, Bastian, Rochow, Andre, Schreiber, Michael, and Behnke, Sven (2023), ‘Robust immersive telepresence and mobile telemanipulation: NimbRo wins ANA avatar XPRIZE finals’, International Conference on Intelligent Robots and Systems (IROS) Conference Proceedings.
  23. Schomaker, Kristine (2010), ‘My life as an avatar’, Kristine Schomaker website, https://www.kristineschomaker.net/my-life-as-an-avatar. Accessed 10 October 2023.113
    [Google Scholar]
  24. Sousa, Catarina (2012), ‘Mom and me through the looking glass’, Journal of Metaverse Creativity, 2:2, pp. 13962.
    [Google Scholar]
  25. Sousa, Catarina (2015), ‘Meta_Body: Virtual corporeality as a shared creative process’, in D. Doyle (ed.), New Opportunities for Artistic Practice in Virtual Worlds, Hershey: IGI Global.
    [Google Scholar]
  26. Sousa, Catarina (2016), ‘Virtual corporeality and shared creativity: Embodying avatars in the metaverse’, Ph.D. thesis, Coimbra: University of Coimbra.
  27. Squier, Susan (2004), Liminal Lives, Cambridge: Harvard University Press.
    [Google Scholar]
  28. Stelarc (1980–2022), Works of Stelarc, http://stelarc.org/. Accessed 9 February 2024.
  29. Veerapen, Maeva (2011), ‘Encountering oneself and the other: A case study of identity formation in Second Life’, in A. Peachey and M. Childs (eds), Reinventing Ourselves: Contemporary Concepts of Identity in Virtual Worlds, London: Springer.
    [Google Scholar]
  30. White, Michele (2009), ‘Review: Networked bodies and extended corporealities: Theorizing the relationship between the body, embodiment, and contemporary media’, Feminist Studies, The Politics of Embodiment, 35:3, pp. 60324.
    [Google Scholar]
  31. Yee, Nick and Bailenson, Jeremy (2006), ‘Walk a mile in digital shoes: The impact of embodied perspective-taking on the reduction of negative stereotyping in immersive environment’, 9th International Workshop on Presence Proceedings, pp. 14756.
  32. Zurbrugg, Nicholas (1999), ‘Virilio, Stelarc and ‘terminal’ technoculture’, Theory, Culture & Society, 16:5&6, pp. 17799, https://doi.org/10.1177/02632769922050782
    [Google Scholar]
  33. Cardenas, Micha (2009), Becoming Dragon, Mixed-Reality Performance. Available at: http://secondloop.wordpress.com/. Accessed 25 October 2023.
  34. Heller, Lynne (2007–ongoing), Adventures of Nar Duell, Comic Book Series. Available at: http://www.lynneheller.com/#/01/. Accessed 25 October 2023.
  35. Sousa, Catarina (2009), De Maria, de Mariana, de Madalena. Available at: https://delicatessensl.wordpress.com/de-maria-de-mariana-de-madalena/. Accessed 25 October 2023.
  36. Sousa, Catarina (2011–ongoing), Meta_Body. Available at: https://delicatessensl.wordpress.com/meta_body/
  37. Stelarc (2006), Walking Head Robot. Available at: http://stelarc.org/?catID=20244. Accessed 25 October 2023.
  38. Stelarc (2013), Out of my Skin, Live Performance. Available at: https://www.youtube.com/watch?v=RSsmjcl-BjA. Accessed 25 October 2023.
  39. Stelarc (2020–21), Audiograms in 52 Actions. Available at: http://stelarc.org/audiogram.php. Accessed 25 October 2023.

References

  1. Batchen, Geoffrey (1995), ‘Spectres of cyberspace’, Afterimage, 23:3, pp. 67.
    [Google Scholar]
  2. Bryld, Mette (1996), ‘Dialogues with dolphins and other extraterrestrials: Displacements in gendered space’, in N. Lykke and R. Braidotti (eds), Between Monsters, Goddesses and Cyborgs: Feminist Confrontations with Science, Medicine, and Cyberspace, London: Zed Books.
    [Google Scholar]
  3. Burton, Laini (2015), ‘“Swallowable Parfum”: The evolution of scent or the senses?’, in L. Downing Peters (ed.), The Body Beautiful? Identity, Performance, Fashion and the Contemporary Female Body, Oxford: Inter-Disciplinary Press.
    [Google Scholar]
  4. Cardenas, Micha (2010), ‘Becoming Dragon: A transversal technology study’, Code Drift: Essays in Critical Digital Studies, 9, n.pag., https://journals.uvic.ca/index.php/ctheory/article/view/14680/5550. Accessed 10 October 2022.
    [Google Scholar]
  5. Cardenas, Micha, Head, Christopher, Margolis, Todd, and Greco, Kael (2009), ‘Becoming Dragon: A mixed reality, durational performance in Second Life’, The International Society of Optical Engineering Conference Proceedings, https://doi.org/10.1117/12.806260.
    [Google Scholar]
  6. Doyle, Denise (2008), ‘Art and the avatar: The Kritical Works in SL project’, International Journal of Performance Arts and Digital Media, 4:2&3, pp. 13753.
    [Google Scholar]
  7. Doyle, Denise (2015), ‘Exploring liminal practices in art, technology and science’, in D. Harrison (ed.), Handbook of Research on Digital Media and Creative Technologies, Hershey: IGI Global.
    [Google Scholar]
  8. Doyle, Denise and Kim, Taey (2007), ‘Embodied narrative: The virtual nomad and the meta dreamer’, The International Journal of Performance Arts and Digital Media, 3:2&3, pp. 20922.112
    [Google Scholar]
  9. Doyle, Doyle (2011), ‘The body of the avatar: Constructing human presence in virtual worlds’, in A. Ensslin (ed.), Creating Second Lives: Community, Identity and Spatiality as Constructions of the Virtual, Oxford and New York: Routledge.
    [Google Scholar]
  10. Government Office for Science (2013), ‘Future Identities: Changing Identities in the UK’, UK Government Report, https://www.gov.uk/government/publications/future-identities-changing-identities-in-the-uk. Accessed 14 November 2023.
  11. Haraway, Donna J. (1991), Simians, Cyborgs, and Women: The Reinvention of Nature, London: Free Association Books.
    [Google Scholar]
  12. Hatziyiannaki, Anna (2017), ‘Towards a semi-living avatar: Investigating the interface body-smart machines in Stelarc's work’, NoemaLab, https://noemalab.eu/ideas/towards-a-semi-living-avatar-investigating-the-interface-body-smart-machines-in-stelarcs-work/. Accessed 14 November 2023.
    [Google Scholar]
  13. Heller, Lynne (2015), ‘Found objects, bought selves’, in D. Doyle (ed.), New Opportunities for Artistic Practice in Virtual Worlds, Hershey: IGI Global.
    [Google Scholar]
  14. Kozel, Susan (1994), Spacemaking: Experiences of a Virtual Body, http://art.net/~dtz/kozel.html. Accessed 12 October 2022.
  15. Kroker, Arthur (2012), Body Drift: Butler, Hayles, Haraway, Minneapolis: University of Minnesota Press.
    [Google Scholar]
  16. Larson, Jeremy D. (2016), ‘Meet Andrew Thomas Huang, the filmmaker behind Björk's stunning VR videos’, Redbull Music Academy, https://daily.redbullmusicacademy.com/2016/10/andrew-huang-bjork-vr-director-interview. Accessed 14 November 2023.
    [Google Scholar]
  17. Lefebvre, Henri (1991), The Production of Space, Oxford: Blackwell Publishing.
    [Google Scholar]
  18. Monroe, Jazz (2018), ‘Björk: With all the Earth's electricity’, Crack Magazine, https://crackmagazine.net/article/long-reads/bjork-cover-feature/. Accessed 14 November 2023.
    [Google Scholar]
  19. Moore, Sam (2016), ‘Bjork opens Digital London exhibition by appearing as an avatar at Somerset House press conference’, NME, https://www.nme.com/news/music/bjork-2-1188711. Accessed 14 November 2023.
    [Google Scholar]
  20. Raby, Dan (2012), ‘Bjork explores the world within for “Hollow”’, NPR, https://www.npr.org/sections/allsongs/2012/03/01/147756106/bjork-explores-the-world-within. Accessed 14 November 2023.
    [Google Scholar]
  21. Richards, Jason (2011), ‘Bjork talks about how nature inspired her new, high-tech album’, The Atlantic, https://www.theatlantic.com/entertainment/archive/2011/10/bjork-talks-abouthow-nature-inspired-her-new-high-tech-album/246281/. Accessed 14 November 2023.
    [Google Scholar]
  22. Schwartz, Max, Lenz, Christian, Memmesheimer, Raphael, Patzold, Bastian, Rochow, Andre, Schreiber, Michael, and Behnke, Sven (2023), ‘Robust immersive telepresence and mobile telemanipulation: NimbRo wins ANA avatar XPRIZE finals’, International Conference on Intelligent Robots and Systems (IROS) Conference Proceedings.
  23. Schomaker, Kristine (2010), ‘My life as an avatar’, Kristine Schomaker website, https://www.kristineschomaker.net/my-life-as-an-avatar. Accessed 10 October 2023.113
    [Google Scholar]
  24. Sousa, Catarina (2012), ‘Mom and me through the looking glass’, Journal of Metaverse Creativity, 2:2, pp. 13962.
    [Google Scholar]
  25. Sousa, Catarina (2015), ‘Meta_Body: Virtual corporeality as a shared creative process’, in D. Doyle (ed.), New Opportunities for Artistic Practice in Virtual Worlds, Hershey: IGI Global.
    [Google Scholar]
  26. Sousa, Catarina (2016), ‘Virtual corporeality and shared creativity: Embodying avatars in the metaverse’, Ph.D. thesis, Coimbra: University of Coimbra.
  27. Squier, Susan (2004), Liminal Lives, Cambridge: Harvard University Press.
    [Google Scholar]
  28. Stelarc (1980–2022), Works of Stelarc, http://stelarc.org/. Accessed 9 February 2024.
  29. Veerapen, Maeva (2011), ‘Encountering oneself and the other: A case study of identity formation in Second Life’, in A. Peachey and M. Childs (eds), Reinventing Ourselves: Contemporary Concepts of Identity in Virtual Worlds, London: Springer.
    [Google Scholar]
  30. White, Michele (2009), ‘Review: Networked bodies and extended corporealities: Theorizing the relationship between the body, embodiment, and contemporary media’, Feminist Studies, The Politics of Embodiment, 35:3, pp. 60324.
    [Google Scholar]
  31. Yee, Nick and Bailenson, Jeremy (2006), ‘Walk a mile in digital shoes: The impact of embodied perspective-taking on the reduction of negative stereotyping in immersive environment’, 9th International Workshop on Presence Proceedings, pp. 14756.
  32. Zurbrugg, Nicholas (1999), ‘Virilio, Stelarc and ‘terminal’ technoculture’, Theory, Culture & Society, 16:5&6, pp. 17799, https://doi.org/10.1177/02632769922050782
    [Google Scholar]
  33. Cardenas, Micha (2009), Becoming Dragon, Mixed-Reality Performance. Available at: http://secondloop.wordpress.com/. Accessed 25 October 2023.
  34. Heller, Lynne (2007–ongoing), Adventures of Nar Duell, Comic Book Series. Available at: http://www.lynneheller.com/#/01/. Accessed 25 October 2023.
  35. Sousa, Catarina (2009), De Maria, de Mariana, de Madalena. Available at: https://delicatessensl.wordpress.com/de-maria-de-mariana-de-madalena/. Accessed 25 October 2023.
  36. Sousa, Catarina (2011–ongoing), Meta_Body. Available at: https://delicatessensl.wordpress.com/meta_body/
  37. Stelarc (2006), Walking Head Robot. Available at: http://stelarc.org/?catID=20244. Accessed 25 October 2023.
  38. Stelarc (2013), Out of my Skin, Live Performance. Available at: https://www.youtube.com/watch?v=RSsmjcl-BjA. Accessed 25 October 2023.
  39. Stelarc (2020–21), Audiograms in 52 Actions. Available at: http://stelarc.org/audiogram.php. Accessed 25 October 2023.
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