Full text loading...
The Egyptian film The Yacoubian Building (2006) is a mosaic of interrelated characters who all live in the same building that exists in Downtown Cairo. Referred to as the social microcosm genre, the film ensembles a large cast of people who go about their lives crisscrossing and sometimes colliding, all joined together by chance. Such unrelated stories interacting in unpredictable ways are known as fractals. This paper aims to explore and comprehend the notion of fractals as spatial narratives where space is entirely structured by complexity and unexpected encounters, rather than linearity and order. The research framework overlaps two theories of fractals. The first is the notion of fractal city drawn from the writings of Greek urban theorist Nikos Salingaros where he highlights urban growth and composition of spatial elements. The second is adopted from Professor Wendy Everett from the University of Bath who examines the idea of complexity in filmic narratives. Through examining The Yacoubian building (2006), the paper attempts to layer the physical and non-physical aspects of fractals, i.e. the actual Yacoubian building, its physicality against the backdrop of its socio-political historical layers, overlayered with the notion of fate and randomness containing the intertwined narratives of our characters.
Keywords: Abstract vs. Physical Representation ; Cairo ; Complexity ; Fractals ; History ; Interrelated Characters ; Megacity ; Microcosm Genre ; Modernism ; Society ; Spatial ; Stories ; Urban Growth
Full text loading...
Data & Media loading...
Publication Date:
https://doi.org/10.1386/9781789389807_4 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.