Full text loading...
This chapter focuses on two songs by calypsonian David Rudder exploring the hope and experiences of the immigrant. The Immigrants (1998) discusses the browning of the city by immigrants from the Caribbean, Latin America and the global South. Forty-one Bullets (2001) describes the shooting of Amadou Diallo, a Guinean immigrant at the entrance of his apartment building by New York City police. Both these songs center the immigrant in the city. Rudder describes the hopes, fears and dreams shared by many immigrants alongside some of their contributions to the changing cultural landscape of the city and the tensions that sometimes develop because of the arrival of new ethnic groups. He also confronts the American narrative that claims to be a country of immigrants while simultaneously engaging in a practice of brutality, exploitation, and exclusion. His song challenges the myth of multiculturalism and inclusion with the reality of hostility and depravity.
Keywords: Adner Louima ; African immigrant ; Amadou Diallo ; American dream ; American narrative ; Browning of America ; calypso ; Caribbean ; Content analysis ; David Rudder ; immigrant ; literary analysis ; New York City Police Department ; police brutality ; soca
Full text loading...
Publication Date:
https://doi.org/10.1386/9781789389906_15 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.