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Citing the Past as a Political Resource against Donald Trump: Performing Punk and Queer Feminism in Blondie's Music Video

image of Citing the Past as a Political Resource against Donald Trump: Performing Punk and Queer Feminism in Blondie's Music Video Doom or Destiny

In 2017, New York punk and new wave band Blondie released the music video “Doom or Destiny” to protest the inauguration of Donald Trump as the 45th President of the United States, following his divisive, often sexist, and racist campaign against Hillary Clinton. Collaborating with feminist punk performer Joan Jett, Blondie draws on their history in New York's punk scene since the 1970s, using it as a queer-feminist resource to critique modern politics, media, and society. Building on recent debates about the performance and performativity of (sub)cultural memory and social identity, this chapter studies how cultural citations related to punk, queerness, feminism, and New York City construct and commemorate Blondie's queer and feminist punk identity. Implying a romanticized continuity of liberal values in punk, it argues that “Doom or Destiny” aligns with recent, popular queer and feminist struggles that arose as ‘popular feminism’ in the United States in the 2010s.

Keywords: Blondie ; Cultural Citationality ; Cultural Heritage ; Donald Trump ; Feminism ; Feminist Practice ; History ; Identity ; Memory Practice ; Music Video ; Narrative ; Performing Arts ; Popular Feminism ; Punk ; Queerness

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References

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References

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     [Google Scholar]
  2. Bermudez, Vanessa (2017), ‘Blondie Releases Politically Charged Video for “Doom or Destiny”, Featuring Joan Jett’, Pop Dust, 6 December, https://www.popdust.com/blondie-debbie-harry-doom-or-destiny-pollinator-2515372023.htm. Accessed 5 March 2021.
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  3. Bestley, Russell (2013), ‘“I Tried to Make Him Laugh, He Didn't Get the Joke…”: Taking Punk Humour Seriously’, Punk & Post Punk, 2:2, pp. 119–45, http://www.ingentaconnect.com/content/10.1386/punk.2.2.119_1. Accessed 26 March 2021.
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  30. Masullo Chen, Gina, Pain, Paromita and Zhang, Jinglun (2018), ‘#NastyWomen: Reclaiming the Twitterverse from Misogyny’, in J. R. Vickery and T. Everbach (eds), Mediating Misogyny, Cham: Springer International Publishing, pp. 371–88, http://link.springer.com/10.1007/978-3-319-72917-6. Accessed 29 March 2021.
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     [Google Scholar]
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     [Google Scholar]
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     [Google Scholar]
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     [Google Scholar]
  44. Wrenn, Corey (2019), ‘Pussy Grabs Back: Bestialized Sexual Politics and Intersectional Failure in Protest Posters for the 2017 Women's March’, Feminist Media Studies, 19:6, pp. 803–21, https://www.tandfonline.com/doi/full/10.1080/14680777.2018.1465107. Accessed 5 March 2021.
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