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References

GLAAD (2023), Where We Are on TV (2022–23), Published on GLAAD, https://glaad.org/whereweareontv22/. Accessed 25 September 2023 .
Griffin, F. Hollis (2023), ‘Introduction: Queer tools for studying digital television’, in F. Hollis Griffin (ed.), Television Studies in Queer Times, Abingdon and New York: Routledge, pp. 1–10.
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McNamara, Brittney (2023), ‘Bella Ramsey opened up about gender, pronouns, and backlash to The Last of Us’, Teen Vogue, https://www.teenvogue.com/story/bella-ramsey-gender-pronouns-and-backlash-to-the-last-of-us. Accessed 25 September 2023 .
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Shacklock, Zoë (2023), ‘The category is: Streaming queer television’, New Review of Film and Television Studies, 21:2, pp. 316–37, https://www.tandfonline.com/doi/abs/10.1080/17400309.2023.2202597. Accessed 25 September 2023 .
[Google Scholar]
Zhao, Jamie J. (2023), ‘Introduction: Making “TV China” perfectly queer’, in J. J. Zhao (ed.), Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness, Hong Kong: Hong Kong University Press, pp. 1–28.
[Google Scholar]

GLAAD (2023), Where We Are on TV (2022–23), Published on GLAAD, https://glaad.org/whereweareontv22/. Accessed 25 September 2023 .
Griffin, F. Hollis (2023), ‘Introduction: Queer tools for studying digital television’, in F. Hollis Griffin (ed.), Television Studies in Queer Times, Abingdon and New York: Routledge, pp. 1–10.
[Google Scholar]
McNamara, Brittney (2023), ‘Bella Ramsey opened up about gender, pronouns, and backlash to The Last of Us’, Teen Vogue, https://www.teenvogue.com/story/bella-ramsey-gender-pronouns-and-backlash-to-the-last-of-us. Accessed 25 September 2023 .
[Google Scholar]
Shacklock, Zoë (2023), ‘The category is: Streaming queer television’, New Review of Film and Television Studies, 21:2, pp. 316–37, https://www.tandfonline.com/doi/abs/10.1080/17400309.2023.2202597. Accessed 25 September 2023 .
[Google Scholar]
Zhao, Jamie J. (2023), ‘Introduction: Making “TV China” perfectly queer’, in J. J. Zhao (ed.), Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness, Hong Kong: Hong Kong University Press, pp. 1–28.
[Google Scholar]

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