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Striking Poses of Possibility: Exploring the Transgressive Imaginations of the Series and Its Promotional Posters

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References

  1. ‘Access’ (2018), Ryan Murphy (dir.), Pose, Season 1 Episode 2 (10 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
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  2. BUILD Series (2018), ‘Janet Mock speaks on “Pose”’, YouTube, 31 May, https://youtu.be/WmzTxFXNs8c. Accessed 31 July 2023 .
  3. Cavalcante, Andre (2013), ‘Centering transgender identity via the textual periphery: TransAmerica and the “double work” of paratexts’, Critical Studies in Media Communication, 30:2, pp. 85–101.
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  4. De Kosnik, Abigail , Goldberg, Clement Hil , Havard, Julia and Morgan Johnson Paige (2020), ‘Trans memory as transmedia activism’, in S. Merrill , E. Keightley and P. Daphi (eds), Social Movements, Cultural Memory and Digital Media: Mobilising Mediated Remembrance, Berlin: Springer Nature, pp. 33–58.
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  5. Fawaz, Ramzi (2017), ‘Collectives’, in J. Nash (ed.), Macmillan Interdisciplinary Handbook Series (MIHS) – Gender, Farmington Hills, MI: Macmillan Reference USA, pp. 137–51.
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  6. Firestone, Shulamith (1972), The Dialecticthe Case for Feminist Revolution, New York: William Morrow.
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  7. FX Networks (2018a), ‘Pose | Identity, Family, Community Season 1: Ballrooms | FX’, YouTube, 9 July, https://youtu.be/83_OYynuKwQ. Accessed 31 July 2023 .
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  8. FX Networks (2018b), ‘Pose | Identity, Family, Community Season 1: Beyond Fashion | FX’, YouTube, 20 July, https://youtu.be/ekeIiLa5M_Q. Accessed 31 July 2023 .
  9. ‘Giving and Receiving’ (2018), Nelson Cragg (dir.), Pose, Season 1 Episode 3 (17 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  10. Goddard, Michael and Hogg, Christopher (2020), ‘Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2’, Critical Studies in Television, 15:3, pp. 255–66.
     [Google Scholar]
  11. Gornick, Vivian (1971), ‘Consciousness raising’, The New York Times Magazine. 10 January, p. 22.42
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  12. Gray, Jonathan (2010), Show Sold Separately: Promos, Spoilers, and Other Media Paratexts, New York: NYU Press.
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  13. Halberstam, Jack (Judith) (2005), In a Queer Time and Place: Transgender Bodies, Subcultural Lives, New York: NYU Press.
     [Google Scholar]
  14. Joyrich, Ly (2022), ‘Posing as normal?: The televisual and the queer, The New Normal and Pose’, in B. R. Weber and D. Greven (eds), Ryan Murphy's Queer America, New York: Routledge, pp. 27–40.
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  15. Livingston, Jennie (1990), Paris Is Burning, Canada: Academy Entertainment and Off White Productions.
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  16. Lothian, Alex (2018), Old Futures, Kindle ed., New York: New York University Press.
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  17. Martin Jr, Alfred L. (2020), ‘For scholars… when studying the queer of color image alone isn't enough’, Communication and Critical/Cultural Studies, 17:1, pp. 69–74.
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  18. Mock, Janet (2014), Redefining Realness: My Path to Womanhood, Identity, Love & So Much More, New York: Simon and Schuster.
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  19. Moore, Madison (2018), Fabulous: The Rise of the Beautiful Eccentric, New Haven, CT: Yale University Press.
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  20. ‘Mother of the Year’ (2018), Gwyneth Horder-Payton (dir.), Pose, Season 1 Episode 8 (22 July, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  21. ‘Mother's Day’ (2018), Silas Howard (dir.), Pose, Season 1 Episode 5 (1 July, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  22. Muñoz, José Esteban (1999), Disidentifications: Queers of Color and the Performance of Politics, vol. 2, Minneapolis, MN: University of Minnesota Press.
     [Google Scholar]
  23. Ochoa, Marcia (2014), Queen for a Day: Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela, Durham, NC: Duke University Press.
     [Google Scholar]
  24. ‘Pilot’ (2018), Ryan Murphy (dir.), Pose, Season 1 Episode 1 (3 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  25. ‘Pink Slip’ (2018), Tina Mabry (dir.), Pose, Season 1 Episode 7 (15 July, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
    [Google Scholar]
  26. Rodríguez, Juana María (2014), Sexual Futures, Queer Gestures, and Other Latina Longings, New York: NYU Press.
     [Google Scholar]
  27. Rowe, Kathleen (2011), The Unruly Woman: Gender and the Genres of Laughter, Austin, TX: University of Texas Press.
     [Google Scholar]
  28. ‘The Fever’ (2018), Gwyneth Horder-Payton (dir.), Pose, Season 1 Episode 4 (24 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  29. Woods, Faye (2022), Period Drama, Edinburgh: Edinburgh University Press.
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  30. Youmans, Greg (2011), Word Is Out: A Queer Film Classic, Kindle ed., Vancouver: Arsenal Pulp Press.43
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References

  1. ‘Access’ (2018), Ryan Murphy (dir.), Pose, Season 1 Episode 2 (10 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  2. BUILD Series (2018), ‘Janet Mock speaks on “Pose”’, YouTube, 31 May, https://youtu.be/WmzTxFXNs8c. Accessed 31 July 2023 .
  3. Cavalcante, Andre (2013), ‘Centering transgender identity via the textual periphery: TransAmerica and the “double work” of paratexts’, Critical Studies in Media Communication, 30:2, pp. 85–101.
     [Google Scholar]
  4. De Kosnik, Abigail , Goldberg, Clement Hil , Havard, Julia and Morgan Johnson Paige (2020), ‘Trans memory as transmedia activism’, in S. Merrill , E. Keightley and P. Daphi (eds), Social Movements, Cultural Memory and Digital Media: Mobilising Mediated Remembrance, Berlin: Springer Nature, pp. 33–58.
    [Google Scholar]
  5. Fawaz, Ramzi (2017), ‘Collectives’, in J. Nash (ed.), Macmillan Interdisciplinary Handbook Series (MIHS) – Gender, Farmington Hills, MI: Macmillan Reference USA, pp. 137–51.
     [Google Scholar]
  6. Firestone, Shulamith (1972), The Dialecticthe Case for Feminist Revolution, New York: William Morrow.
     [Google Scholar]
  7. FX Networks (2018a), ‘Pose | Identity, Family, Community Season 1: Ballrooms | FX’, YouTube, 9 July, https://youtu.be/83_OYynuKwQ. Accessed 31 July 2023 .
     [Google Scholar]
  8. FX Networks (2018b), ‘Pose | Identity, Family, Community Season 1: Beyond Fashion | FX’, YouTube, 20 July, https://youtu.be/ekeIiLa5M_Q. Accessed 31 July 2023 .
  9. ‘Giving and Receiving’ (2018), Nelson Cragg (dir.), Pose, Season 1 Episode 3 (17 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  10. Goddard, Michael and Hogg, Christopher (2020), ‘Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2’, Critical Studies in Television, 15:3, pp. 255–66.
     [Google Scholar]
  11. Gornick, Vivian (1971), ‘Consciousness raising’, The New York Times Magazine. 10 January, p. 22.42
     [Google Scholar]
  12. Gray, Jonathan (2010), Show Sold Separately: Promos, Spoilers, and Other Media Paratexts, New York: NYU Press.
     [Google Scholar]
  13. Halberstam, Jack (Judith) (2005), In a Queer Time and Place: Transgender Bodies, Subcultural Lives, New York: NYU Press.
     [Google Scholar]
  14. Joyrich, Ly (2022), ‘Posing as normal?: The televisual and the queer, The New Normal and Pose’, in B. R. Weber and D. Greven (eds), Ryan Murphy's Queer America, New York: Routledge, pp. 27–40.
     [Google Scholar]
  15. Livingston, Jennie (1990), Paris Is Burning, Canada: Academy Entertainment and Off White Productions.
     [Google Scholar]
  16. Lothian, Alex (2018), Old Futures, Kindle ed., New York: New York University Press.
     [Google Scholar]
  17. Martin Jr, Alfred L. (2020), ‘For scholars… when studying the queer of color image alone isn't enough’, Communication and Critical/Cultural Studies, 17:1, pp. 69–74.
     [Google Scholar]
  18. Mock, Janet (2014), Redefining Realness: My Path to Womanhood, Identity, Love & So Much More, New York: Simon and Schuster.
     [Google Scholar]
  19. Moore, Madison (2018), Fabulous: The Rise of the Beautiful Eccentric, New Haven, CT: Yale University Press.
     [Google Scholar]
  20. ‘Mother of the Year’ (2018), Gwyneth Horder-Payton (dir.), Pose, Season 1 Episode 8 (22 July, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  21. ‘Mother's Day’ (2018), Silas Howard (dir.), Pose, Season 1 Episode 5 (1 July, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  22. Muñoz, José Esteban (1999), Disidentifications: Queers of Color and the Performance of Politics, vol. 2, Minneapolis, MN: University of Minnesota Press.
     [Google Scholar]
  23. Ochoa, Marcia (2014), Queen for a Day: Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela, Durham, NC: Duke University Press.
     [Google Scholar]
  24. ‘Pilot’ (2018), Ryan Murphy (dir.), Pose, Season 1 Episode 1 (3 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  25. ‘Pink Slip’ (2018), Tina Mabry (dir.), Pose, Season 1 Episode 7 (15 July, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
    [Google Scholar]
  26. Rodríguez, Juana María (2014), Sexual Futures, Queer Gestures, and Other Latina Longings, New York: NYU Press.
     [Google Scholar]
  27. Rowe, Kathleen (2011), The Unruly Woman: Gender and the Genres of Laughter, Austin, TX: University of Texas Press.
     [Google Scholar]
  28. ‘The Fever’ (2018), Gwyneth Horder-Payton (dir.), Pose, Season 1 Episode 4 (24 June, USA: Color Force, Brad Falchuk Teley-Vision, Ryan Murphy Television, 20th Television, FXP).
     [Google Scholar]
  29. Woods, Faye (2022), Period Drama, Edinburgh: Edinburgh University Press.
     [Google Scholar]
  30. Youmans, Greg (2011), Word Is Out: A Queer Film Classic, Kindle ed., Vancouver: Arsenal Pulp Press.43
     [Google Scholar]

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