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‘Que soy marimacha’: 's Queer Inheritance

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References

  1. Anzaldúa, Gloria (1987), Borderlands/La Frontera: The New Mestiza, San Francisco, CA: Aunt Lute Books.
     [Google Scholar]
  2. Barnard, Ian (1997), ‘Gloria Anzaldúa's queer mestisaje’, MELUS, 22:1, pp. 35–53.
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  3. Bastian, Michelle (2011), ‘The contradictory simultaneity of being with others: Exploring concepts of time and community in the work of Gloria Anzaldúa’, Feminist Review, 97:1, pp. 151–67.
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  4. Bersani, Leo (1995), Homos, Cambridge, MA: Harvard University Press.
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  5. Butler, Judith (1990), Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge.
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  6. Cornejo, Giancarlo (2019), ‘Travesti dreams outside in the ethnographic machine’, GLQ, 25:3, pp. 457–82.
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  7. Dry, Jude (2020), ‘ Vida: Why TV's best show about queer women of color shouldn't end with season 3’, IndieWire, 18 March, https://www.indiewire.com/2020/03/vida-canceled-lesbian-queer-mexican-american-starz-season-3-1202218705/. Accessed 15 June 2021 .
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  8. Edelman, Lee (2004), No Future: Queer Theory and the Death Drive, Durham, NC: Duke University Press.
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  9. Eguchi, Shinsuke and Washington, Myra S. (2016), ‘Race-ing queerness: Normative intimacies in LOGO's DTLA’, Journal of Communication Inquiry, 40:4, pp. 408–23.
     [Google Scholar]
  10. ‘Episode 6’ (2018), Rose Troche (dir.), Vida, Season 1 Episode 6 (10 June, USA: Big Beach, Chingona Productions).
     [Google Scholar]
  11. ‘Episode 21’ (2020), Tanya Saracho (dir.), Vida, Season 3 Episode 4 (17 May, USA: Big Beach, Chingona Productions).
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  12. ‘Episode 22’ (2020), Tanya Saracho (dir.), Vida, Season 3 Episode 6 (31 May, USA: Big Beach, Chingona Productions).
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  13. Ferguson, Roderick (2004), Aberrations in Black: Toward a Queer of Color Critique, Minneapolis, MN: University of Minnesota Press.54
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  14. Framke, Caroline (2018), ‘Starz's Vida is the rare TV show that centers on queer Latinx community. It's wonderful’, Vox, 6 May, https://www.vox.com/culture/2018/5/5/17310952/vida-starz-review. Accessed 17 June 2021 .
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  15. Garcia, Gabriela (2019), ‘Vida actors open up on the show's subversive use of sex & nudity’, Remezcla, 10 June, https://remezcla.com/features/film/vida-nudity-sex-scenes/. Accessed 30 June 2021 .
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  16. Henitiuk, Valerie (2003), ‘Step into my parlour: Magical realism and the creation of a feminist space’, Canadian Review of Comparative Literature, 30:2, pp. 410–27.
     [Google Scholar]
  17. Jones, Amelia and Silver, Erin (eds) (2016), Otherwise: Imagining Queer Feminist Art Histories, Manchester: Manchester University Press.
     [Google Scholar]
  18. McNicholas Smith, Kate (2020), Lesbians on Television: New Queer Visibility & The Lesbian Normal, Chicago: Intellect.
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  19. Mitchell, Schuyler (2020), ‘How did L.A. become a city without lesbian bars?’ Los Angeles Magazine, 30 June, https://www.lamag.com/culturefiles/lesbian-bars-los-angeles/. Accessed 16 May 2021 .
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  20. Moraga, Cherríe (1981), ‘La Guera’, in C. Moraga and G. Anzaldúa (eds), This Bridge Called My Back: Writings by Radical Women of Color, London: Persephone Press, pp. 27–34.
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  21. Muñoz, José Esteban (1999), Disidentifications: Queers of Color and the Performance of Politics, Minneapolis, MN: University of Minnesota Press.
     [Google Scholar]
  22. Muñoz, José Esteban (2014), ‘Wise Latinas’, Criticism, 56:2, pp. 249–65.
     [Google Scholar]
  23. Perales, Monica (2013), ‘On Borderlands/La Frontera: Gloria Anzaldúa and twenty-five years of research on gender in the borderlands’, Journal of Women's History, 25:4, pp. 163–73.
     [Google Scholar]
  24. Pineda, Dorany (2020), ‘How do you reinvent the quinceañera? Embrace the '80s and make it queer’, Los Angeles Times, 17 May, https://www.latimes.com/entertainment-arts/tv/story/2020-05-17/starz-vida-queer-quinceanera-episode. Accessed 2 July 2021 .
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  25. Romero, Ariana (2020), ‘Vida may be over, but creator Tanya Saracho knows how her show lives on’, Refinery 29, 31 May, https://www.refinery29.com/en-us/2020/05/9843379/vida-starz-season-3-episode-6-recap-interview. Accessed 15 July 2021 .
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  26. San Filippo, Maria (2013), The B Word: Bisexuality in Contemporary Film and Television, Bloomington, IN: Indiana University Press.
     [Google Scholar]
  27. Schulman, Sarah (2012), The Gentrification of the Mind: Witness to a Lost Imagination, Berkeley, CA: University of California Press.
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  28. Trigo, Benigno (2006), Remembering Maternal Bodies: Melancholy in Latina and Latin American Women's Writing, New York: Palgrave Macmillan.55
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References

  1. Anzaldúa, Gloria (1987), Borderlands/La Frontera: The New Mestiza, San Francisco, CA: Aunt Lute Books.
     [Google Scholar]
  2. Barnard, Ian (1997), ‘Gloria Anzaldúa's queer mestisaje’, MELUS, 22:1, pp. 35–53.
     [Google Scholar]
  3. Bastian, Michelle (2011), ‘The contradictory simultaneity of being with others: Exploring concepts of time and community in the work of Gloria Anzaldúa’, Feminist Review, 97:1, pp. 151–67.
     [Google Scholar]
  4. Bersani, Leo (1995), Homos, Cambridge, MA: Harvard University Press.
     [Google Scholar]
  5. Butler, Judith (1990), Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge.
     [Google Scholar]
  6. Cornejo, Giancarlo (2019), ‘Travesti dreams outside in the ethnographic machine’, GLQ, 25:3, pp. 457–82.
     [Google Scholar]
  7. Dry, Jude (2020), ‘ Vida: Why TV's best show about queer women of color shouldn't end with season 3’, IndieWire, 18 March, https://www.indiewire.com/2020/03/vida-canceled-lesbian-queer-mexican-american-starz-season-3-1202218705/. Accessed 15 June 2021 .
     [Google Scholar]
  8. Edelman, Lee (2004), No Future: Queer Theory and the Death Drive, Durham, NC: Duke University Press.
     [Google Scholar]
  9. Eguchi, Shinsuke and Washington, Myra S. (2016), ‘Race-ing queerness: Normative intimacies in LOGO's DTLA’, Journal of Communication Inquiry, 40:4, pp. 408–23.
     [Google Scholar]
  10. ‘Episode 6’ (2018), Rose Troche (dir.), Vida, Season 1 Episode 6 (10 June, USA: Big Beach, Chingona Productions).
     [Google Scholar]
  11. ‘Episode 21’ (2020), Tanya Saracho (dir.), Vida, Season 3 Episode 4 (17 May, USA: Big Beach, Chingona Productions).
     [Google Scholar]
  12. ‘Episode 22’ (2020), Tanya Saracho (dir.), Vida, Season 3 Episode 6 (31 May, USA: Big Beach, Chingona Productions).
     [Google Scholar]
  13. Ferguson, Roderick (2004), Aberrations in Black: Toward a Queer of Color Critique, Minneapolis, MN: University of Minnesota Press.54
     [Google Scholar]
  14. Framke, Caroline (2018), ‘Starz's Vida is the rare TV show that centers on queer Latinx community. It's wonderful’, Vox, 6 May, https://www.vox.com/culture/2018/5/5/17310952/vida-starz-review. Accessed 17 June 2021 .
     [Google Scholar]
  15. Garcia, Gabriela (2019), ‘Vida actors open up on the show's subversive use of sex & nudity’, Remezcla, 10 June, https://remezcla.com/features/film/vida-nudity-sex-scenes/. Accessed 30 June 2021 .
     [Google Scholar]
  16. Henitiuk, Valerie (2003), ‘Step into my parlour: Magical realism and the creation of a feminist space’, Canadian Review of Comparative Literature, 30:2, pp. 410–27.
     [Google Scholar]
  17. Jones, Amelia and Silver, Erin (eds) (2016), Otherwise: Imagining Queer Feminist Art Histories, Manchester: Manchester University Press.
     [Google Scholar]
  18. McNicholas Smith, Kate (2020), Lesbians on Television: New Queer Visibility & The Lesbian Normal, Chicago: Intellect.
     [Google Scholar]
  19. Mitchell, Schuyler (2020), ‘How did L.A. become a city without lesbian bars?’ Los Angeles Magazine, 30 June, https://www.lamag.com/culturefiles/lesbian-bars-los-angeles/. Accessed 16 May 2021 .
     [Google Scholar]
  20. Moraga, Cherríe (1981), ‘La Guera’, in C. Moraga and G. Anzaldúa (eds), This Bridge Called My Back: Writings by Radical Women of Color, London: Persephone Press, pp. 27–34.
     [Google Scholar]
  21. Muñoz, José Esteban (1999), Disidentifications: Queers of Color and the Performance of Politics, Minneapolis, MN: University of Minnesota Press.
     [Google Scholar]
  22. Muñoz, José Esteban (2014), ‘Wise Latinas’, Criticism, 56:2, pp. 249–65.
     [Google Scholar]
  23. Perales, Monica (2013), ‘On Borderlands/La Frontera: Gloria Anzaldúa and twenty-five years of research on gender in the borderlands’, Journal of Women's History, 25:4, pp. 163–73.
     [Google Scholar]
  24. Pineda, Dorany (2020), ‘How do you reinvent the quinceañera? Embrace the '80s and make it queer’, Los Angeles Times, 17 May, https://www.latimes.com/entertainment-arts/tv/story/2020-05-17/starz-vida-queer-quinceanera-episode. Accessed 2 July 2021 .
     [Google Scholar]
  25. Romero, Ariana (2020), ‘Vida may be over, but creator Tanya Saracho knows how her show lives on’, Refinery 29, 31 May, https://www.refinery29.com/en-us/2020/05/9843379/vida-starz-season-3-episode-6-recap-interview. Accessed 15 July 2021 .
     [Google Scholar]
  26. San Filippo, Maria (2013), The B Word: Bisexuality in Contemporary Film and Television, Bloomington, IN: Indiana University Press.
     [Google Scholar]
  27. Schulman, Sarah (2012), The Gentrification of the Mind: Witness to a Lost Imagination, Berkeley, CA: University of California Press.
     [Google Scholar]
  28. Trigo, Benigno (2006), Remembering Maternal Bodies: Melancholy in Latina and Latin American Women's Writing, New York: Palgrave Macmillan.55
     [Google Scholar]

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