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De-Fanged Queerness in Reimagined

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References

  1. Aldana Reyes, Xavier (2017), ‘Dracula queered’, in R. Luckhurst (ed.), The Cambridge Companion to Dracula, Cambridge: Cambridge University Press, pp. 12535, https://doi.org/10.1017/9781316597217.013.
    [Google Scholar]
  2. Craft, Christopher (1984), ‘“Kiss me with those red lips”: Gender and inversion in Bram Stoker's Dracula’, Representations, 8, pp. 10733, https://doi.org/10.2307/2928560.
    [Google Scholar]
  3. Dracula (2013–14: NBC/SKY). Hungary.
  4. Dracula (2020: BBC One). United Kingdom.
  5. Halberstam, Jack (1995), Skin Shows: Gothic Horror and the Technology of Monsters, Durham, NC: Duke University Press.
    [Google Scholar]
  6. Hayfield, Nikki (2021), Bisexual and Pansexual Identities: Exploring and Challenging Invisibility and Invalidation, London: Routledge.
    [Google Scholar]
  7. Howes, Marjorie (1988), ‘The mediation of the feminine: Bisexuality, homoerotic desire, and self-expression in Bram Stoker's Dracula’, Texas Studies in Literature and Language, 30:1, pp. 10419, https://www.jstor.org/stable/40754849. Accessed 31 October 2021 .
    [Google Scholar]
  8. Hughes, William and Smith, Andrew (eds) (2009), Queering the Gothic, Manchester: Manchester University Press.
    [Google Scholar]
  9. Owens, Andrew J. (2021), Desire after Dark: Contemporary Queer Cultures and Occultly Marvelous Media, Bloomington: Indiana University Press.
    [Google Scholar]
  10. Stoker, Bram ([1897] 1997) Dracula (eds N. Auerbach and D. J. Skal), New York: Norton.
    [Google Scholar]
  11. Westengard, Laura (2019), Gothic Queer Culture Marginalized Communities and the Ghosts of Insidious Trauma, NE: Lincoln, University of Nebraska Press.192
    [Google Scholar]

References

  1. Aldana Reyes, Xavier (2017), ‘Dracula queered’, in R. Luckhurst (ed.), The Cambridge Companion to Dracula, Cambridge: Cambridge University Press, pp. 12535, https://doi.org/10.1017/9781316597217.013.
    [Google Scholar]
  2. Craft, Christopher (1984), ‘“Kiss me with those red lips”: Gender and inversion in Bram Stoker's Dracula’, Representations, 8, pp. 10733, https://doi.org/10.2307/2928560.
    [Google Scholar]
  3. Dracula (2013–14: NBC/SKY). Hungary.
  4. Dracula (2020: BBC One). United Kingdom.
  5. Halberstam, Jack (1995), Skin Shows: Gothic Horror and the Technology of Monsters, Durham, NC: Duke University Press.
    [Google Scholar]
  6. Hayfield, Nikki (2021), Bisexual and Pansexual Identities: Exploring and Challenging Invisibility and Invalidation, London: Routledge.
    [Google Scholar]
  7. Howes, Marjorie (1988), ‘The mediation of the feminine: Bisexuality, homoerotic desire, and self-expression in Bram Stoker's Dracula’, Texas Studies in Literature and Language, 30:1, pp. 10419, https://www.jstor.org/stable/40754849. Accessed 31 October 2021 .
    [Google Scholar]
  8. Hughes, William and Smith, Andrew (eds) (2009), Queering the Gothic, Manchester: Manchester University Press.
    [Google Scholar]
  9. Owens, Andrew J. (2021), Desire after Dark: Contemporary Queer Cultures and Occultly Marvelous Media, Bloomington: Indiana University Press.
    [Google Scholar]
  10. Stoker, Bram ([1897] 1997) Dracula (eds N. Auerbach and D. J. Skal), New York: Norton.
    [Google Scholar]
  11. Westengard, Laura (2019), Gothic Queer Culture Marginalized Communities and the Ghosts of Insidious Trauma, NE: Lincoln, University of Nebraska Press.192
    [Google Scholar]
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