Claws & Queer Fantasy: The Queer Power of Contemporary Television Narrative

By Brecken Hunter
Source: New Queer Television , pp 192-196
Publication Date: February 2025
DOI: https://doi.org/10.1386/9781835950067_17
Language: English

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References

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Claws (2017–21, USA: Le Train Train and Warner Horizon Television).
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Kessler, Kelly (2011), ‘They should suffer like the rest of us: Queer equality in narrative mediocrity’, Cinema Journal, 50:2, pp. 139–44, https://www.jstor.org/stable/41240700.
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Kooijman, Jaap (2019), ‘After Will & Ellen: Uneventful queer television,’ Critical Studies in Television, 14:4, pp. 451–55, https://doi.org/10.1177/1749602019875855.
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Mittell, Jason (2015), Complex TV: The Poetics of Contemporary Television Storytelling, New York and London: New York University Press.
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Rodman, Ron (2019), ‘Television genre/musical genre/expressive genre’, American Music, 37:4, pp. 435–57, https://muse.jhu.edu/article/741665. Accessed 14 February 2024.
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References

Allan, Blaine (1990), ‘Musical cinema, music video, music television’, Film Quarterly, 43:3, pp. 2–14, https://doi.org/10.2307/1212631.
[Google Scholar]
Avila-Saavedra, Guillermo (2009), ‘Nothing queer about queer television: Televised construction of gay masculinities’, Critical Studies in Television, 31:1, pp. 5–21, https://doi.org/10.1177/0163443708098243.
[Google Scholar]
‘Bats**t’ (2017), H. Deutsch (dir.), Claws, Season 1 Episode 5 (09 July (USA: Le Train Train and Warner Horizon Television).
Claws (2017–21, USA: Le Train Train and Warner Horizon Television).
Downey, Elizabeth M. (2016), ‘Glee, flash mobs, and the creation of heightened realities,’ The Journal of Popular Film & Television, 44:3, pp. 128–38, https://doi.org/10.1080/01956051.2016.1142419.
[Google Scholar]
‘Fallout’ (2017), J. Sherman Barrois (dir.), Claws, Season 1 Episode 4 (02 July (USA: Le Train Train and Warner Horizon Television).
Farmer, Brett (2000), Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships, Durham, NC and London: Duke University Press.
[Google Scholar]
Kessler, Kelly (2011), ‘They should suffer like the rest of us: Queer equality in narrative mediocrity’, Cinema Journal, 50:2, pp. 139–44, https://www.jstor.org/stable/41240700.
[Google Scholar]
Kooijman, Jaap (2019), ‘After Will & Ellen: Uneventful queer television,’ Critical Studies in Television, 14:4, pp. 451–55, https://doi.org/10.1177/1749602019875855.
[Google Scholar]
Mittell, Jason (2015), Complex TV: The Poetics of Contemporary Television Storytelling, New York and London: New York University Press.
[Google Scholar]
Rodman, Ron (2019), ‘Television genre/musical genre/expressive genre’, American Music, 37:4, pp. 435–57, https://muse.jhu.edu/article/741665. Accessed 14 February 2024.
[Google Scholar]
Rose, Brian (2003), ‘TV genres re-viewed’, The Journal of Popular Film & Television, 31:1, pp. 2–4, https://doi.org/10.1080/01956050309602862. Accessed 11 December 2023 .197
[Google Scholar]

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