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This introduction debates the critical and creative interventions in notions of performance and maternities in both contemporary and historical instances, in particular asking how we identify with and construct maternal and familial communities through performance in its multiple guises – live, on stage, online, through the media – and how these communities can function ideologically - both affect and drive positive social, cultural and pedagogic change, and yet on occasion be damaging and restrictive. Performing a variety of diverse - and diverse notions of - Maternities is a current political, social and feminist enquiry - whose relevance at a time of neo-liberal and now post-Covid-19 social and economic flux cannot be understated.
Thinking about maternity as performativity enables us to see that this embodied, common, global experience is not a simple biological given, but a complex network of ideological, cultural, historical and economic demands and discourses and behaviours, By framing some of those experiences through a lens of ‘performance’ we seek to both draw attention to the cultural constructions of maternity and motherhood and simultaneously suggest how writers, performers, artists and parents might use notions of performance as a kind of liberation from those constructions. This book participates in a contemporary and recent re-calibration of maternities by offering the notion of ‘performing’ maternities as both a lens and practice through which versions of maternity, matrescence, mothering and sharenting can be viewed, debated and challenged.
Keywords: Adrienne Rich ; bell hooks ; Birth ; Consciousness ; Feminism ; Maternities ; Maternity ; Matrescence ; Performing ; Women's Voices
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https://doi.org/10.1386/9781835950166_2 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.